Julio Torres: Last News

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‘Papyrus 2’: Ryan Gosling Returns for Sequel to Beloved ‘SNL’ Sketch Exploring the ‘Avatar’ Font Obsession

Meredith Woerner Deputy Editor, Variety.com After much anticipation, the sequel to the 2017 sketch “Papyrus 2” has finally emerged despite being cut for time during the live broadcast, making its debut on YouTube. The original sketch was conceived by former “SNL” writer Julio Torres, who was inspired by a past tweet in which he mused, “Every day I wake up and remember that Avatar, a huge international blockbuster, used the Papyrus font for their logo, and no one stopped them.” Directed by Dave McCary(who also shot the previously pointed Torres sketch “Wells For Boys” with his now-wife and current collaborator Emma Stone), this meditation on obsession and a questionable font became the logo for James Cameron’s massive franchise.
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‘Nimona’s’ ND Stevenson on the Power of Transforming Myths
She-Ra reboot — can draw his bustling life into a frame, one panel at a time.Filling the pages of candid, witty webcomic I’m Fine I’m Fine Just Understand with expressive line-drawn vignettes, or, say, early sketches for his award-winning science fantasy graphic novel Nimona, Stevenson, who is trans and married to fellow author/creative Molly Knox Ostertag, chronicles his own adventures in simply getting through the day.It’s a safe space, he writes, “to post little comics and updates about transition, mental health, career, and life in general.”“I just feel like comics is something that I kind of can’t not do,” Stevenson tells Metro Weekly, zooming in — before the current WGA and SAG strikes — to chat about Netflix’s new animated feature adaptation of Nimona, starring Riz Ahmed as interstellar knight Ballister Boldheart and Chloë Grace Moretz as the beloved, shape-shifting title character.Traveling the globe on behalf of the film, directed by Nick Bruno and Troy Quane, Stevenson has recently devoted several amusing pages of I’m Fine I’m Fine to recounting his “adventures from the Nimona press tour.” The webcomic travelogue marks a full-circle moment for the artist and the character who helped lead him out of a self-described time of darkness.“I think the character specifically was at that particular time in my life,” Stevenson recalls. “I was 19 and in a very transitional period, as I think most young adults are at that age.
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