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variety.com

19.05.2024 / 06:49

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‘Everybody Loves Touda’ Review: Nabil Ayouch’s Feminist Musical Drama Only Really Sings When Its Leading Lady Does

Guy Lodge Film Critic The very title of “Everybody Loves Touda” poses a kind of challenge to viewers. If everybody loves Touda, dare you not? Moroccan director Nabil Ayouch‘s forthright musical drama certainly doesn’t permit much room for dissent.

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‘Three Kilometers to the End of the World’ Review: A Portrait of a Small Romanian Village, Made Smaller Still by Prejudice

Guy Lodge Film Critic A hot, strong summer wind is the overriding soundtrack to “Three Kilometers to the End of the World” — the kind of dry, whirring weather that swallows conversations held even a short distance away, and carries stray, light objects far from where they meant to land. For 17-year-old Adi, however, it’s not loud enough to keep his secrets safe, nor heavy enough to lift and float him away from the home in which he feels increasingly imprisoned.

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‘On Becoming a Guinea Fowl’ Review: Trauma Takes on Grieving in Rungano Nyoni’s Darkly Transfixing Second Feature

Guy Lodge Film Critic It is polite, we are told, not to speak ill of the dead, though it’s just as often prudent not to speak ill of the living. For victims with grievances against those older and more powerful than them, it’s hard to know when to speak up at all.

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‘This Life of Mine’ Review: A Middle-Aged Woman Collapses and Rebuilds In Sophie Fillières’ Bittersweet Final Feature

Guy Lodge Film Critic What is poignant about “This Life of Mine” — the final film by French writer-director Sophie Fillières — is all but impossible to extract from the beleaguered circumstances of its creation. Aged just 58, Fillières died last summer, shortly after completing the shoot of this wistful, somewhat autofictional study of midlife feminine crisis.

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‘When the Light Breaks’ Review: A Maelstrom of Youthful Emotion Plays Out Between Two Sunsets

Guy Lodge Film Critic The longest days in your life are those where a loved one dies. Exhausting waves of feeling lap each other over the hours, stretching and blurring them as disbelief gives way to panic, to fatigue, to deep and paralyzing sadness, all while practical tasks mount and accelerate.

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Sundance Winner ‘Gaucho Gaucho’ Sells Across Europe for Charades (EXCLUSIVE)

Alex Ritman Paris-based sales house Charades has sold the Argentinian Western-inspired documentary “Gaucho Gaucho” across much of Europe. The film — which won a Sundance Jury Prize in January and recently played at CPH:DOX — has landed deals with Tandem (France), Filmin (Spain), Selmer Media (Sweden, Norway, Iceland, Finland, Denmark), M2 (Romania, Poland, Hungary. Ex-Yugoslavia, Czech Republic, Slovakia, Bulgaria), Praesens (Switzerland) and Bantam Films (Benelux).

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‘YOLO’ Review: A Megahit Chinese Boxing Movie That Needs More Punch

Guy Lodge Film Critic Macho sports-movie tropes meet with bright chick-flick framing to curious effect in “YOLO,” either an ostensible boxing drama that doesn’t pick up the gloves until the third act, or a misfit romcom that takes a late and unusual turn toward transformational self-help territory. Chinese audiences have been delighted by either formulation, as Jia Ling‘s second feature as director-star — following 2021’s popular time-travel comedy “Hi, Mom” — has racked up the year’s second-highest global gross so far, mostly on the strength of its domestic receipts.

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‘Scoop’ Review: Gillian Anderson and Billie Piper Go In for the Kill in an Engrossing Look Behind Prince Andrew’s Fall From Grace

Guy Lodge Film Critic It’s no great slight to “Scoop” to say that it’s no more compelling than the real-life news broadcast on which it pivots. It’s also no less compelling than said broadcast, which was, after all, a doozy: the 2019 episode of “BBC Newsnight” in which anchor Emily Maitlis interviewed Prince Andrew about his friendship with the late sex offender Jeffrey Epstein.

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‘Who by Fire’ Review: A Canadian Cabin-in-the-Woods Getaway Goes Strangely and Rivetingly Awry

Guy Lodge Film Critic As a general movie rule, when a group of happy weekenders head to a woodland cottage for a bit of rest and relaxation, the great outdoors has some grisly surprises in store for them. In “Who By Fire,” however, the horrors all come from inside the house — or more specifically from the people themselves, many of whose worst impulses and insecurities are unleashed by their tranquil surroundings.