Leonor Serraille - celebsbar.com

Guy Lodge Film Critic For all the screenwriting manuals and maxims that insist on character goals and motivations and missions and all those things we’re supposed to have in real life too, there can be something riveting about a character with no plan at all. We never know quite where Ari, the eponymous protagonist of writer-director Léonor Serraille’s excellent third feature, is headed from one scene to the next, not least because he doesn’t either.

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Léonor Serraille’s Berlinale Competition Film ‘Ari’ Joins Be For Films’s EFM Slate (EXCLUSIVE)

Elsa Keslassy International Correspondent Leonor Serraille‘s “Ari,” one of the most anticipated European films slated to world premiere in competition at the Berlin Film Festival, has been boarded by Pamela Leu’s Be For Films. “Ari” marks Serraille’s follow up to “Mother and Son” (“Un petit frere”) which competed at Cannes in 2022. Her feature debut, “Jeune Femme,” won the Golden Camera at Cannes in 2017.

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Cannes Buyers Flock to Leonor Serraille’s Competition Film ‘Mother and Son’ (EXCLUSIVE)

Elsa Keslassy International CorrespondentMK2 Films has locked major territory deals on Leonor Serraille’s drama “Mother and Son” which world premiered in competition at the Cannes Film Festival and garnered strong reviews. “Mother and Son” charts the lives of a young African woman, Rose, and two of her four children, Jean and Ernest, who come to France from the Ivory Coast in the 1980s with high ideals.

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Cannes Review: Leonor Serraille’s ‘Mother And Son’

When his mother spoke, Ernest remembers, everything sounded important. “I cling to her light,” he tells us in voiceover, an adult remembering how that felt. The Ernest he is recalling is just a little boy (Milan Doucansi), snuggled against Rose (Annabelle Lengronne, a wonderfully vivid presence), with his grave and clever older brother Jean (Sidy Fofana) sitting opposite on a train taking them from Cote d’Ivoire to a new French life.

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Cannes Awards Predictions: Can the Dardennes Win the Palme d’Or a Third Time?

Clayton Davis The 2022 Cannes Film Festival is nearing its conclusion, and soon the jury will be selecting awards for this year’s impressive, albeit quieter, slate of films. After last year’s “Titane” from Julia Ducournau made history as the first female-directed film to fully win the Palme d’Or (Jane Campion’s “The Piano” tied with “Farewell My Concubine” in 1993), at this point in the festival, it doesn’t seem likely that a woman-directed project will walk away with it this year.“Forever Young” by French-Italian director Valeria Bruni Tedeschi seems to be the only film directed by a woman that has so far invoked any passion for bringing it to the finish line.

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Cannes Has Record Number of Female Filmmakers, But Lots of Ground to Make Up

Cannes Film Festival is making efforts to diversify beyond the cavalcade of many of the same male auteurs. Instead, there will be a record number of women directors in competition.Now the bad news.

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Fresh Faces: Leonor Serraille on Her Cannes Competition-Bound ‘Mother and Son’

Elsa Keslassy International CorrespondentFive years after winning Cannes’ Camera d’Or prize with her debut feature, “Jeune Femme,” French writer-filmmaker Leonor Serraille graduated to a competition slot with “Mother and Son,” a timely family drama spanning three decades. Serraille is one of the five female directors competing for this year’s Palme d’Or.“Mother and Son” charts the lives of a young African woman, Rose, and two of her four children, Jean and Ernest, who come to France from the Ivory Coast in the 1980s with high ideals.

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MK2 Films Acquires the Raoul Peck Catalogue From Velvet Film (EXCLUSIVE)

Elsa Keslassy International CorrespondentMK2 Films, the company behind six films playing at Cannes including Leonor Serraille’s competition title “Mother and Son,” has acquired French and international rights on the Raoul Peck catalogue from Velvet Film.MK2 Films will start selling the library of films during the Cannes Film Festival. The Raoul Peck collection comprises documentary and fiction, including the HBO documentary series “Exterminate All the Brutes” which earned Peck a DGA Awards nomination.The collection also includes “I Am Not Your Negro,” the Oscar-nominated, BAFTA-winning documentary narrated by Samuel L.

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