Nicolas Roeg: Last News

Guy Lodge Film Critic What children love about Roald Dahl’s books is the very thing other writers tend to dodge when adapting them: that icy, unapologetic streak of misanthropy, so exhilarating to kids who have been instructed to see the good in everyone, opening their eyes to the nastier, more ironic adult world that awaits them. Even the craftiest, classiest Dahl adaptations tend to mollify that cruelty somewhat: Nicolas Roeg’s “The Witches” is viciously frightening but tacks on an unmitigatedly happy ending, while Wes Anderson’s “Fantastic Mr. Fox” muffles the violent survivalism of its source tale with its director’s more gently quirky world-building. Already based on one of his kindlier stories, “Roald Dahl’s Matilda the Musical” further softens matters by pruning the presence of its funniest adult grotesques to accommodate more child’s-eye exuberance. The long-late author probably would have grumbled; young viewers will be delighted nonetheless.

Ethan Shanfeld Max and HBO have announced a multi-year deal extension with The Criterion Collection to continue bringing its catalog of films to streaming. As part of the deal extension, a handful of films will also be newly available on Max, including Isabella Rossellini’s “Green Porno” (2008), Héctor Babenco’s “Kiss of the Spiderwoman” (1985), Mira Nair’s “Mississippi Masala” (1991), Alejandro Amenábar’s “Open Your Eyes” (1997) and Nicolas Roeg’s “Walkabout” (1971). The streamer will also add three “Godzilla” titles: Koji Hashimoto’s “The Return of Godzilla” (1984), Kazuki Ōmori’s “Godzilla vs.

Marta Balaga Daniel Brühl went to “Eden” and survived to tell the tale. “I can’t compare it to any of my films. I’ve never done anything like it,” he says, teasing Ron Howard’s upcoming thriller.

Donald Sutherland, who died Thursday at age 88, included one of the most controversial sex sequences in Hollywood history. The nookie was so realistically shot, many audience members at the time believed it was genuine. Some still do.“We did a good job, it’s very real,” cinematographer Anthony B.

Rafa Sales Ross Guest Contributor The Mediterrane Film Festival announced its complete program ahead of its second edition, taking place in Malta’s capital of Valetta from June 22-30. New titles selected include recent Cannes highlights in Coralie Fargeat’s Demi Moore-led body horror “The Substance” and Roberto Minvervini’s “The Damned,” which join previously announced films like Yorgos Lanthimos’s “Kinds of Kindness” and Jane Schoenbrun’s “I Saw The TV Glow.” Further program additions include Mahdi Fleifel’s Directors’ Fortnight standout “To a Land Unknown,” which Variety labeled “a confident, angry, fully-realized drama,” and Truong Minh Quy’s Un Certain Regard breakout “Viet and Nam.” An extended version of the Malta-shot “Jurassic World: Dominion” will play as part of the Malta Expanded strand, while on the retrospective end of the program, the festival will honor David Bowie with screenings of Nicolas Roeg’s “The Man Who Fell to Earth” and Lisa Azuelos’s “My Way,” plus a masterclass on the musician’s enduring legacy helmed by British Film Commissioner Adrian Wootton titled “David Bowie: Celebrating 60 Years of Genius.” Artistic Director Teresa Cavina said she is “very happy” with the selection, calling it “a chorus of strong and harmonious voices that, through extraordinary films, gives shape to a complex and varied universe, a mirror of the reality that surrounds us, often difficult to decipher, sometimes painful, but also full of hope and capacity for renewal.” Cavina also emphasised the strong female presence at this year’s festival, with 16 films — almost half of the festival’s official selection — comprised of works directed by women.

Patrick Frater Asia Bureau Chief Australian and New Zealand indie distributor Umbrella Entertainment will launch Brollie, a free of charge, ad-supported streaming service later this month. It will lean on Umbrella’s library of classic content and claims to be the first free streaming platform specializing in Australian film and TV content.Brollie will launch on Nov. 23 with over 300 titles including: “Babadook” (dir.

Depending on who you speak to, Aggro Dr1ft has either been a hideous blight on the fall festival circuit or… Well, currently, there’s not exactly a consensus on what there is to love about Harmony Korine’s in-your-face fantasia, a nightmare vision of Florida made all the more hellish by its refusal to resemble anything you might expect even — or perhaps especially — from the director of Spring Breakers.

Whenever a producer in recent times has exited their partnership with a star, quite often said producer’s output is not as robust.

Tim Gray Senior Vice President Mick Jagger may be turning 80 on July 26, but really he seems ageless. As a rock icon, the Rolling Stone has been honored for his singing, his stage moves and his songwriting. Less celebrated, but worth noting, is his work as an actor.

Jessica Kiang It is probably Australia. But it could be anywhere where the sun is hot enough to bake the earth into boundless stretches of cracked crazy-paving. It is probably an alternate recent past. But it could be any period in human history when mankind has divided itself into categories of oppressor and oppressed. The most remarkable aspect of Rolf de Heer’s elegiac, elemental “The Survival of Kindness” is that it is an allegory so direct as to be obvious, told in a style so spartan as to be opaque. Not one syllable of intelligible language is spoken, but the choral anguish of generations subjugated to colonial cruelty rings loud through every wordless frame.  In a forbiddingly desolate desert landscape, shot with DP Maxx Corkindale’s elegantly unadorned realism, the only evidence of humanity is the very definition of inhumanity: a crude iron cage in which is locked a woman (an amazing debut by Mwajemi Hussein), who has been left there to die. Only named in the credits as BlackWoman, she is not perhaps as alone as she first appears. Under the tires of the trailer, two columns of ants go to war. 

Si Litvinoff, the executive producer of Stanley Kubrick’s A Clockwork Orange and Nicolas Roeg’s The Man Who Fell To Earth, died Dec. 26 in Los Angeles. He was 93.

British novelist Fay Weldon, best known for her popular fiction works The Life And Loves Of A She-Devil and Praxis has died aged 91.

SPOILER ALERT: This article contains details of tonight’s The Man Who Fell To Earth Season 1 finale. That’s all we got.

Naman Ramachandran A wealth of film and TV titles are available at launch on streamer Studiocanal Presents, which is now available as an Amazon Prime Video channel in the U.K.Some 300 films and series from Studiocanal’s catalogue are available at launch, including Francis Ford Coppola’s “Apocalypse Now: Final Cut” in 4K; Brian Helgeland’s “Legend”; Joel and Ethan Coen’s “Inside Llewyn Davis”; a digitally restored version of Carol Reed’s “The Third Man”; Lynne Ramsay’s “You Were Never Really Here,” zombie horror “Train to Busan” and Céline Sciamma’s “Girlhood.”Also available are Nicolas Roeg’s “The Man Who Fell To Earth” and Sidney Lumet’s “Murder on the Orient Express,” award-winners “Manchester by the Sea” and “Room,” seminal titles like Luis Buñuel’s “Belle de Jour” and Jean-Luc Godard’s “Breathless” and modern British classics “Submarine” and “Four Lions.” Other recent additions include Sharon Stone classic “Basic Instinct” and John Carpenter’s “Escape From New York.” Studiocanal Presents also offers TV series showcasing the best of Studiocanal and Canal+’s own TV productions, including “Hannibal,” “Spiral” and “All the Way Up,” which broke streaming records upon its launch on Canal+ in France.A variety of new titles will launch on the channel every month, many of which can’t be streamed anywhere else in the U.K. New titles arriving include “Possessions,” “Animal Kingdom” and “The Guard.” After a seven-day free trial the service costs £4.99 ($6) a month.

On this episode of Deadline’s Scene 2 Scene Podcast, I talk with Oscar nominated actors Chiewtel Ejiofor and Naomie Harris about the Showtime sci-fi series, The Man Who Fell To Earth. In tune with the theme of the show, the three of us share our their experiences with otherness (which is defined as the quality or fact of being different.), and being an outsider.

starring Chiwetel Ejiofor and Naomi Harris, is based on the 1976 movie starring David Bowie and Candy Clark — which made a splash with its onscreen nudity and trippy take on a humanoid who arrives on Earth in a bid to save his planet from extinction.“It’s kind of about what’s happening today in its depiction of a planet that’s dying from a drought,” Clark, 74, told The Post about director Nicolas Roeg’s film, which was based on Walter Nevis’ 1963 sci-fi novel. “It’s definitely the highlight of my acting career.”“The Man Who Fell to Earth” began shooting in New Mexico in July 1975.

“I was taken by all of the themes that Alex and Jenny had put into this story,” says Chiwetel Ejiofor of Showtime’s The Man Who Fell To Earth series from Jenny Lumet and Alex Kurtzman. “Themes that really are relevant today. I’m mean are right up to the minute really, in how we engage with each other in our human connections, but also our connection with our planet..”

Caroline Framke Chief TV CriticMore than 45 years after “The Man Who Fell to Earth” opened with a melancholy David Bowie crash-landing in a Kentucky lake, Showtime’s new sequel series sends Chiwetel Ejiofor spiraling into the New Mexican desert to finish what he started. The connection between the 1976 film and this 2022 show is clear from the beginning, even before Bill Nighy shows up as the older version of Bowie’s character, Thomas Newton.

Get an extended glimpse at TV’s next big reboot.

A new television version of David Bowie’s classic film The Man Who Fell To Earth had its world premiere today at SXSW, and Showtime has followed up by releasing the first five minutes of the drama series.

Showtime offers the next step to the universe of The Man Who Fell To Earth with its upcoming series of the same name starring Chiwetel Ejofor and Naomie Harris. While not a remake Nicolas Roeg’s 1976 film starring David Bowie series, executive producer, writer and director Alex Kurtzman said the series seeks to pay tribute to previous forms of the sci-fi story.