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10.04.2024 / 19:03

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The Mediapro Studio Doubles Down on Formats, From Extreme Survival ‘El Conquistador’ to the Sacrificial ‘Crush’ and Touching ’400’

John Hopewell Chief International Correspondent CANNES — Powering up another growth axis, as anticipated by CEO Laura Fernández Espeso, international scripted powerhouse The Mediapro Studio is doubling down on formats in the non-fiction space, Underscoring this growth TMS Head of International Development Ran Tellem (“Homeland,” “The Head”) and Head Of Format Strategy, Non-Scripted, Salva Romero (“Sing On,” “The Language of Love”) unleashed at Cannes’ final MipTV trade fair The Mediaapro Studio’s first full slate of titles, framed at MipFormats in a spirited session, Meet the Creative Minds Behind The Mediapro Studio Formats. Tellem and Romero talked about TMS’ formats in the last two years, but also on the creative strategy, thinking and sentiments behind them.

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3CAT Brings ’Aitana,’ a Doc Film-Miniseries to Market: ‘She’s the Greatest Woman Soccer Player in the World,’ Says Pep Guardiola (EXCLUSIVE)

John Hopewell Chief International Correspondent CANNES — 3CAT, the newly reset Barcelona-based Catalan public broadcaster, and one of the driving forces behind Canneseries highlight “This Is Not Sweden,” is bringing onto the market a new docuseries “Aitana” as the Catalan-language service seeks to cut through the crowd with some of the biggest IPs a territory has: Its soccer stars. Sold as both a 90-minute movie and also a three-part 40-minute episode mini, “Aitana” is an inside-track on Barcelona soccer club’s Aitana Bonmatí, winner of the 2023 Women’s Ballon d’Or for best female soccer player in the world.

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NBCUniversal, BBC Execs Talk ‘The Traitors’ Follow-Up, ‘Destination X’: ‘We Are Entering a Golden Age of Unscripted’

John Hopewell Chief International Correspondent CANNES — “Where Are You?” a screen asked behind speakers at a MipTV panel for “Destination X,” one of the most-awaited new formats in the world. Some audience members at the panel, may have been asking the same thing.

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MipTV’s Last Stand, Its Stars, Big and Buzz Titles, Growth Prospects, AI’s Real Threat and Other Takes on 2024’s Edition and Canneseries

John Hopewell Chief International Correspondent CANNES — For years, reports of MipTV’s terminal decline were somewhat exaggerated. Now, however, they’re real. On March 26, RX France, organizers of MipTV, announced the launch of Mip London, over Feb.

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Canal+ Acquires Rafael Cobos’ Canneseries Winner ‘The Left Handed Son,’ From Movistar Plus+ (EXCLUSIVE)

John Hopewell Chief International Correspondent In an acquisition which underscores the often shared sensibility between Canal+, France’s biggest pay TV operator, and Movistar Plus+, the largest Spanish pay TV player, Canal+ has acquired Canneseries winner “The Left-Handed Son” (“El hijo zurdo”), a Movistar Plus+ original series. The series will bow on Canal+ on April 5 in a deal brokered by Movistar Plus+ International. A psychological thriller with a lyrical undertow which surfaces to moving effect in key scenes, “The Left-Handed Son” marks the auspicious directorial debut of Rafael Cobos, the career-long co-scribe of Alberto Rodríguez, from 2005’s “7 Virgins” through international hit “Marshland” to 2017’s “The Plague,” still one of the biggest series which Movistar Plus+ has ever made.

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‘Oppenheimer’s’ Alex Wolff on ‘So Long, Marianne,’ How Leonard Cohen ‘Sacrificed Love on the Altars of Fame’

John Hopewell Chief International Correspondent “I sacrificed my love on the altars of fame,” Leonard Cohen said in the ‘70s,” “So Long, Marianne” showrunner Øystein Karlsen notes. Cohen was referring of course to his ‘60s decade-long relationship with Norway’s Marianne Ilhen, which shaped him for life.

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‘Los Caminantes de la Calle,’ ‘An Amputee,’ ‘For God’s Sake,’ ‘The Aspirant’ Win Big at Málaga’s Industry Awards

John Hopewell Chief International Correspondent “Los caminantes de la calle,” directed by Argentina’s Juan Martín Hsu, Chilean Ignacio Pávez’s docu-fiction drama “An Amputee” and Uruguayan Lorenzo Tocco’s “For God’s Sake” proved the biggest winners at the Malaga Festival’s MAFIZ industry area awards, announced at a ceremony on Friday night. Covering Malaga’s Work in Progress showcase, its Málaga Festival Fund Co-Production forum (MAFF) and the Spanish Screenings Content – Málaga Short Corner, prizes were divvied up among a slew of titles, with ‘Sometimes,’ by Sara Fantova and Enrique Buleo’s ‘Still Life With Ghosts,’ both scoring multiple awards. From his first feature, 2015’s “La Salada,” a patchwork narrative tale of immigrants’ lives, dreams and suffering in Argentina, to 2021’s “La Luna Reprenta Mi Corazon,” a docu feature record of the rencounter with his mother in Taiwan, Hsu has carved out a niche depicting the immigrant experience in Argentina.

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Starring Elite’s Omar Ayuso, ‘On the Go’ Secured by Dark Star Pictures for North America (EXCLUSIVE)

John Hopewell Chief International Correspondent MALAGA — Dark Star Pictures, the L..A.-based distribution company, has secured North America distribution rights to “On the Go,” which showcases the acting talents of “Elite’s” Omar Ayuso, here playing a Grindr addict with vengeance in his heart. Celebrating its world premiere at last August’s Locarno Film Festival, “On the Go” was acquired for world sales in the run-up to the Swiss festival by Paris-based MPM Premium.

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Production Spend Quadruples in Spain’s Bilbao-Bizkaia as Tax Credits Kick In

John Hopewell Chief International Correspondent The incontrovertible and immediate effect of muscular tax credits, entering in force in 2023, have powered to a new level the shoot scene in Bilbao and Bizkaia – the Basque city and surrounding province in Northern Spain. Introduced on Jan. 1, 2023, the new incentives offer an up-to-60% tax deduction for national and international co-productions of film and TV projects.

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Seriesmakers’ Second Edition Features New Projects From Kevin Macdonald, Kaouther Ben Hania, Mikko Myllylahti (EXCLUSIVE)

John Hopewell Chief International Correspondent Seriesmakers, a joint initiative of Series Mania, Europe’s biggest TV festival, and European film-TV powerhouse Beta Group, has revealed the 10 top-notch project lineup of the second edition of its novel and high-powered mentoring program for filmmakers making their TV creator debut. This year’s Seriesmakers features in development drama series from Oscar winner Kevin Macdonald (“George Blake”), behind “The Last King Of Scotland,” and from Finnish director Mikko Myllylahti, who burst onto the scene co-writing with Juho Kuosmanen the latter’s “The Happiest Day in the Life of Olli Makki,” a 2016 Cannes Un Certain Regard winner.

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Isaki Lacuesta, David Trueba, Antonio Chavarrías Make Malaga Main Competition Cut

John Hopewell Chief International Correspondent MALAGA — Opening last Friday with “Dragonkeeper,” also in competition, Spain’s Malaga Festival, its biggest dedicated event for movies from Spain and Latin America, is studded by latest films by Isaki Lacuesta – “Saturn Return,” reportedly fun, broad audience and radical – David Trueba – “The Good Man,” small scale but almost certainly ingratiating – and Antonio Chavarrías’ “Holy Mother,” about an extraordinary real life female figure in Spain’s 9th century Reconquista. Also in the running is “Rest in Peace,” from notable Argentine writer-director Sebastián Borensztein (“Chinese Takeaway”).

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‘Nowhere’ Star Anna Castillo, ‘Elite’ Icon Ester Expósito Set for ‘Death to Love,’ from ‘Piggy’ Director Carlota Pereda (EXCLUSIVE)

John Hopewell Chief International Correspondent Two Spanish female stars who have broken out to huge global audiences in Netflix hits – “Nowhere” and “A Perfect Story” lead Anna Castillo and Ester Expósito, highly prominent in “Elite” in early seasons – are set to star in dramedic vampire thriller “Death to Love,” (“Que muera el amor”), the first series created by “Piggy” director Carlota Pereda, who will also serve as its showrunner. “If there are two actresses you can believe are immortals, with their out-of-this-world allure and talent, it’s Anna and Ester. I can’t wait to explore this world of darkness, joy and Eternal Love with them,” Pereda told Variety.

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Malaga’s Spanish Screenings Host 222 Titles, Underscore Industry Drivers: NextGen Talent, Animation, the Rise of Spain’s Regions

John Hopewell Chief International Correspondent MALAGA — Antonio Chavarrías’ “Holy Mother,” Celia Rico’s “Little Loves” and Diogo Viegas’s “Alice’s Diary” play at this year’s 3rd Spanish Screenings Content, the Malaga Festival’s part of the Spanish Screenings XXL, Spain’s biggest international industry platform in its history, featuring over March 4-7 and – when it comes to Málaga – the monumental number of 222 titles. In production volume, Spain has never had it so good.

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Gerard Butler’s ‘Has Fallen’ Film Franchise Gets an Event TV Series Makeover in Studiocanal’s ‘Paris Has Fallen’

John Hopewell Chief International Correspondent Is this now an age of TV caution? A brace of big swings at this week’s London TV Screenings belie that trend, and few come bigger than the English-language action thriller “Paris Has Fallen,” which Studiocanal launches at this week’s London TV Screenings. Like other major LTVS plays, it takes a mainstream genre – such as, elsewhere, the historical drama (“Wolf Hall: The Mirror and the Light”), true crime (“A Cruel Love: The Ruth Ellis Story”) and the bio (“So Long, Marianne”) – and aims to elevate them to another level.

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‘Catch Me a Killer,’ with ‘Game of Thrones’’ Charlotte Hope, Sells Widely as Abacus Media Rights Rolls Out Its Crime Drama Slate (EXCLUSIVE)

John Hopewell Chief International Correspondent Underscoring the enduring popularity of crime drama, Abacus Media Rights (AMR), an Amcomri Entertainment company, has announced a slew of sales on two titles, led by Showmax Original “Catch Me a Killer,” a true crime drama with “Game of Thrones’” Charlotte Hope playing South Africa’s first and most famous serial killer profiler. Hope also headed “The Spanish Princess,” as Catherine of Aragon. AMR has moreover closed further deals on fiction drama “Scrublands,” a scripted drama about the real reasons for a country town massacre.

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Sony Pictures Television Announces ‘La Academia,’ Its First Spanish-Language Spain-Produced Series (EXCLUSIVE)

John Hopewell Chief International Correspondent In a milestone move, Sony Pictures Television has unveiled “La Academia,” its first Spanish-language scripted series filmed in Spain for Prime Video and 3Cat. “La Academia” is produced for Sony by Brutal Media, commissioned out of Sony Pictures Television’s international production group.

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Series Mania Forum Unveils Co-Pro Projects, Expands to Japan with ‘A True Novel,’ and Manga-Inspired ‘Issak’

John Hopewell Chief International Correspondent “A True Novel,” directed by Kiyoshi Kurosawa, manga-inspired “Issak,” written by Itaru Mizuno (“Double Booking”) and “4 Blocks” Richard Kropf, look like potential highlights at this year’s Co-Pro Pitching Sessions, the centerpiece at Series Mania’s Forum, as its projects expand ever more their geographic compass, here welcoming their first titles co-produced by Japan. They are joined by titles from around the world such as Argentinean Daniel Burman’s “Witness 36,” which won the Series Mania Award at the Berlinale Series Market on Tuesday, and a slice of Vatican noir and which reunites the team of “De Grace,”and The Forum runs March 19-21 during Series Mania, Europe’s biggest dedicated TV festival, which will unspool this year over March 15-22 in Lille, Northern France.

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‘30 Days of Lust,’ Where a Young Couple Tests 30 Days of Free Love, Swooped on by Beta Film Before Series Mania World Premiere (EXCLUSIVE)

John Hopewell Chief International Correspondent In early Series Mania business, Europe’s Beta Film has pounced on international distribution rights to “30 Days of Lust,” a half-hour dramedy from Munich’s Trimafilm, in which a couple, high-school sweethearts but now knocking 30, experiment with 30 days of free sex. Beta Film has also shared in exclusivity with Variety a first clip from the eight-part series which world premieres in International Panorama Competition at next month’s Series Mania, a section whose value is rising fast as companies seek to leverage TV festival selection as a sign of distinction in a still hugely crowded fiction TV marketplace. In the clip, from the early going of Ep.