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Best mezzo soprano singer ‘on the planet’ fired by Metropolitan Opera after she struggled to hit her high notes: suit

Anita Rachvelishvili was contracted to perform various shows at the legendary Manhattan opera, including “Aida,” “La Gioconda,” “Carmen” and “Don Carlo” from 2022 to 2025 — a deal worth upwards of $400,000.But instead of using her “sonorous voice” to belt out the famed works, the opera cancelled her remaining performances in January 2023, accusing Rachvelishvili, 40, of “deterioration of vocal quality,” she said in court papers.Rachvelishvili, who gave birth to her daughter in November 2021, admitted she was “temporarily limited in her very highest vocal range” after becoming a mom but said there was never an impact on her work.“She was nonetheless at all times ready, willing and able to perform the roles for which she was contracted,” she said in court papers, noting she has since “recovered her full vocal range.”She claims the Met and the union discriminated against her because she was pregnant.“I loved performing on the Met stage and looked forward to returning after the birth of my first child. I was shocked that I was not given a chance to recover and all of my contracts for the next two years were immediately canceled without pay,” she said in a statement.“After supporting the Met throughout the pandemic, I am disappointed, to say the least, at this harmful treatment.”Rachvelishvili, who hails from the former Soviet republic of Georgia and now lives in Tbilisi, was once heralded as the “greatest dramatic mezzo-soprano” by her Metropolitan Opera boss, Peter Gelb.
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Best mezzo soprano singer ‘on the planet’ fired by Metropolitan Opera after she struggled to hit her high notes: suit
Anita Rachvelishvili was contracted to perform various shows at the legendary Manhattan opera, including “Aida,” “La Gioconda,” “Carmen” and “Don Carlo” from 2022 to 2025 — a deal worth upwards of $400,000.But instead of using her “sonorous voice” to belt out the famed works, the opera cancelled her remaining performances in January 2023, accusing Rachvelishvili, 40, of “deterioration of vocal quality,” she said in court papers.Rachvelishvili, who gave birth to her daughter in November 2021, admitted she was “temporarily limited in her very highest vocal range” after becoming a mom but said there was never an impact on her work.“She was nonetheless at all times ready, willing and able to perform the roles for which she was contracted,” she said in court papers, noting she has since “recovered her full vocal range.”She claims the Met and the union discriminated against her because she was pregnant.“I loved performing on the Met stage and looked forward to returning after the birth of my first child. I was shocked that I was not given a chance to recover and all of my contracts for the next two years were immediately canceled without pay,” she said in a statement.“After supporting the Met throughout the pandemic, I am disappointed, to say the least, at this harmful treatment.”Rachvelishvili, who hails from the former Soviet republic of Georgia and now lives in Tbilisi, was once heralded as the “greatest dramatic mezzo-soprano” by her Metropolitan Opera boss, Peter Gelb.
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Miley Cyrus loses bid to dismiss lawsuit alleging ‘Flowers’ copied Bruno Mars hit ‘When I Was Your Man’
unlawfully copying Bruno Mars’ song “When I Was Your Man” for her number-one hit “Flowers.”On Tuesday, US District Judge Dean Pregerson rejected Cyrus’ argument that Tempo Music Investments, which said it owns a share of the copyright in Mars’ song, could not bring the lawsuit.Tempo is unaffiliated with Mars, who is not involved in the lawsuit.Spokespeople and attorneys for Cyrus’ label Sony Music did not immediately respond to requests for comment on the decision on Wednesday.Tempo attorney Alex Weingarten of Willkie Farr & Gallagher said on Wednesday that the company is “thrilled but not the least surprised” by the decision and “extremely confident in prevailing” in the case.Cyrus released “Flowers” on her 2023 album “Endless Summer Vacation.” “Flowers” has over 1 billion streams on Spotify and won the Song of the Year Grammy award in 2024.Tempo sued Cyrus and Sony Music in September, arguing that “Flowers” duplicates “numerous melodic, harmonic and lyrical elements” of Mars’ “When I Was Your Man,” which topped the Billboard Hot 100 in 2013.Tempo said in the complaint that it bought its share of “When I Was Your Man” from the song’s co-writer Philip Lawrence in 2020.Cyrus and her song’s co-writers asked the court in November to dismiss the claims against them, arguing that Tempo lacked standing to sue under US copyright law because it did not have “exclusive rights” to the song.Pregerson ruled against Cyrus on Tuesday.“Because Lawrence as a co-owner could sue for infringement, Tempo as co‐owner, in lieu of Lawrence, can sue for infringement without joining the other co‐owners,” Pregerson said.
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Blake Lively granted stronger protective order as Justin Baldoni legal war continues
a modified protective order she requested to keep sensitive communications and documents out of the public eye and deemed as for “Attorneys’ Eyes Only” during the pretrial phase of her sexual harassment and defamation lawsuit against her “It Ends With Us” co-star and director.However, the actress — along with fellow plaintiffs Reynolds and her p.r. representatives (the “Moving” parties) — did not get a victory outright, as the request was “granted in part and denied in part.”The team for Baldoni and his Wayfarer Studios — who have countersued Lively and previously opposed her request for the strengthened protective order — welcomed the decision.“The Court has narrowed the provision to stated that information may be marked AEO only if its disclosure is ‘highly likely to cause a significant business, commercial, financial, or privacy injury,’ ” Judge Lewis Liman wrote in his memorandum obtained by The Post.“The parties have levelled [sic] accusations of theft of trade secrets and the disclosure of confidential sensitive information against one another,” he declared.“The Court’s model protective order is not sufficient for the needs of these cases,” he also stated.“These cases involve both business competitors and allegations of sexual harm.
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Blake Lively seeks stronger protective order after receiving ‘violent’ and ‘threatening’ messages amid Justin Baldoni legal war
her legal battle with Justin Baldoni after allegedly receiving “violent, profane, sexist, and threatening communications.”Attorneys for Baldoni, 41, along with those for Lively, 37, and her husband, Ryan Reynolds, 48, had previously agreed to a “model” protective order (PO) ahead of their March 2026 civil trial to prevent the public dissemination of sensitive documents and information as discovery gets underway.However, in a letter submitted to Judge Lewis J. Liman in the Southern District of New York on Thursday viewed by The Post, Lively and Reynolds’ lawyers claim that “good cause exists for the Court to provide additional protections” beyond those agreed to in the model PO.The letter cites Lively’s amended complaint against her “It Ends With Us” co-star and director filed earlier this week, which alleges the “Gossip Girl” alum, along with “her family, other members of the [‘It Ends With Us’] cast, various fact witnesses,” along with people who have publicly voiced their support for the actress “have received violent, profane, sexist, and threatening communications.”The additional protections requested by Lively and Reynolds include “an Attorney’s Eyes Only (‘AEO’) category, which applies to ‘Confidential Discovery Material of such a highly confidential and personal, sensitive, or proprietary nature that the revelation of such is likely to cause a competitive, business, commercial, financial, personal or privacy injury,'” according to the letter.
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Justin Baldoni’s lawyer responds to Ryan Reynolds mocking ‘It Ends With Us’ lawsuit at ‘SNL 50’
“Hot Mics” podcast on Monday and reacted to Reynolds, 48, making a joke from the audience in Studio 8H about the couple’s legal battle with Baldoni, 48.“I’m unaware of anybody, frankly, whose wife has been sexually harassed and has made jokes about that type of situation,” said Freedman.“I can’t think of anyone who’s done anything like that,” he added. “So it surprised me.”Freedman also called Reynolds’ comedic bit “the latest move” made by the couple in the legal showdown.The Post has reached out to Freedman for comment.Reynolds and Lively, 37, attended “SNL50: The Anniversary Special” on Sunday, which marked their first red carpet appearance since the legal drama with Baldoni began in December.During one segment, Tina Fey and Amy Poehler took questions from the star-studded audience and called on Reynolds, who was sitting next to his wife in the crowd.“Ryan Reynolds, how’s it going?” Poehler, 53, asked the “Deadpool” star, who stood up from his seat and quipped, “Why? What have you heard?”A source told People after the “SNL” special that Lively was “nervous” to go to the event, but she and Reynolds “had a great time” and mingled with other celebs who were there.On Bush’s podcast, Freedman explained that he speaks to Baldoni “often,” and noted that the actor’s current trip to Hawaii with his family is not a “vacation.”“I don’t think anybody who’s been accused of heinous…you know, arguably what are crimes, is on vacation,” said Freedman.
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America First Legal Targets Virginia Schools for Pro-Trans Policies
claims the five school districts are violating President Donald Trump’s recent executive order preventing schools that receive federal funds from affirming trans students’ gender identities.The group says that if all five jurisdictions are found to have violated Title IX and still refuse to end their gender-affirming policies, then those school districts should be stripped of all federal funds. “In each of those school districts, a ‘gender expansive or transgender student’ has access to the sex-segregated common restrooms and locker rooms of the opposite sex because it is consistent with their ability to be safe and comfortable in their subjective sense of ‘gender identity,'” the complaint reads.“But when other students whose ‘gender identity’ is the same as their biological sex object on the grounds that they now feel unsafe and uncomfortable in the common sex-segregated restrooms and locker rooms that have traditionally been designated exclusively for their sex, those students’ only option is to use a private restroom or an alternative that ‘minimize[s] the loss of instructional time.’“In other words, the relevant policies provide greater rights to students whose ‘gender identity’ does not match their biological sex than it does to students whose ‘gender identity’ matches their biological sex.

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