Julia Ducournau - celebsbar.com

Ben Croll Directors Hélène Cattet and Bruno Forzani didn’t expect to wind up in competition at Berlin. The duo behind Golden Bear contender “Reflections in a Dead Diamond” are avowed cult filmmakers, having spent the past decade honing a giallo-influenced style to the delight of a loyal, niche audience.

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‘Together’ Review: Dave Franco and Alison Brie Are a Couple Falling Apart (and Fusing) in a Loony-Tunes Bash About the Body Horror of Love

Owen Gleiberman Chief Film Critic Body horror is having a moment. Not that it ever went away. It’s been with us, in an official gross-out capacity, ever since the term was coined around the films of David Cronenberg, who invented body horror as we know it — squishy, fleshy, and, in a weird way, brainy.

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Luna Carmoon On The Battle Of Producing Her Debut ‘Hoard’, Being “Ghosted” By Film Four & Why She Will Never Trade The UK For Hollywood: “I’m Not Interested In Americana”

British filmmaker Luna Carmoon first set plans to make her feature debut with Film Four after producing a series of buzzy short projects. That feature, however, was put on indefinite hold after execs at the broadcaster, as Carmoon describes it, “ghosted” her.

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Trent Reznor reveals film that’s “a big inspiration” for Nine Inch Nails

Trent Reznor has revealed his top four favourite films of all time, and opened up about which movie was a “big inspiration” for Nine Inch Nails.The singer, songwriter, multi-instrumentalist and founder of Nine Inch Nails gave the list to Letterboxd as part of its ongoing Four Favourites series, in which famous faces discuss which four films they would consider to be their favourites.Speaking alongside Atticus Ross at the premiere of Luca Guadagnino’s new film Queer – which both Reznor and Ross composed the score for – the two shared their respective lists.For both, Martin Scorsese’s 1976 classic Taxi Driver was the first listed, followed by 1986’s American neo-noir thriller Blue Velvet, which is directed by David Lynch.For Ross, the remainder of his list was made up of the Eddie Murphy ‘80s classic Beverly Hills Cop and Jean-Jacques Beineix-directed psychological drama Betty Blue. For Reznor, he listed Julia Ducournau’s 2021 psychological drama Titane, as well as the 1988 horror mystery classic Dead Ringers.“The incredible sense of dread from the first frame to the end.

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London Film Festival: ‘Memoir Of A Snail’ Takes Best Film, ‘On Falling’ Wins Sutherland Award For Best Debut — Full List

Memoir Of A Snail, the latest stop motion pic from Oscar-winning filmmaker Adam Elliot, and Edinburgh-based filmmaker Laura Carreira’s haunting debut feature On Falling are among the top prize winners at this year’s London Film Festival.

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Neon Takes Worldwide Rights To Chris Stuckmann’s Horror Film ‘Shelby Oaks’

Fresh off its stellar box office for Osgood Perkins horror Longlegs, Neon has acquired worldwide rights to the upcoming documentary-found footage crossover Shelby Oaks, written and directed by filmmaker and YouTube creator Chris Stuckmann.

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Emma Benestan: The French Director Debuts Her Feminist Camargue Bull-Running Thriller ‘Animale’ In Cannes’ Critics’ Week — Ones To Watch

The anarchic spirit of Julia Ducournau’s Palme d’Or winner Titane lives on in Emma Benestan’s Critics Week closer Animale, the genre-busting debut of a director who cites Buffy the Vampire Slayer, Kathryn Bigelow’s Near Dark, and the naturalist films of Chloé Zhao as influences. More surprisingly, she also credits Abdellatif Kechiche, since her first break was as assistant editor on his 2013 Palme d’Or winner Blue Is the Warmest Colour.

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Neon Takes North American Rights To Arthur Harari’s ‘The Unknown’ Starring Léa Seydoux

Neon has picked up North American rights to The Unknown, the next feature from Anatomy of a Fall writer Arthur Harari.

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Julia Ducournau’s New Film ‘Alpha’ Nabbed by Neon for North America

Matt Donnelly Senior Film Writer Neon, the Oscar-winning distributor of “Parasite,” is getting back in business with “Titane” director Julia Ducournau. In one of the first big rights deals of this year’s Cannes Film Festival, the studio announced it has acquired North American territories for Ducournau’s “Alpha.” Plot details were not immediately disclosed, except that the film will be “genre-defying.” Neon previously released Ducournau’s acclaimed “Titane,” which won Cannes’ highest honor, the Palme d’Or, in 2021. She is only the second woman director to do so, following Jane Campion for “The Piano.” “Alpha” will star Golshifteh Farahani (“The Patience Stone,” “Paterson”) and Tahar Rahim (“The Mauritanian,” “A Prophet”).

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Neon Lifts The Lid On International Sales Ambitions & The Chances Of Making It Five Palme d’Ors In A Row – Cannes

EXCLUSIVE: Thriving U.S. indie producer-distributor Neon is no stranger to the Cannes Film Festival with the Tom Quinn-founded banner having acquired a historic four consecutive Palme d’Or wins (last year’s Anatomy of a Fall, 2022’s Triangle of Sadness, 2021’s Titane and 2019’s Parasite), thus earning them the nickname “the Palme d’Or whisperers”. This year, while the company has Sean Baker’s new rom-com Anora playing in Competition, it’s also descending upon the Croisette in a new capacity with its recently-launched international sales strand, led by seasoned sales exec and Sierra/Affinity veteran Kristen Figeroid.

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Neon Acquires ‘Alpha,’ Next Film From Palme D’Or Winner Julia Ducournau

After serving as the U.S. distributor for Julia Ducournau‘s Palme d’Or-winning 2021 body horror Titane, Neon is getting back into business with the filmmaker as the North American distributor for her next genre-bending feature, Alpha.

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Golshifteh Farahani & Tahar Rahim To Star In Julia Ducournau’s ‘Alpha’; Filmnation & Charades Set To Launch In Cannes

Iranian-French actress Golshifteh Farahani and French actor Tahar Rahim are set to star in Julia Ducournau’s new film Alpha, her third feature after Cannes Palme d’Or winner Titane and breakout debut Raw.

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‘Titane’ Director Julia Ducournau’s Next Project to Star Golshifteh Farahani, Tahar Rahim; FilmNation and Charades Launching Sales

Brent Lang Executive Editor FilmNation and Charades are teaming up to present “Alpha,” the new film from Julia Ducournau, to buyers at Cannes. It’s the same place where Ducournau caused a sensation with 2021’s “Titane,” her subversive and divisive body horror film, which won the Palme d’Or, the festival’s top award.

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‘Tiger Stripes’ Review: Puberty Brings Out the Monster Within in Feisty Malaysian Genre Movie

Alissa Simon Film Critic With her debut feature “Tiger Stripes,” Malaysian writer-director Amanda Nell Eu joins an exciting group of directors who provide subversive takes on genre and body horror. Julia Ducournau and “Raw” comes to mind, as do Agnieszka Smoczynska and “The Lure” and John Fawcett and “Ginger Snaps” — like David Cronenberg before them. Eu, an MA graduate of the London Film School, blends Malaysian folklore with heightened realism and a large dollop of “Mean Girls” in the story of a tween going through changes wrought by puberty and alterations in her friendship group.

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Palme d’Or Winner, Oscar Hopeful ‘Anatomy of a Fall’ Thrives at French Box Office

Elsa Keslassy International Correspondent After braving a massive backlash over her fiery political speech at the Cannes Film Festival, French director Justine Triet has succeeded in luring wide audiences in local theaters with her Palme d’Or winning film “Anatomy of a Fall.” A courtroom drama exploring the collapse of a marriage and a mother-son relationship, “Anatomy of a Fall” has scored the best B.O. score at the French box office for a Palme d’Or winner since “Blue is the Warmest Color,” the 2013 erotic drama starring Lea Seydoux and Adele Exarchopoulos.

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Rachel Allen Joins Bleecker Street as Senior Vice President of Publicity (EXCLUSIVE)

Brent Lang Executive Editor Rachel Allen has joined Bleecker Street as senior vice president of publicity. She begins her job at the indie studio this week after more than a decade in the public relations industry, including a five year stint at Cinetic Media, where she served as a director of publicity and led campaigns from festival launch to theatrical release and through awards season.

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Alexandre Desplat, Olivier Assayas, Patrick Wachsberger Named in France’s Oscar Selection Committee

Naman Ramachandran France has named a heavyweight Oscar selection committee to decide the submission in the international feature film category at the 2024 Academy Awards. France’s Minister of Culture Rima Abdul Malak has appointed a seven-person committee proposed by Dominique Boutonnat, president of French film board CNC. They include composer Alexandre Desplat, whose 11 Oscar nominations have led to two wins for “The Shape of Water” and “The Grand Budapest Hotel”; former Lionsgate executive and producer Patrick Wachsberger, Oscar winner for “CODA”; and two-time Cesar winning producer Charles Gillibert (“Mustang,” “M”).

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Clip Unveiled for Tribeca-Bound Biopic of Female Soccer Pioneer ‘Marinette’ (EXCLUSIVE)

Elsa Keslassy International Correspondent Pulsar Content and Have a Good One have unveiled an exclusive clip of “Marinette,” Virginie Verrier’s biopic film about the first French female professional soccer player, ahead of its world premiere at Tribeca Film Festival. The film stars Garance Marillier, the breakout star of Julia Ducournau’s “Raw” and Palme d’Or winning “Titane,” and is based on Pichon’s bestselling autobiographical book. A pioneer of French women’s soccer, Pichon held for almost two decades the record for the number of goals and caps for the French team (men/women combined). She eventually became the first French player to have a career in the U.S..

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Escalating Row Over Cannes Palme D’Or Winner Justine Triet’s Politicized Victory Speech Spills Into French Parliament

The growing row around Cannes Palme d’Or winner Justine Triet’s politicized victory speech as she received the coveted award for courtroom drama Anatomy Of A Fall spilt into the French parliament on Tuesday.

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Pixar’s ‘Elemental’ Charms Cannes, Closes 2023 Festival With Five-Minute Standing Ovation

Rebecca Rubin Film and Media Reporter There were more than a few misty eyes in the audience at the premiere of Pixar’s animated adventure “Elemental,” which closed out this year’s Cannes Film Festival. The sweet opposites-attract love story proved charming to attendees, closing out the festival with a five-minute standing ovation. At least one grown man in the orchestra was wiping away his cascading tears as the credits began to roll. It’s safe to assume he wasn’t alone in his emotional response to the film. “My heart is about to explode,” said ”Elemental” director Peter Sohn. “This film has been about the richness of diversity. Our lives are better when there are different points of view.”

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Palme d’Or Whisperer Neon Makes It A Remarkable Four In A Row With ‘Anatomy Of A Fall’ — Cannes

Neon has continued its remarkable streak of consecutive Palme d’Or wins with English and French-language drama Anatomy Of A Fall.

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