broadway: Last News

1 hour, 30 minutes, no intermission. The St.

Two hours and 30 minutes, with one intermission. At the Broadway Theatre, 53rd Street and Broadway.Forget East Egg and West Egg.

Two hours and 30 minutes. At the Vivian Beaumont Theatre, 150 West 65th Street.When Steve Carell emerges from behind a bench onstage at the Vivian Beaumont Theatre, the crowd giggles automatically at the “Office” star.Now playing the hapless title role in Anton Chekhov’s “Uncle Vanya,” the revival of which opened Wednesday night on Broadway, the actor’s presence gets laughs before he does much of anything.

“& Juliet,” William Shakespeare’s classic play is reimagined with a twist.The musical, currently running at New York City’s Stephen Sondheim Theatre, envisions a world from Anne Hathaway’s perspective where Juliet (spoiler!) doesn’t die and lives a full life of her own told through popular, contemporary Max Martin-produced hits like “Since U Been Gone,” “…Baby One More Time” and “Larger Than Life” that weave through the narrative.“It was inclusive, entertaining and enjoyable,” the New York Post’s Victoria Giardina said after attending the lively show.“And I loved how funny the characters were. However, I’d say it’s best for those 18 and up due to some cheeky and more mature references.”If this sounds like the feel good Broadway show for you, tickets are available for all upcoming performances.At the time of publication, prices start at $100 before fees on Vivid Seats.Based on our findings, most other shows have tickets starting in the $105 to $150 neighborhood before fees.Want to catch the show-stopping musical live?We’ve got everything you need to know and more about “& Juliet” below.All prices listed above are subject to fluctuation.Opening night for “& Juliet” was way back in November 2022.Now that the musical is a well-oiled machine it runs eight times a week including three matinees on Wednesdays, Saturdays and Sundays.As expected, the Stephen Sondheim Theatre goes dark on Mondays.

Rachel McAdams brings an instantly heartbreaking quality to her performance in “Mary Jane”: Her steadfast optimism.Writer Amy Herzog’s affecting play, which opened Tuesday night on Broadway at the Samuel J. Friedman Theatre, is about a single mother whose 2-year-old son Alex is chronically ill. The poor kid, who the audience never fully sees, spends most of the drama in another room in bed, attached to monitors and oxygen tanks that beep and hiss.

brilliant-turned-tacky “The Crown,” the royals series that he created for Netflix, his writing about historical figures has grown animatronic and hackneyed. Mouthpiece Theater.

Daniel Radcliffe and Jonathan Groff as ring bearer and officiant, respectively, in her New York City nuptials to fellow actor J. Alex Brinson.Her 3-year-old daughter, Lucy, from her marriage to Philip Wakefield, also played a major part in the intimate Central Park ceremony: She stood by her mom’s side as the flower girl.The couple met while starring alongside each other in OWN’s “All Rise” and were engaged on Christmas Day last year.

The other, “Back to the Future: The Musical,” did not.)Rolled out modestly, little “Heart” is also a lot more fun and proudly frivolous than any of its sober-minded neighbors. It’s perhaps the first time in my life that I’ve been happy to see a confetti cannon at curtain call.The show is hilarious, too.

except for me).And, thanks to the intoxicating atmosphere created by designer Tom Scutt and Redmayne’s meticulous and freakish performance, the show does not make for an unsatisfying night out in New York. There’s plenty to admire.Yet the pricey bells and whistles distract from what is a so-so, overly dreary staging that is often undermined by its own overwrought machinations.

finally on fire. Two hours and 40 minutes, with one intermission.

Although “Stereophonic” is not a musical, it’s easy to get swept up by the terrific original rock songs that throb through it. Three hours and five minutes, with one intermission. At the John Golden Theatre, 252 West 45th Street.And as writer David Adjmi’s play, which opened Friday night at the John Golden Theatre, is set during the mid 1970s, Will Butler’s music sounds authentically of that edgier era.

2 hours and 30 minutes, with one intermission. At the Music Box Theatre, 239 W. 45th Street.The suffragist characters of the musical “Suffs,” which opened Thursday night at the Music Box Theatre, rarely take a breath to celebrate their victories.

“The Outsiders” at Broadway’s Bernard B. Jacobs Theatre.Described as “breathtakingly visceral” by the New York Post’s critic Johnny Oleksinksi, other reviewers have singled the scene out as “one of the most impactful moments of this, or any, Broadway season” and (the Washington Post), “a spectacular ballet of violence” (New York Magazine).And if you want to see the stunning sequence in the buzzy new coming-of-age musical about rival gangs from different socioeconomic backgrounds in Tulsa — adapted from S.E.

What “Lempicka,” the mystifying new musical about Polish painter Tamara de Lempicka, needs more than anything else is turpentine.Two hours and 30 minutes, with one intermission. At the Longacre Theatre, 228 W. 48th Street.Gallons and gallons of it.Unfortunately, having garishly blared open Sunday night at the Longacre Theatre, it’s far too late for the creators to start over again on a blank canvas.And so, the ugly splatter that audiences are left to parse is a ridiculous two-and-half-hour Eurovision act with stratospheric delusions of grandeur.

The Nance, directed by Nick Olcott.With careful discretion, Chauncey arranges an assignation for later with the younger man, Ned, a whippersnapper fresh from Buffalo played with aw-shucks joie de vivre by Patrick Joy.While an opening scene set at the Irving Place Theatre establishes Douglas Carter Beane’s well-plotted comedy-drama within the world of 1930s burlesque, the automat scene succinctly, incisively characterizes Chauncey and his compromised existence as a practicing homosexual at a time and place where that could easily get you arrested.It’s also a time when he might happen to get arrested for doing his job as a burlesque performer who specializes in a pansy act, camping it up onstage as the flamboyantly gay stock character known as “the nance.”The play — a winner of three Tonys in its original Broadway production starring Nathan Lane — finds Chauncey and his fellow artists of the burlesque revue at the Irving Place squarely in the sights of city authorities cracking down on these risqué cabaret showcases for ecdysiasts and vaudeville comedians.There’s a great montage in Singin’ in the Rain during the “Broadway Melody Ballet,” showing the rise of Gene Kelly’s Don Lockwood from burlesque hoofer to vaudeville showman to Broadway headliner. The quality of refinement in Don’s costumes, choreography, and chorus girls steadily sparkles brighter, along with Don’s million-dollar smile as he ascends to the top.The denizens of The Nance dwell near the bottom of that stairway to paradise, on the seedier side of Manhattan.

“The Who’s Tommy” on Broadway, Townshend’s musical in which the young phenom rocks out as the title “deaf, dumb and blind kid” who becomes a worldwide sensation.Bourzgui is on the verge of major things as well — thankfully less dramatically so than Tommy.His Broadway debut is a knockout — the most exciting of the last several years. The actor’s reviews last month were euphoric (including a four-star rave from The Post), and it’s impossible to find a theater agent in town who doesn’t desperately wish he was their client.Townshend, who first watched Bourzgui tackle the complex role of Tommy Walker at Chicago’s Goodman Theatre in the summer of 2023, said he was born for the part.“Ali hasn’t required the kind of rock ’n’ roll anointment that I have provided to some of the actors in Tommy in the past,” Townshend told The Post.

the musical “The Outsiders,” which opened Thursday night at the Bernard B. Jacobs Theatre, would include a song called “Stay Gold,” I laughed.Wouldn’t you? The words “Stay gold, Ponyboy,” from author S.E.

Shucked”), will begin previews at the Booth Theatre on 45th Street in late August and then open in mid-September. Produced by Chris Harper (“Company”), “The Roommate” has signed a lease in Shubert Alley for 16 weeks.While it will certainly be a thrill to see the 79-year-old star of “Rosemary’s Baby” back on the boards for the first time in a decade (her last go-round was in “Love Letters”), what’s really piqued my interest is Patti’s Card.In July 2022, LuPone, 74, very publicly left Actors’ Equity, the professional actors union that a performer typically is a member of to work on Broadway and at many other top-tier theaters around the country. “Quite a week on Broadway, seeing my name being bandied about.

since her bitter divorce from Pitt, not appearing in many movies since 2019’s “Maleficent: Mistress of Evil.” About Vivienne producing the play, Jolie told People, “Viv reminds me of my mother in that she isn’t focused on being the center of attention but in being a support to other creatives,” she said, referring to actress Marcheline Bertrand, who died of cancer in 2007 at 56. “She’s very thoughtful and serious about theatre and working hard to best understand how to contribute,” Jolie added. Based on the 1967 novel by S.E.

Ajii Hafeez, who credits his keyboard teacher at Ditmas Junior High School for inspiring him.“Shout out to Mr. Kass.

and an inner child is a deeply relatable idea, even in a cuckoosical such as this one.David Korins’ set of spaceship white-neon frames is more streamlined than past “Tommy’s,” but it’s used so deftly by McAnuff, lighting designer Amanda Zieve and choreographer Lorin Latarro to paint lush and kaleidoscopic stage pictures. Most wouldn’t call this musical a dance show, but Lotarro’s thrilling choreography makes a case for that category.