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While the official lineup of films at the Cannes Film Festival taking place in May won’t be made public until mid-April, there are already some early rumblings of what projects we should expect to see on that list and there are plenty of reasons to get excited.

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‘Limonov: The Ballad’ Director Kirill Serebrennikov Sets French-Language ‘Love Story About Photography’ as Next Feature (EXCLUSIVE)

Ben Croll After a trio of controversy-courting biographies, Russian auteur Kirill Serebrennikov will next tackle a more genteel original drama about photography shot and set in France. Described as a “chamber film” and “almost a love story” cast on a more intimate scale, the project will be Serebrennikov’s first-ever French language feature.

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Ava DuVernay, Justine Triet & Alfonso Cuarón Among 18 Stars Set For Marrakech In-Conversation Program

The Marrakech International Film Festival has unveiled a high-powered in conversations program for its upcoming 21st edition gathering 18 leading directors, actors, scriptwriters, and producers.

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Sean Penn, Tim Burton, Alfonso Cuaron, Justine Triet, Ava DuVernay, David Cronenberg, Todd Haynes to Participate in Marrakech Festival Conversations

Elsa Keslassy International Correspondent A sprawling lineup of filmmakers, including Sean Penn, Tim Burton, Alfonso Cuaron, Justine Triet, Ava DuVernay and David Cronenberg will attend the Marrakech Film Festival and take part in conversations in front of audiences. In total, 18 directors, actors, screenwriters and producers from six continents will participate in on-stage discussions to reflect on their craft, lives and careers at the festival, which kicks off Nov.

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Cannes Film Festival Winners Announced – Updating Live

Refresh for latest…: The 77th Cannes Film Festival draws to a close this evening with the prize ceremony about to kick off inside the Grand Théâtre Lumière. The past 10 days have been building to this moment after a somewhat muted start that arrived under gloomy skies. The clouds have since cleared and several films have emerged as potential winners tonight. Scroll down for the list of laureates which is being updated as awards are announced.

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‘Limonov’s Ben Whishaw Recalls His First Cannes In 2009: “I Have A Horrifying Memory”

Russian director Kirill Serebrennikov to Cannes this year with his fourth film in Competition and his first in English. Titled Limonov: The Ballad, it tells the incredible story of Eduard Limonov — pronounced “Le-morrr-nov” not “Limunuv” — a Russian renegade poet who traversed the world, reinventing himself whenever times got hard (and they usually did). To star, the director chose British actor Ben Whishaw, himself a chameleonic actor who’s just as at home taking tea with the Queen in his Paddington guise as he is playing Hamlet onstage at the Old Vic. Here, he talks about getting to grips with an enigma and recalls his first-ever Cannes for her movie Bright Star in 2009.

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‘Limonov: The Ballad’: First Look At Ben Whishaw In Kirill Serebrennikov’s Cannes Competition Title

Russian filmmaker Kirill Serebrennikov returns to Cannes once again this year with Limonov: The Ballad starring Ben Whishaw, for which we can share a first-look image from above.

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Kirill Serebrennikov to Make TV Directing Debut With Erotic, Subversive ‘Phantom of the Opera’ Mini-Series for Pathe (EXCLUSIVE)

Elsa Keslassy International Correspondent Kirill Serebrennikov, the celebrated Russian playwright and director whose last three films competed at Cannes, is set to create and direct a sensual, gothic TV adaptation of “The Phantom of the Opera,” Gaston Leroux’s 19th century novel. Serebrennikov’s TV debut, the subversive six-part miniseries will be shot in English and is being produced by Aude Albano at Pathé, in association with Ilya Stewart at Hype Studios.

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Kinology Boards Kirill Serebrennikov’s Next Film ‘The Disappearance of Josef Mengele’ (EXCLUSIVE)

Elsa Keslassy International Correspondent Kinology has come on board the highly anticipated next film of Russian filmmaker Kirill Serebrennikov, “The Disappearance of Josef Mengele,” based on Olivier Guez’s bestselling novel. Kinology is at Cannes to present the project to buyers. Set to start shooting in a few weeks, the film is being produced by Charles Gillibert at CG Cinema (“Annette”) and Ilya Stewart at Hype Studios (“Tchaikovsky’s Wife”). It stars August Diehl as Mengele, the notorious Nazi doctor who found refuge in South America at the end of WWII and was never captured. Mengele died in Brazil in 1979 without having been judged for his crimes. The daring movie will focus on Mengele’s fugitive years, spanning from Paraguay to the Brazilian jungle, and will be told from the man’s point of view.

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Russian Cinemas Go Pirate as Hollywood Movie Pipeline Dries Up Over Ukraine War

Ukraine by going pirate.After Russian President Vladimir Putin unleashed a brutal assault on Ukraine on Feb. 24 — a war officially dubbed a “special military operation” — hundreds of major western corporations, including the Hollywood majors, withdrew from the Russian market.More than three months into the war, reports are surfacing about illicit screenings of Hollywood movies at Russian cinemas, with initial reports naming “The Batman,” “Red Notice,” Disney animation “Turning Red” and Michael Bay crime actioner “Ambulance.”According to the Russian edition of Esquire, “The Batman” has been screened at Moscow’s WIP theater, as well as at Greenwich Cinema in the Urlas city of Yekaterinburg and at regional theaters in the Far East of Russia.

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European Film Academy President Agnieszka Holland Slams Cannes for Welcoming a Russian Movie

Nick Holdsworth European Film Academy president Agnieszka Holland has criticized the Cannes Film Festival for welcoming a Russian movie to the main competition.The Polish-born director – who fled to France in 1981 when Communist authorities imposed martial law – said now was the time to stand up to Russian aggression in Ukraine.That demanded a total ban on Russian cultural products in Europe, she said in Cannes on Saturday.The Academy Award-nominated filmmaker slammed the festival’s inclusion of Russian director Kirill Serebrennikov’s “Tchaikovsky’s Wife.”“If it were up to me, I would not include Russian films in the official program of the festival – even if Kirill Serebrennikov is such a talented artist,” the 73 year old filmmaker said. Speaking in Cannes at an industry roundtable on supporting the Ukrainian film industry at a time of war, Holland added: “Unfortunately my bad feelings were confirmed by his words.

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Kirill Serebrennikov Defends His Cannes Premiere as Ukrainian Industry Renews Calls for Russian Boycott

Christopher Vourlias One day after dissident Russian filmmaker Kirill Serebrennikov’s “Tchaikovsky’s Wife” premiered at the Cannes Film Festival, members of the Ukrainian film industry took to the Croisette to call for a total boycott of Russian movie. Meanwhile, just steps away in the Palais des Festivals, the director’s long-awaited return to cinema’s grandest stage was overshadowed by questions about the festival’s controversial selection and over the film’s financial ties to Russian oligarch Roman Abramovich.Speaking at a politically charged press conference on Thursday, Serebrennikov described Russia’s war in Ukraine as a “total catastrophe” but rejected calls for a boycott of Russian film.

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‘Tchaikovsky’s Wife’ Director Defends Pic’s Oligarch Financier Roman Abramovich: “We Need To Lift The Sanctions” – Cannes

Tchaikovsky’s Wife filmmaker Kirill Serebrennikov, a Russian dissident was grilled, by the global press at Cannes over the pic being bankrolled by oligarch financing in particular Roman Abramovich, as well as the notion of the world’s boycott against Russia.

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‘Tchaikovsky’s Wife’ Review: Kirill Serebrennikov’s Historical Melodrama Is a Repetitive Tale Of A Toxic Marriage [Cannes]

Returning to Cannes a year after his feverish drama “Petrov’s Flu” hit the Croisette, Kirill Serebrennikov can finally attend the festival in person after recently being free from years of house arrest. Debuting in competition, his latest offering, “Tchaikovsky’s Wife,” is a slow-burn historical drama that never manages to escape from being a bore despite its seemingly intriguing premise.

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‘Tchaikovsky’s Wife’ Review: Kirill Serebrennikov’s Perplexing, Music-Free Biopic Bungles a Great Subject

Owen Gleiberman Chief Film CriticBack when art house movies played full-time in art houses, “Tchaikovsky’s Wife,” at least on paper, might have seemed a film of middlebrow commercial hooks — the sort of movie that would have slipped into the Lincoln Plaza Cinemas in New York and played there comfortably for a month or so. The first hook, of course, is Tchaikovsky himself, the Russian composer who created works of such timeless and popular beauty that he is always in danger, in an odd way, of being underrated, like the Spielberg of longhairs.

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Kirill Serebrennikov Talks Russian Boycotts, Putin’s War and Oligarch Roman Abramovich

Christopher Vourlias Despite widespread calls to boycott Russian cinema in the wake of the Ukraine invasion, the Cannes Film Festival struck an uneasy compromise by banning state delegations and Russians with ties to President Vladimir Putin while allowing individual filmmakers to attend.It’s a decision iconoclastic Russian director Kirill Serebrennikov was quick to support on the eve of the world premiere of his latest feature, “Tchaikovsky’s Wife,” which bows in competition on May 18.The director was a no-show at his last two Cannes premieres due in no small part to a history of provocation and dissent against the Russian government. But Serebrennikov – who after a nearly five-year legal ordeal learned on March 28 that he could leave Russia a free man – insists that the type of subversive cinema he creates should be separated from pro-Kremlin propaganda and the “paranoid ideology” of the Putin regime. “Russian culture is about the fragility of life.

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Cannes Chief Thierry Frémaux Responds To Russian Oligarch Question & Deadline’s Censorship Story

Cannes Film Festival chief Thierry Frémaux took part in a ‘meet the press’ session with journalists in Cannes yesterday afternoon.

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Russian Directors Confront Fleeing Putin’s War and Defy Calls for Russia Film Boycott

Christopher Vourlias As the war in Ukraine approaches a grim, three-month mile marker, and the Russian military continues its relentless onslaught, the harsh crackdown on domestic opposition by the Putin regime has left a beleaguered film industry pondering its next steps. Many Russian filmmakers fear they’ll have no choice but to toe the party line, or to flee a country that is increasingly being shut out of the international community.Two-time Oscar nominee Alexander Rodnyansky (“Leviathan,” “Loveless”), the Kyiv-born producer who has called Russia home for nearly three decades, left Moscow on March 1 after being tipped off that his opposition to the war had landed him in the government’s crosshairs.

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Ben Whishaw To Lead ‘Limonov, The Ballad Of Eddie’ From Russian Director Kirill Serebrennikov

Ben Whishaw is to lead Limonov, The Ballad of Eddie, a feature from Kirill Serebrennikov, the Russian filmmaker whose Tchaikovsky’s Wife will play at Cannes.

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Russian Director Kirill Serebrennikov Talks ‘Limonov, the Ballad of Eddie’ With Ben Whishaw (EXCLUSIVE)

Nick Vivarelli International CorrespondentIconoclastic Russian auteur Kirill Serebrennikov (“Leto,” “Petrov’s Flu”) will be unveiling footage in Cannes from his new work-in-progress film “Limonov, the Ballad of Eddie,” starring Ben Whishaw as radical Russian poet and dissident Eduard Limonov and Viktoria Miroshnichenko (“Beanpole”) as his wife Elena.Serebrennikov, who will coming to Cannes with his latest completed work “Tchaikovsky’s Wife,” premiering in competition, was shooting “Limonov” in Russia when the war broke out. The director has since been able to leave the country and will complete the rest of the shoot in Europe.A “Limonov” promo reel will be unspooled for buyers in Cannes on May 17.

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Cannes Burning Questions: Thierry Fremaux on Russian Boycott, Women Directors and Netflix

Elsa Keslassy International CorrespondentA few hours after unveiling Cannes Film Festival’s 2022 Official Selection on the Champs Elysees, artistic director Thierry Fremaux sat down with Variety to discuss the festival’s drive to not give in to calls for a cultural boycott of Russian films and filmmakers, efforts to have more female directors in competition, discussions to bring back streamers in a near future and what those rumors about David Lynch in the lineup were about. The all-star competition lineup of this upcoming 75th edition boasts no less than four Palme d’Or winning directors, including Japanese master Kore-eda Hirokazu (Japan) and Swedish helmer Ruben Ostlund (“Triangle of Sadness”), as well new films by David Cronenberg (“Crimes of the Future”), Kelly Reichardt (”Showing Up”), James Gray (“Armageddon Time”) and dissident Russian director Kirill Serebrennikov (“Tchaïkovski’s Wife”).

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