Jim Jarmusch - celebsbar.com

Star Wars movies.The director said in a new interview that he takes issue with “mass things being shoved on me” and knowing “so much about them and the characters” without ever actually having watched them.He told The Believer: “I have particular things I will never see. I will never see any ‘Star Wars’ films, because I resent that I know so much about them and the characters.“Why is all that in my head when I’ve never actually seen one, you know? Why do I know about R2-D2 and Darth Vader and all these things when I’ve never even seen any ‘Star Wars’ film?”He continued: “I’ve never seen Gone With The Wind and I never will, just because I feel like it’s forced on me and it’s some kind of corny thing.”The Dead Don’t Die filmmaker added that he’s “not hierarchical” but he is less drawn to big, commercial works.“But because I really, deeply love the craft of filmmaking, I, of course, like masterful filmmakers’ work. But I watch all kinds of stuff,” he said.

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‘Father Mother Sister Brother’: Jim Jarmusch’s Latest Star Cate Blanchett, Adam Driver, Tom Waits & More

The main cast of Jim Jarmusch‘s first film since 2019’s “The Dead Don’t Die” has been revealed, and what a cast it is. Variety reports that Adam Driver, Mayim Bialik, Jarmusch regular Tom Waits, Charlotte Rampling, Indya Moore, and Luka Sabbat join Cate Blanchett and Vicky Krieps on “Father Mother Sister Brother.” Jarmusch has already wrapped shooting, with post-production underway in NYC, so expect the film to be ready for a premiere later this year.

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Adam Driver, Tom Waits, Mayim Bialik and More Join Cate Blanchett in Jim Jarmusch’s ‘Father Mother Sister Brother’ (EXCLUSIVE)

Jim Jarmusch’s anticipated next film, “Father Mother Sister Brother.” They’re joining Cate Blanchett and Vicky Krieps, who were previously rumored to be starring after being photographed on set. “Father Mother Sister Brother” recently wrapped production in Paris following shoots in Dublin, Ireland and in the Northeastern U.S. Post-production has begun New York, and the film is expected to be finished later this year.

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Cate Blanchett To Receive San Sebastian’s Donostia Award

The San Sebastian Film Festival will fete Cate Blanchett with its honorary Donostia Award at its forthcoming 72nd edition.

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Andrea Arnold To Be Feted By Cannes Directors’ Fortnight With Honorary Golden Carriage

The French Directors’ Guild (SRF) will fete UK director Andrea Arnold with its honorary Carrosse d’Or (Golden Carriage) award at the upcoming edition of its Cannes Directors’ Fortnight.

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Anthony Vaccarello’s Saint Laurent Productions Boards Jacques Audiard’s ‘Emilia Perez’ Starring Zoe Saldana

Elsa Keslassy International Correspondent After making its debut at last year’s Cannes Film Festival with Jean-Luc Godard’s last work and Pedro Almodóvar’s “Strange Way of Life,” Anthony Vaccarello‘s Saint Laurent Productions has boarded Jacques Audiard’s “Emilia Perez” as a co-producer. The musical thriller joins Saint Laurent Productions’ roster of prestige projects, including Oscar-winning director Paolo Sorrentino’s “Parthenope,” David Cronenberg’s “The Shrouds,” and the next films from Abel Ferrara, Wong Kar Wai, Jim Jarmusch and Gaspar Noé.

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Tilda Swinton Signs With CAA

EXCLUSIVE: Tilda Swinton, the Academy Award- and BAFTA Award-winning actress most recently seen in yet another indelible role in David Fincher’s Netflix hitman pic The Killer, has signed with CAA.

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Cate Blanchett Reportedly Working With With Jim Jarmusch On New Film

It’s been quite a while since Jim Jarmusch has released a film. Five years, actually.

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Jon Kilik, Producer of Spike Lee, Julian Schnabel, Alejandro Gonzalez Inarritu Films, Honored by Camerimage

Will Tizard Contributor Indie and art film producer Jon Kilik, unlike many, remains hopeful for the personal, mid-budget movie for grown-ups. “Those are the films directors love to make and audiences still love,” says Kilik, being feted this week at Poland’s Camerimage cinematography festival for work of special visual sensitivity.

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Singapore’s Nicole Midori Woodford On Hauntings & Echoes Of Trauma In ‘Last Shadow At First Light’ – APSAs

Singaporean writer-director Nicole Midori Woodford is on a roll with her debut feature, Last Shadow At First Light, which premiered in New Directors at San Sebastian film festival and has two nominations at the Asia Pacific Screen Awards (APSAs) for best screenplay and best performance (Mihaya Shirata).

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‘Ferrari’ Star Adam Driver Will Attend Camerimage to Accept the Festival’s Actor Award and Introduce the Film

Peter Caranicas Deputy Editor Adam Driver, star of Michael Mann’s “Ferrari,” will travel to Camerimage, the cinematography-oriented film festival, to accept Special EnergaCamerimage Award for an Actor. He will also introduce the film, one of the entries in the Camerimage Main Competition and a prominent awards contender this season. The fest will run in Toruń.

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‘Succession’ Star Hiam Abbass & Daughter Lina Soualem Meditate On Palestinian Roots, Exile & Scattered Family Ties In Doc ‘Bye Bye Tiberias’ – Toronto

Palestinian-French actress Hiam Abbass and her filmmaker daughter Lina Soualem touch down at the Toronto International Film Festival on Monday with documentary Bye Bye Tiberias.

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‘Fallen Leaves’ Teaser Trailer: Aki Kaurismäki’s Latest Wry TragiComedy Opens November 17

Arguably the most famous or well-known filmmaker out of Finland, director Aki Kaurismäki, has made a career out of the deadpan; absurdist comedies with minimalism, sometimes defined by Shakespearean tragedy, very still minimal camera and witty drollery. The films of his that have a larger comedic bent have said to have a lot of kinship with the films of Jim Jarmusch.

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Jim Jarmusch Vows To Never Watch A “Star Wars” Film & “Resents” Knowing So Much About Them

Chances are you’ve seen a “Star Wars” movie. Still, even if you haven’t, you know such basics things like the tagline, “in a galaxy far, far away…” (which actually has four ellipsis points in it, despite the incorrect grammar), you’ll know who George Lucas is, Darth Vader, Luke Skywalker and probably Yoda.

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The Kills are teasing their return

The Kills have taken to social media to tease their return, sharing a photo of the duo along with a caption of a date.Consisting of Alison Mosshart and Jamie Hince, The Kills have teased their potential return to music by posting a photo to their official band Instagram which sees the duo posing with a black car in a parking lot of sorts.The photo’s caption read “7.25.23”, hinting that something new will be coming on July 25. Fans immediately took to the comments to express their excitement for the band’s return.A post shared by Alison Mosshart & Jamie Hince (@thekills)One fan said: “If it’s not a new album I’m rioting”, while another fan shared: “Oh my God, tell me this is gonna be an announcement for a new album finally!” American film director Jim Jarmusch shared his excitement by commenting a fire emoji and Journalist Kim Taylor Bennet added: “YES!”.The band’s last release was the 2018 single ‘List Of Demands (Reparations)’ and 2016’s LP ‘Ash & Ice’.

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Cannes Directors’ Fortnight Prizewinner ‘A Prince’ Finds North American Distribution (EXCLUSIVE)

Elsa Keslassy International Correspondent Strand Releasing has acquired the North American rights to Pierre Creton’s “A Prince,” a French film which world premiered at Cannes Directors’ Fortnight. “A Prince” won the SACD Prize from France’s Writers’ Guild for the best French-language film at Directors’ Fortnight. Represented in international markets by Andolfi, “A Prince” follows a horticultural student, Pierre-Joseph, whose sexual encounters with his botany teacher and mentors lead to a unique hybrid tale of science, sex and meditation. “We’re thrilled to be handling ‘A Prince,’ Creton’s work is such a rarified vision that fits so well with the Strand Releasing brand, we look forward to taking this out to some of the top festivals across North America,” said Marcus Hu at Strand Releasing.

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‘Cinema Laika,’ a Documentary About Aki Kaurismaki Building a Movie Theater, Boarded by The Match Factory

Leo Barraclough International Features Editor Sales company The Match Factory has boarded the documentary “Cinéma Laika,” which focuses on Aki Kaurismäki’s construction of his own movie theater in Karkkila, Finland. Veljko Vidak directed the film, which was shot “in close harmony with Kaurismäki’s cinematic style,” according to a statement. The documentary offers an opportunity for the audience to delve into the realm of the Finnish master, engage with his peers, including Jim Jarmusch, and fully immerse themselves in the world of Kaurismäki’s cinema. In Karkkila, a small village in Finland, which has relied solely on metallurgical activities for the past two centuries, Kaurismäki and his friend the poet and writer Mika Lätti construct their own movie theater, called Kino Laika, within an old foundry. Using recycled wood and metal, and pre-owned furniture, Kaurismäki and the residents of Karkkila collaboratively craft Kino Laika.

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‘Perfect Days’ Review: Wim Wenders’ Japanese Odyssey Is A Small But Gentle Wonder – Cannes Film Festival

The dignity of labor is explored with gentle humor and a very melancholy sense of joie de vivre in Wim Wenders’ second 2023 Cannes entry after his 3D documentary Anselm. Shot entirely in Japan, with very little English spoken, Perfect Days is an unusual film from a westerner since it does nothing to “other” a country that is often romanticized as a series of specific cultural signifiers (as in the well-meaning Lost in Translation, for example). It’s a compliment to say that Jim Jarmusch could have made it.

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Jim Jarmusch and Carter Logan Discuss Their Score For Man Ray’s ‘Return To Reason’: “It’s Like Ecstatic Music” – Cannes Film Festival

The first time Jim Jarmusch came to Cannes was with his sophomore film Stranger Than Paradise, which played the Quinzaine in 1984. “We all shared one apartment that had no hot water, that was up the hill,” he recalls. “One day I had to be on TV and there was no water, so I had to shave with leftover tea.” Those days are long gone; Jarmusch is a fixture on the Croisette these days, and even had the dubious pleasure of opening it in 2019 with his Bill Murray-starring zombie comedy The Dead Don’t Die.

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International Sales Agency K5 Intl., Best-Known for Jim Jarmusch’s ‘Paterson,’ Rebooted With New Team, Expanded Focus (EXCLUSIVE)

Leo Barraclough International Features Editor K5 Media Group has rebooted its international sales arm, K5 Intl., recruiting five industry veterans. It will sell and distribute eight to 10 new titles a year, across both film and TV. In its former incarnation, K5 Intl., which was founded by Oliver Simon and Daniel Baur, represented premium film titles like “ANON,” directed by Andrew Niccol and starring Amanda Seyfried and Clive Owen; Cannes competition title “Paterson,” directed by Jim Jarmusch and starring Adam Driver; and Academy Award nominee “Land of Mine,” directed by Martin Zandvliet. K5 Intl. will be represented by its partners in Paris, London, Los Angeles, Munich, Berlin and Cologne.

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Film Constellation Boards Man Ray’s Cannes-Bound ‘Return to Reason,’ With Soundtrack by Jim Jarmusch, Carter Logan’s SQÜRL (EXCLUSIVE)

Leo Barraclough International Features Editor London- and Paris-based production, finance and sales company Film Constellation is launching sales on “Return to Reason,” the newly restored 4K version of an assembly of Man Ray’s four cult classic silent films, paired with an original soundtrack by Jim Jarmusch and Carter Logan’s SQÜRL. The film, which is produced by Marieke Tricoire at Womanray and Julie Viez at Cinenovo, will premiere in Cannes’ Official Selection as part of the Cannes Classics sidebar. Celebrating the 100th anniversary of Man Ray’s first film in 1923, “Return to Reason” is the first 4K restoration of Man Ray’s four surrealist and dreamlike short films, known as the first surrealist films, now accompanied by an exclusive soundtrack composed and performed by filmmaker Jim Jarmusch and musician Carter Logan’s band SQÜRL.