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Adam Driver, Mads Mikkelsen, Cailee Spaeny, Jacob Elordi, Caleb Landry Jones, Olga Kurylenko Among Actors Set To Attend Venice Film Festival As Hollywood Guest List Takes Shape

EXCLUSIVE: There has been mystery for weeks over which Hollywood talent will attend the Venice Film Festival amid the two strikes but the clouds are finally starting to lift.

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Venice Film Festival Opener ‘Comandante,’ Starring Pierfrancesco Favino, Boarded by True Colours (EXCLUSIVE)

Leo Barraclough International Features Editor Rome-based sales agency True Colours has added Edoardo de Angelis’ “Comandante,” which opens the Venice Film Festival, to its slate. The film, which plays in the main competition section, stars Pierfrancesco Favino (“World War Z,” “Angels & Demons”).

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Be For Films Boards ‘The Summer With Carmen’ Ahead of Venice Days Premiere (EXCLUSIVE)

Elsa Keslassy International Correspondent Be For Films has boarded “The Summer With Carmen,” Zacharias Mavroeidis’ colorful Greek comedy that’s set to world premiere at the Venice Days at the Lido. “The Summer With Carmen” takes place at Athens’ queer beach, where 30-something Demosthenes offers to help his friend and aspiring filmmaker Nikitas in drafting an idea for his feature debut, inspired by the events surrounding a dog named Carmen.

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Venice Days Title ‘The Zola Experience,’ Centered on Stage Production of Emile Zola’s ‘L’Assommoir,’ Picked Up by Syndicado (EXCLUSIVE)

Leo Barraclough International Features Editor Gianluca Matarrese’s “The Zola Experience,” which will have its world premiere at Venice Days, has been picked up for international sales by Syndicado. Cinecittà will distribute the film in Italy. According to Matarrese, the film “explores the boundaries between fiction and documentary.” It centers on Anne, a theater director, who has separated from her husband and is moving house.

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Isabelle Huppert-Starrer ‘Sidonie au Japan’ Set for Venice Days Launch – Full Lineup

Nick Vivarelli International Correspondent French director Élise Girard’s “Sidonie in Japan” starring Isabelle Huppert as a French writer mourning her husband’s death while on a book tour of Japan, is among titles set to launch from the Venice Film Festival’s independently run Giornate Degli Autori. The section, also known as Venice Days, has unveiled its lineup comprising ten titles world premiering in competition – six of which first works – and films in other sections all displaying a wide range of genres and visual styles, but tied together by “A common discourse,” said the section’s artistic director Gaia Furrer.

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‘Europa,’ ‘Medium,’ ‘Freedom’ Compete at Sarajevo Film Festival

Leo Barraclough International Features Editor Forty-nine films will compete for the Heart of Sarajevo awards at the 29th Sarajevo Film Festival, which runs in Bosnia and Herzegovina from Aug. 11 to 18. The Feature Film Competition will present 11 titles, with two world premieres, one international and five regional premieres. World premieres include “Europa” from Austrian-Iranian filmmaker Sudabeh Mortezai, whose credits include 2018 Venice Days entry “Joy,” the Best Film winner at London Film Festival, and “Macondo,” which competed for the Golden Bear at Berlin Film Festival in 2014. The other world premiere is “Medium,” from Greek director Christina Ioakeimidi, whose debut feature was “Harisma” in 2010.

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‘Sympathy For The Devil’: First Look At Nicolas Cage & Joel Kinnaman In Psychological Thriller

EXCLUSIVE: Ahead of EFM, Capstone Global and Hammerstone Studios have shared a first-look image of Nicolas Cage and Joel Kinnaman in Sympathy for the Devil, the upcoming psychological thriller from Yuval Adler (The Secrets We Keep).

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‘Blue Jean’: Read The Screenplay For Georgia Oakley’s BAFTA Nominated Debut

Editor’s note: Deadline’s Read the Screenplay series debuts and celebrates the scripts of films factoring in this year’s movie awards races.

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Wooden Boat, Pucará Cine, Reteam For ‘Bajo el Mismo Sol,’ From New Directors Winner (EXCLUSIVE)

Pablo Sandoval Set to be unveiled at this week’s San Sebastian Europe-Latin America Co-Production Forum, “Bajo el Mismo Sol” has secured a first co-production deal ahead of the festival. Argentina’ Pucará Cine has boarded the project, reteaming with lead producer Wooden Boat Productions in the Dominican Republican on director Ulises Porra’s third feature. Both production companies co-produced Porra’s most recent movie, “Carajita” (2021), co-directed by Silvina Schnicer, which won the New Directors award at last year’s San Sebastián, swept Guadalajara, and collected hardware at Argentina’s Mar del Plata and the Miami Film Festival.

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‘The Damned Don’t Cry’ Review: Fyzal Boulifa’s Refined, Strikingly Queer Mother-Son Melodrama

Guy Lodge Film Critic In the little-remembered 1950 noir “The Damned Don’t Cry,” Joan Crawford plays a Texan housewife whose grief for her late son spurs her to make a new life for herself in the urban underworld. Fyzal Boulifa’s exquisite new film of the same title is named expressly for that Crawford vehicle, but is neither a remake nor a direct homage. Rather, it remixes the narrative components of that film and others of its ilk into the kind of new-school-old-school heart-tugger — one might say tearjerker if its characters weren’t, true to its title, stoically dry-eyed throughout — that might have been designed for the shoulder-padded diva were she alive in 2022 and, perhaps more crucially, of Moroccan heritage.

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Magnolia Acquires NA Rights On Venice Title ‘Blue Jean’

Magnolia Pictures acquired North American rights to Blue Jean, the directorial debut of Georgia Oakley which just world-premiered in the Venice Days section of the Venice Film Festival. Pic stars Rosy McEwen and won Venice’s Giornate degli Autori (GdA) People’s Choice award. Magnolia plans to release the film next year.

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Magnolia Pictures Buys Venice Hit ‘Blue Jean’ for North America

Manori Ravindran International Editor Magnolia Pictures has acquired the North American rights to Venice Film Festival sensation “Blue Jean.” The directorial debut of Georgia Oakley, which just world-premiered in the Venice Days section of the Italian festival, is set in England in 1988, where Margaret Thatcher’s Conservative government is about to pass a law stigmatizing gays and lesbians. The new legislation forces Jean (Rosy McEwen), a closeted gym teacher, to live a double life. But as pressure mounts from all sides, the arrival of a new student catalyzes a crisis that will challenge Jean to her core.

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Nicolas Cage, Joel Kinnaman Starring in Psychological Thriller ‘Sympathy for the Devil’ (EXCLUSIVE)

Brent Lang Executive Editor Nicolas Cage and Joel Kinnaman will star in “Sympathy for the Devil,” a new psychological thriller from director Yuval Adler. Production on the film is underway in Las Vegas. Capstone Global is handling worldwide sales on the film, and will introduce it to buyers during the upcoming Toronto International Film Festival. Written by Luke Paradise (“Lost on a Mountain in Maine”), “Sympathy for the Devil” follows “The Driver” (Kinnaman) as he finds himself in a high-stakes game of cat and mouse after being forced to drive a mysterious man known as “The Passenger” (Cage). That sets things up for a white-knuckle ride.

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Graham Foy on the Journey to Venice for Teen Drama ‘The Maiden’

Jennie Punter “The Maiden,” Graham Foy’s finely tuned story of adolescent mythmaking, togetherness and grief, has its world premiere Tuesday in Venice Days before heading to Toronto, but the film’s impressive international journey actually began in Cannes two years ago. Based in Toronto since 2008, Foy grew up in suburban Calgary where “Maiden” is set, spent teenage summers near the graffiti-covered railroad bridge and ragged ravine, where much of the film was shot, and, like one of the characters, was an avid skateboarder. He had been tapping away at the “Maiden” script — which draws from his experiences but is not autobiographical — for several years when his short “August 22, This Year” was selected for the 2020 Cannes’ Critics’ Week.

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Venice Review: Georgia Oakley’s ‘Blue Jean’

A lesbian gym teacher navigates Margaret Thatcher’s Britain under the “Section 28” law in Blue Jean, Georgia Oakley’s debut feature premiering in the Venice Days section of the Venice Film Festival.

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Timothée Chalamet Fever Hits Venice as Fans Go Wild: ‘He’s Beautiful and Talented’

Manori Ravindran International Editor It’s Timothée Chalamet Day in Venice. This isn’t a national holiday, but perhaps it should be. It’s just past 1:30 p.m. outside the Venice Film Festival’s Sala Casino, and a crowd of youth have set aside work and school commitments to travel into the Lido to catch a glimpse of the American superstar arriving for a press conference. Every generation has their movie star heartthrob — from Jonathan Taylor Thomas to Brad Pitt in the ’90s and Robert Pattison at the dawn of the Twilight movies. For many young women, Chalamet represents the pinnacle of Gen Z cool. The Chalamet stans arrived as early as 7 a.m. on Friday to catch a glance of Timothée. They are, not surprisingly, mostly female. They describe their favorite performances as “Call Me By Your Name” and “The King” but are mostly drawn to Chalamet because of his kind and friendly nature.

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Venice Review: Shia LaBeouf In Abel Ferrara’s ‘Padre Pio’

Shia LaBeouf plays the title character in this period piece, and his face dominates the promotional material, but the latest film from the ridiculously prolific Abel Ferrara, now into his 70s, is really more of an ensemble with a supporting cast that’s near-unknown outside Italy.

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‘Kristos, the Last Child’ Director Giulia Amati on Her Quest for Simplicity – Venice

Anna Tatarska Dystopian narratives have been popular with filmmakers lately, in times when dark prophecies resonate. But sometimes life pens a much better script than any screenwriter could, as is the case with Giulia Amati’s “Kristos, The Last Child,” which has its world premiere Friday in Venice Days, a sidebar of the Venice Film Festival. Leipzig-based Deckert Distribution has taken on world sales duties. Arki is a small island on the east side of the Aegean Sea, populated by approximately 1,000 goats and 30 people. There is no mayor, no pharmacy, no police station and no cinema. But there is a school – and it has only one student, Kristos. If the boy wants to continue his education, he’ll have to leave his home and family. Will he decide to take this risk? Or will he stay with the loved ones to help preserve the family business and long-kept traditions?

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Venice Buzz Debut ‘Blue Jean’ Sells To The UK For Film Constellation

EXCLUSIVE: Fresh off multiple rave reviews last night, we can reveal that Altitude has secured UK and Ireland distribution rights to writer-director Georgia Oakley’s buzzy Venice, Toronto and London Film Festival-bound drama Blue Jean from London and Paris-based Film Constellation.

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Tessa Thompson & Jodie Turner-Smith Wow in Their Red Carpet Outfits for Second Day of Venice Film Festival 2022

The stars are giving us major fashion moments at the 2022 Venice Film Festival!

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