Sidney Lumet: Last News

Clayton Davis Senior Awards Editor The Oscars have a long history of shocking surprises and jaw-dropping upsets. The 96-year-old organization has seen its fair share of moments that put them in hot water, or have aged incredibly poorly. While some wins were anticipated by few, others left audiences and critics alike scratching their heads in disbelief.

John Hopewell Chief International Correspondent Upscale crossover sales agent Latido Films has acquired international sales rights to “Re-creation,” directed by legendary Irish filmmaker Jim Sheridan, whose “In the Name of the Father” won a Berlin Golden Bear in 1994. Starring Vicky Krieps, a Cannes’ Un Certain Regard winner for “Corsage,” the docu-drama is co-written and co-directed by Irish artist and filmmaker David Merriman (“Rock Against Homelessness”). It will be unveiled to buyers at the European Film Market.

Caroline Brew editor Josh Kramer, who worked as a film producer and financier and Amazon executive, died Nov. 27 in Santa Monica, Calif. He was 67.

Josh Kramer, who produced Roman Polanski’s Death and the Maiden and Sidney Lumet’s Night Falls on Manhattan and later led sales for Capitol Films before becoming Head of Motion Picture Business Operations at Amazon Studios, has died. He was 67.

Victor J. Kemper, the former president of the American Society of Cinematographers whose career spanned four decades and included films as diverse as Dog Day Afternoon and Pee Wee’s Big Adventure, has died according to the ASC. He was 96.

Jaden Thompson Victor J. Kemper, the cinematographer behind “Dog Day Afternoon,” “Pee-wee’s Big Adventure,” “National Lampoon’s Vacation” and other notable films, has died. He was 96.

EXCLUSIVE: Steelyard Pictures, the production company behind 2022 horror thriller The Inhabitant, has attached Andrzej Bartkowiak (Romeo Must Die) to direct The Dire Wolf, a supernatural thriller to shoot in New Mexico, for release next year.

Owen Gleiberman Chief Film Critic The saga of American movies in the 1970s is now a mythology. In the first half of the decade, the movies that emerged from the New Hollywood were unprecedented in their realism, their immersion in the gritty side pockets of everyday life, their perception of the darkness hidden in the American Dream. Then, of course, came Lucas and Spielberg, who kicked off the blockbuster revolution — the transformation of movies from reality into fantasy.

Robert Gottlieb, the legendary editor at Simon & Schuster, Alfred A. Knopf and The New Yorker who helped shape the work of many of the world’s greatest writers over the past six decades, has died, according to Knopf and The New Yorker. He was 92.

Clayton Davis Senior Awards Editor Throughout his career, James Mangold has adopted the old-school filmmaking style of American auteurs that invigorated the movie landscape, like Francis Ford Coppola, Michael Mann and Sidney Lumet. Barreling toward 30 years in the industry, Mangold has worn many different hats in Hollywood, serving as a director, writer and producer.

dementia just weeks before the Bond star died in his sleep. The Formula One legend, who turns 84 next month, opens his heart in a TV documentary airing in America. He reveals: "I saw him not too long before he died and it was a sad sight.

EXCLUSIVE: Actor-writer-director Jake Weber, known for his film roles in Dawn of the Dead and Meet Joe Black, and for his seven-season run on Medium, has signed with Stewart Talent for representation.

Sam Smith debuted the title track of their upcoming album “Gloria” on Saturday Night Live. There was a special guest for the occasion, Sharon Stone.

Owen Roizman, the Oscar-nominated cinematographer whose work was seen on The French Connection and The Exorcist, died. He was 86.

Edyth “Edie” Landau, producer of The David Susskind Show and Long Day’s Journey Into Night as well an executive at National Telefilm Associates, died in her home on December 24, 2022. She was 95.

With must-see projects like Dopesick, Recount and Game Change under his belt, Danny Strong knows a thing or two about how to craft the perfect, ripped-from-the-headlines yarn that’s sure to generate Emmy heat. Here, the writer-director-actor (what, you don’t remember him from Saved by the Bell: The New Class?) gives a five-point masterclass for budding screenwriters.

Clayton Davis It’s been eight years since we lost the incredible Philip Seymour Hoffman, and the hole in the industry still looms large.  With a career that spanned over three decades, Hoffman worked alongside several masters both in front and behind the camera. The New York-born actor was a staple of some of Paul Thomas Anderson’s most fascinating works.

Naman Ramachandran A wealth of film and TV titles are available at launch on streamer Studiocanal Presents, which is now available as an Amazon Prime Video channel in the U.K.Some 300 films and series from Studiocanal’s catalogue are available at launch, including Francis Ford Coppola’s “Apocalypse Now: Final Cut” in 4K; Brian Helgeland’s “Legend”; Joel and Ethan Coen’s “Inside Llewyn Davis”; a digitally restored version of Carol Reed’s “The Third Man”; Lynne Ramsay’s “You Were Never Really Here,” zombie horror “Train to Busan” and Céline Sciamma’s “Girlhood.”Also available are Nicolas Roeg’s “The Man Who Fell To Earth” and Sidney Lumet’s “Murder on the Orient Express,” award-winners “Manchester by the Sea” and “Room,” seminal titles like Luis Buñuel’s “Belle de Jour” and Jean-Luc Godard’s “Breathless” and modern British classics “Submarine” and “Four Lions.” Other recent additions include Sharon Stone classic “Basic Instinct” and John Carpenter’s “Escape From New York.” Studiocanal Presents also offers TV series showcasing the best of Studiocanal and Canal+’s own TV productions, including “Hannibal,” “Spiral” and “All the Way Up,” which broke streaming records upon its launch on Canal+ in France.A variety of new titles will launch on the channel every month, many of which can’t be streamed anywhere else in the U.K. New titles arriving include “Possessions,” “Animal Kingdom” and “The Guard.” After a seven-day free trial the service costs £4.99 ($6) a month.

The Last Movie Stars,” on July 21. The docuseries centers on Joanne Woodward and Paul Newman, and explores their personas, talent and love story.

Malina Saval Associate Editor, FeaturesIt was the late 1990s and future Oscar-winning “CODA” filmmaker Siân Heder was ambling across Harvard Square, close to the home in which she grew up in Cambridge, Mass. There, near the Au Bon Pain sandwich shop on Brattle Street, Heder spotted two buddies from Cambridge Ringe and Latin School, then-unknowns Ben and Casey Affleck, shooting a scene for “Good Will Hunting,” the 1997 film that would score two Academy Awards, help usher in the era of Big Screen Boston and turn the Affleck brothers and Matt Damon, all actors in the movie and Massachusetts natives (“Massholes” in the local vernacular), into giant Hollywood stars.“I knew Ben and Casey from high school — their mom was my teacher in third and fifth grade,” Heder says.

It’s disappointing to report that, contrary to its IMDb page, Treat Williams does not appear in all six episodes of “We Own This City,” George Pelecanos and David Simon’s new HBO miniseries, adapted from the book by Justin Fenton. But the good news is that when he finally does turn up in the penultimate episode, the show has generated such weight that his appearance has the proper power; for an epic saga of police corruption, nothing could feel more like the Pope giving his blessing than a cameo by the star of “Prince of the City.” READ MORE: The 70 Most Anticipated TV Shows & Mini-Series Of 2022 And that 1981 Sidney Lumet film really does feel like the template for “We Own This City,” perhaps more than Simon’s previous work – even “The Wire,” its most obvious point of comparison, to say nothing of the cops-and-dealers angles of “The Corner” or the knotty politics of “Show Me a Hero.” Lumet’s film told the true story of an elite unit of hotshot cops that helped themselves to copious money and contraband in ‘70s-era New York City; this miniseries tells the true story of similar unit, the Gun Trace Task Force, engaging in similar activities in Baltimore in the early 2000s.