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19.04.2024 / 23:08

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Keanu Reeves Reportedly Eyeing Role in Ruben Ostlund's 'The Entertainment System is Down'

Keanu Reeves is reportedly eying a role in director Ruben Ostlund‘s new movie The Entertainment System is Down.

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Cannes 2024: What’s In The Mix? (Part 2)

Roll up, roll up for part two of our Cannes preview, this time with a focus on international, mainly non-English language fare. If you didn’t catch Andreas’ English-language focused part one, check it out here.

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‘Triangle Of Sadness’ Producer Says British Indie Film Industry Is “On Its Knees” Due To Hollywood Prices

The British producer of Ruben Östlund’s Triangle of Sadness has sounded the alarm on the state of the UK’s independent film industry.

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DR Sales Boards CPH:DOX Existential and Playful Opener ‘Life and Other Problems,’ Debuts Trailer (EXCLUSIVE)

Annika Pham Copenhagen-based DR Sales has snapped up international rights on the anticipated opening film of the 21st CPH:DOX Festival, “Life and Other Problems.” Variety debuts the trailer below. The playful existential film by Danish documentary filmmaker Max Kestner (“Blue Collar White Christmas,” “Amateurs in Space”) is shepherded by Denmark’s Bullitt Film (Prix Europa for “Absolute Beginners”), with Ruben Östlund’s Swedish banner Plattform Produktion and the U.K.’s Hopscotch Films (“Story of Film”).

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‘Veni Vidi Vici’ Review: Ruthless Austrian Satire Takes Aim at the Superrich, Treating Capitalism as a Most Dangerous Game

Peter Debruge Chief Film Critic Hailing from the country that gave us such grim social critics as Michael Haneke and Ulrich Seidl (fittingly, the latter serves as a producer here), Vantablack Austrian satire “Veni Vidi Vici” opens with a senseless homicide. It’s a startling scene, no less upsetting than the Scorpio killing that kick-starts “Dirty Harry” — except that in this case, the incident is calibrated as the darkest sort of comedy.

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Oscars: Members In Record 93 Countries Turn Out To Vote For Academy Award Nominations

The move in recent years to make the Oscars a truly global event in terms of the membership drive by the Academy of Motion Picture Arts and Sciences has paid off particularly well this year: Eligible voters from a record 93 countries submitting ballots in the Academy Awards’ nominating round, which ended Tuesday at 5 p.m. PT.

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Göteborg Head Jonas Holmberg On His Decision To Step Down, Altering Ingmar Bergman’s ‘Persona’ With AI & This Year’s Competition Lineup: “It’s Maybe The Strongest In My Ten Years

Sweden’s Göteborg Film Festival unveiled its 2024 lineup today, featuring 250 feature films set to screen across ten days, with highlights including Handling the Undead, Norwegian filmmaker Thea Hvistendahl’s feature debut, starring Renate Resinsve and Anders Danielsen Lie. Other buzzy titles include the Finish title The Missile from filmmaker Miia Tervo and Morbius director Daniel Espinosa’s return to Nordic filmmaker with Madame Luna.

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Göteborg Film Festival Unveils Competition Lineup, Sets Sidse Babett Knudsen Honor and Thierry Fremaux-Ruben Ostlund Conversation

Annika Pham Actors Ewan McGregor, Sidse Babett Knudsen, Renate Reinsve, Anders Danielsen Lie, directors Ruben Östlund, Ernst de Geer, Ramata-Toulaye Sy and Cannes Film Festival honcho Thierry Frémaux are some of the stellar guests set to walk the red carpet at the 47th edition of Sweden’s Göteborg Film Festival. This year’s Göteborg Fest unspools from Jan. 26 to Feb.

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‘Barbie’: Ruben Östlund Says “Mattel Bought Off An American Auteur” & Updates Next ‘Entertainment Down’ Satire

Catching up on some things we missed over the holidays. Following Kelly Reichardt’s criticism of “Barbie” (“They are part of a huge marketing machine, but they are sold as art.

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Ruben Östlund Gives Update On Airplane Disaster Movie ‘The Entertainment System Is Down’ & Advice For Rookie Directors – Les Arcs

Director Ruben Östlund announced in Cannes that he wanted one of the scenes in his upcoming airplane disaster movie The Entertainment System Is Down to prompt the biggest walkout in the history of cinema.

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Les Arcs Festival’s Industry Village Still Champions Indie Movies in Challenging Landscape; ‘Little Trouble Girls’ Among Winners of 15th Edition

Elsa Keslassy International Correspondent “Kingdom of the Blind,” “Little Trouble Girls” and “Wind, Talk To Me” were among the projects which won prizes at the milestone 15th edition of Les Arcs Film Festival‘s Industry Village. The event, held in a popular French Alps resort, was attended by more than 700 professionals, including top sales agents, distributors and festival programmers, on top of high profile talent, such as two-time Palme d’Or winning Ruben Ostlund (“Triangle of Sadness”) who was the festival’s guest of honor.

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Ruben Östlund To Mentor Emerging Directors At France’s Les Arcs Film Fest Along Euro Industry Pros Katrin Pors, Gaia Furrer & Olivier Barbier

Swedish director Ruben Östlund has been announced as a guest of honor at the 15th edition of France’s Les Arcs Film Festival, in the role of its Talent Village Ambassador.

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‘Triangle of Sadness’ Outfit Coproduction Office Kicks Off Sales on ‘The Magnet Man,’ a Tragicomedy About a Human Magnet (EXCLUSIVE)

Leo Barraclough International Features Editor Philippe Bober’s Coproduction Office, whose recent films include Jessica Hausner’s Cannes Competition title “Club Zero” and Ruben Östlund’s Palme d’Or winner “Triangle of Sadness,” has kicked off international sales on Gust Van den Berghe‘s “The Magnet Man.” The Paris and Berlin based production and sales outfit is attending this week’s MIA Market in Rome. Van den Berghe’s previous films, “Blue Bird” (2011) and “Little Baby Jesus of Flandr” (2010), have both premiered in Cannes’ Directors’ Fortnight. “The Magnet Man,” which is in post-production, tells the tragicomic tale of how our greatest talents can become our greatest flaws, and how unpredictable our lives can be.

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Kathryn Bernado & Dolly De Leon Talk Filipino Dark Comedy ‘A Very Good Girl’; “Days Of Women’s Stories Being In The Shadows Are Close To Over”

Kathryn Bernado, known as the Queen of Philippines Cinema, and Triangle Of Sadness star Dolly de Leon are both almost unrecognizable in their new movie, A Very Good Girl, which ABS-CBN and Star Cinema are opening at the U.S. box office today (October 6).

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Anette Novak Out As CEO At Swedish Film Institute

Anette Novak is out at the Swedish Film Institute.

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Kristen Figeroid Joins Neon As President Of International Sales & Distribution

Neon said Tuesday that it has hired Sierra/Affinity veteran Kristen Figeroid as President of International Sales and Distribution. She starts this week.

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Palme d’Or Winner, Oscar Hopeful ‘Anatomy of a Fall’ Thrives at French Box Office

Elsa Keslassy International Correspondent After braving a massive backlash over her fiery political speech at the Cannes Film Festival, French director Justine Triet has succeeded in luring wide audiences in local theaters with her Palme d’Or winning film “Anatomy of a Fall.” A courtroom drama exploring the collapse of a marriage and a mother-son relationship, “Anatomy of a Fall” has scored the best B.O. score at the French box office for a Palme d’Or winner since “Blue is the Warmest Color,” the 2013 erotic drama starring Lea Seydoux and Adele Exarchopoulos.

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‘Do Not Expect Too Much From The End Of The World’ Review: Radu Jude’s Complex Satire Leaves A Bitter Aftertaste – Locarno Film Festival

It’s rare that European cinema impacts on Hollywood but it’s exciting when there’s a trickle-down effect, like the connection to be made between Denmark’s stripped-down Dogme movies, which launched in Cannes in the late ’90s, and Steven Spielberg’s decision to go back to basics (well, for him) with Catch Me If You Can a few years later. It’s a moot point how many will ever see Romanian director Radu Jude’s follow-up to his 2021 Berlinale winner Bad Luck Banging or Loony Porn, but, like Bob Dylan going electric or the Sex Pistols making their ramshackle debut at a London art school, this wilfully uncommercial but bloody-minded film could be genuinely seminal in its anarchic and totally individualistic approach, slipping discordant, Godardian subversion into a darkly comic, Ruben Östlund-style human drama.