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Nick Vivarelli International Correspondent Egyptian-American director Dina Amer’s politically sensitive drama “You Resemble Me,” the story of Hasna Aït Boulahcen who in 2015 was wrongly believed to be Europe’s first female suicide bomber, is getting a Middle East release via Front Row Filmed Entertainment. Amer’s feature debut, which world premiered positively at the 2021 Venice Film Festival, is a deeply researched character study of the fragile young Muslim woman who became linked to the November 2015 terrorist attacks in Paris even though she didn’t participate in them. Aït Boulahcen died during an anti-terrorism raid alongside her cousin Abdelhamid Abaaoud, who was one of the ringleaders of the coordinated assaults that killed 130 people in the French capital, including 90 at the Bataclan theater.

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Alfredo Castro Starring ‘After Elena,’ by Shawn Garry, Boarded by Colombia’s Doc:Co (EXCLUSIVE)

John Hopewell Chief International Correspondent Colombia’s Doc:Co is set to co-produce “After Elena,” headed by one of Latin America’s foremost of actors, Alfredo Castro, whose turns in Tony Manero, ‘No’ and ‘The Club’ helped Pablo Larraín lift off as an international filmmaker. Moved at Berlin by Gabriela Sandoval, who produced out of her label Cine Matriz and Storyboard Media, where she teams with Carlos Nuñez, “After Elena” also marks the the awaited sophomore feature of Chilean director-producer Shawn Garry after he impressed with his debut, festival hit “Desierto Sur.” Garry’s own label Creative Content also produces along with Italian co-producer Zoe Films, which was at Venice Days in 2024 with “Vittoria,” from directing duo Alessandro Cassigoli and Casey Kauffman and co-produced by Nanni Moretti’s Sacher Film.

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TrustNordisk Boards ‘Brace Your Heart’ From ‘Sámi Blood’’s Amanda Kernell Ahead of European Film Market in Berlin (EXCLUSIVE)

Annika Pham Scandinavia’s leading sales agent TrustNordisk has swooped on the international sales rights of Amanda Kernell’s “Brace your Heart” (“Förbannelsen”) ahead of the European Film Market in Berlin. The Swedish drama, which starts filming this week in the Kiruna region, Northern Sweden, is Kernell’s third pic after the Swedish Oscar entry “Charter” and her acclaimed debut “Sami Blood” (a best directing debut at Venice Days 2016) which firmly put her name among Scandinavia’s most promising female voices. Based on Kernell’s own original script, the story is set in a remote Sámi village, high in the mountains.

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Distribution Workshop To Launch Sales On Juno Mak’s ‘Sons Of The Neon Night’ At ACFM

Taiwan-based sales agent Distribution Workshop is launching pre-sales on Juno Mak’s long-gestating Sons Of The Neon Night at the upcoming Asian Contents and Film Market (ACFM) during Busan International Film Festival.

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London Film Festival’s ‘Tarika’ Inspired by Director’s Desire to ‘Express Humanity’: ‘Art Is a Powerful Ally of Beauty and Justice’ (EXCLUSIVE)

Leo Barraclough International Features Editor Bulgarian drama “Tarika” has its world premiere at the London Film Festival. Variety spoke to its director, Milko Lazarov, whose previous film, “Ága,” premiered in the main competition of the Berlin Film Festival, and debuts its trailer (below). The film centers on Ali and his daughter Tarika, who live peacefully, but isolated, from their community in rural Bulgaria.

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Isabella Torre and Jonas Carpignano on Mixing Mythical Nymphs and Contemporary Reality in Venice Days Closer ‘Basileia’ – Watch Clip (EXCLUSIVE)

Nick Vivarelli International Correspondent Isabella Torre is at Venice with her first feature “Basileia.” The film follows an archaeologist who, while exploring a tomb containing an ancient treasure in Southern Italy’s rugged Aspromonte mountains, unleashes mythical nymphs. The dark fairytale – which is closing the fest’s independently run Giornate Degli Autori, also known as Venice Days – was developed at the Sundance Lab. It is produced by Torre’s partner, director Jonas Carpignano (“A Chiara”) and sold by Luxbox.

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Marianna Brennand’s Drama ‘Manas,’ Backed by Walter Salles and the Dardenne Brothers, Scores Top Venice Days Prize

Nick Vivarelli International Correspondent Brazilian director Marianna Brennand’s drama “Manas,” about a 13-year-old girl suffering abuse in the depth of the Amazon rainforest, has scored the Venice Days director’s award. Backed by Walter Salles and the Dardenne Brothers, “Manas” is set on the island of Marajó in the Amazon rainforest. Marcielle lives near the riverbank with her father, mother and three siblings.

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Georgian Anti-Putin Film ‘The Antique’ Allowed To Screen At Venice After Emergency Decree Overturned

Georgian anti-Putin drama The Antique, which has its Venice debut suspended after a copyright complaint, is now free to screen at this year’s festival.

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Shahab Fotouhi’s Venice Premiere ‘Boomerang’ Proves ‘Personal Is Political’ as Iranian Film Debuts Clip (EXCLUSIVE)

Marta Balaga Iranian artist and filmmaker Shahab Fotouhi’s “Boomerang” has debuted an exclusive clip (below) following the film’s world premiere in Venice Days, an independent sidebar to the Venice Film Festival. In his tender drama, set in Tehran, old relationships break – like Sima’s marriage to Behzad – and new ones begin. Sometimes, by complete chance.

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Giulio Donato’s ‘Labyrinths,’ Premiering in Venice, Debuts Clip (EXCLUSIVE)

Leo Barraclough International Features Editor Giulio Donato‘s “Labyrinths,” which plays in an Out of Competition slot at Venice Days, an independent sidebar to the Venice Film Festival, has debuted a first clip (below). Open Reel is handling international sales. The film centers on Francesco, an introverted guy, born in a village surrounded by nature in the mountains of Calabria.

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‘Sanatorium Under the Sign of the Hourglass’ Review: The Quay Brothers’ Surreal Stop-Motion Fantasia Is a Mouthful, an Eyeful and a Mind-Melt

Guy Lodge Film Critic Time, space and mortality work to no earthly schedule in the half-lit, hand-made twilight world of “Sanatorium Under the Sign of the Hourglass” — so it’s appropriate that this vertiginous stop-motion vision seems to operate by temporal laws of its own. The first feature film in nearly 20 years from cult animators the Quay Brothers runs just 76 minutes, though in the process of watching it, it feels both infinitely longer than that and over in the blink of an eye, like a dream of epic proportions that you forget seconds after waking.

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Pop Icon Peaches and Filmmaker Marie Losier Decentralize Cool With Venice Doc ‘Peaches Goes Bananas’

Ben Croll The journey towards this year’s Venice Film Festival began nearly two decades ago for documentarian Marie Losier and pop icon Merrill Nisker – better known to the world as Peaches. Upon meeting backstage at a show, Losier instinctively turned her Bolex camera on the musician — and then didn’t stop filming for 17 years. The result is “Peaches Goes Bananas,” an intimate and unconventional doc premiering out the Venice Days sidebar.

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It Takes Time to Become a Hero in Venice Days Feature ‘To Kill a Mongolian Horse’

Marta Balaga In Mongolian Venice premiere “To Kill a Mongolian Horse,” it takes time to become a hero. Especially the kind that impresses the audience at popular horse shows. “I am a local — I grew up on this land.

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Director of Georgian Film ‘The Antique’ Blames Russia for Blocked Screenings at Venice Film Festival

Nick Vivarelli International Correspondent Georgian director Rusudan Glurjidze, whose drama “The Antique” depicts the mass deportation of Georgians from the country by Russian authorities, on Friday asserted that she is being censored by an ongoing Russian campaign against the movie and pleaded for support after the film was prevented from screening at the Venice Film Festival. Set in 2006 in Russia, “The Antique” touches on the deportation of thousands of Georgians from the country at the time.

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‘Super Happy Forever’ Review: Nostalgia Can’t Mend a Broken Heart In a Gentle Japanese Charmer

Guy Lodge Film Critic Five years separate the two halves of “Super Happy Forever,” a delicate, unassuming but subtly complex love story in reverse that doesn’t dart between timelines, instead offering the past as a bittersweet chaser to the present. It’s a gap short enough for little to have changed at the sleepy Japanese beach resort where the film is set: Faces and places stay much the same, though melancholic protagonist Sano (Hiroki Sano) has perhaps too much faith in the time-bridging powers of a hotel’s lost-and-found desk.

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Venice’s ‘Manas,’ Backed by Walter Salles and Dardenne Brothers, Debuts Trailer, Bendita Handles Sales (EXCLUSIVE)

Leo Barraclough International Features Editor The trailer (above) has launched for Marianna Brennand‘s “Manas,” which has its world premiere in Venice Days, a sidebar to the Venice Film Festival. Bendita Film Sales is handling world sales. The film is set on the island of Marajó in the Amazon rainforest.

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Venice’s Giornate Degli Autori Suspends Screening Of Georgian Film ‘The Antique’ Over Copyright Dispute

Venice’s Giornate degli Autori (GdA), previously known as Venice Days, has suspended screenings of Georgian director Rusudan Glurjidze’s film The Antique after a copyright issue has come to light.

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Venice Screenings of Georgian Film ‘The Antique’ ‘Suspended’ Following Court Ruling Over Copyright Dispute

Leo Barraclough International Features Editor Venice Days, an independent sidebar of the Venice Film Festival, has “suspended” screenings of Georgian filmmaker Rusudan Glurjidze‘s second feature film “Antikvariati” (The Antique). The sidebar’s organizers have canceled the press and industry screening scheduled for Aug.

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Georgia’s ‘The Antique’ Debuts Trailer Ahead of Venice Premiere, MPM Handles Sales (EXCLUSIVE)

Leo Barraclough International Features Editor Georgian filmmaker Rusudan Glurjidze‘s second feature film “Antikvariati” (The Antique), which has its world premiere at the Venice Film Festival in the Venice Days sidebar, is launching its trailer. MPM Premium has acquired international sales rights to the film. Set around 18 years ago in Russia, the film follows a young Georgian man named Lado, who is involved in smuggling antique furniture from Georgia to Russia.

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‘Peaches Goes Bananas’ Trailer Drops: Marie Losier’s Documentary Charts Rise of Feminist Queer Icon

Elsa Keslassy International Correspondent Best Friend Forever has dropped the trailer for Marie Losier’s documentary feature “Peaches Goes Bananas.” The feature will have its world premiere at the Venice Days sidebar running alongside the film festival. The documentary portrays Merrill Nisker — the trailblazing feminist queer icon, musician and producer known as Peaches — off and on stage.

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Venice-Bound Documentary ‘Possibility of Paradise’ Picked Up by Taskovski (EXCLUSIVE)

Leo Barraclough International Features Editor Taskovski Films Sales has picked up Serbian filmmaker Mladen Kovačević‘s documentary “Possibility of Paradise,” which will have its world premiere on Sept. 3 at Venice Days, an independent sidebar to the Venice Film Festival.

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Venice Doc ‘Peaches Goes Bananas’ Lands at Sales Banner Best Friend Forever (EXCLUSIVE)

Elsa Keslassy International Correspondent Brussels-based company Best Friend Forever has boarded international sales for Marie Losier’s documentary feature “Peaches Goes Bananas” ahead of its world premiere at the Venice Days sidebar running alongside the film festival. For “Peaches Goes Bananas,” Losier followed Merrill Nisker — the trailblazing feminist queer icon, musician and producer known as Peaches — off and on stage.

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