Dominique Boutonnat: Last News

Dominique Boutonnat has been given a three-year prison sentence, one of which will be custodial, for sexual assault of his godson and has quit his role as head of France’s CNC.

Elsa Keslassy International Correspondent Dominique Boutonnat, the president of the National Film Board, France’s most powerful film institution, has received a three-year prison sentence, including two suspended, over sexual assault charges. Boutonnat has stepped down from the CNC in the wake of the verdict on June 28 and is being replaced by Olivier Henrard, Variety has confirmed.

Elsa Keslassy International Correspondent Trialed for alleged sexual assault on June 14, Dominique Boutonnat, the president of the National Film Board, France’s most powerful film institution, is facing a three-year suspended prison sentence. Boutonnat was indicted in February 2021 for the alleged sexual assault of his then 19-year-old godson in August 2020, during a vacation in Greece.

French actress and activist Judith Godreche is among a group of protestors who have set up a demonstration outside the CNC in Paris this morning calling for the organization’s head Dominique Boutonnat to be suspended. 

EXCLUSIVE: A petition calling for Dominique Boutonnat — the President of France’s cinema board — to be dismissed is rapidly circulating among French industry professionals and has clocked over 500 signatures in its first few hours of publication. 

Ed Meza @edmezavar Underscoring the growing ties between France and Taiwan in the film and television sector, French and Taiwanese producers CinéFrance, Alef One and Yoosonn Entertainment have presented two new series co-productions at Series Mania. “Fly,” co-produced by Paris-based CinéFrance and Taipei’s Yoosonn Entertainment, is a spy drama series adapted from Taiwanese author Chang Kuo-Li’s original IP that is set to shoot in France and Taiwan.

Elsa Keslassy International Correspondent This week’s surprise news of conservative politician Rachida Dati becoming France’s new Culture Minister provoked an earthquake within the country’s predominantly left-leaning film and TV industry. Dati was appointed on Jan.

French exhibitors can start 2024 with renewed confidence as new figures released by the National Cinema Center (CNC) show that audiences are heading back to the big screen.

France’s Centre National du cinéma et de l’image animée (CNC) and Taiwan Creative Content Agency (TAICCA) have signed a cooperation agreement, aimed at increasing collaboration and exchanges between the film and TV industries of Taiwan and France. 

Patrick Frater Asia Bureau Chief France and Taiwan on Thursday signed a wide-ranging agreement to enable their film and TV industries co-operate on a higher level. At a signing ceremony in Taipei at the Taiwan Creative Culture Fest (TCCF) convention, government representatives of both territories stressed shared values at the political level and in the audiovisual sphere.

Taiwan Creative Content Fest kicked off in Taipei today with organizer, Taiwan Creative Content Agency (TAICCA), emphasizing its soft power ambitions and growing international cooperation activities, in particular with France, South Korea and Japan. 

Patrick Frater Asia Bureau Chief A trio of ministers, accompanied by a fleet of senior industry names, were on hand Tuesday in Taipei to give their official blessing to the opening of the fourth running of the Taiwan Creative Content Fest (TCCF) – and to underline the Taiwan government’s investment in soft power. Cheng Wen-tsan, VP of the [government executive branch] Executive Yuan, Taiwan’s Minister of Culture, Shih Che, and a minister without portfolio were accompanied by Chunghwa Telecom’s chairman, Kuo Shui-Yi, head of TAICCA Homme Tsai and Dominique Boutonnat, president of France’s National Center of Cinematography and the Moving Image, on stage at the Songshan Cultural and Creative Park, a former-tobacco factory site that has since been redeveloped. “Nowadays we are investing not only in semiconductors and heavy industry, but also in media and content,” said Cheng. He confirmed that some NT$10 billion ($310 million) of government funding has been approved for the “1 Plus 4T Content Plan” and will be released over four years. In a classic example of public-private partnerships, state cash is being supplemented by further financial commitments from Taiwan’s three major cable-telecoms-internet groups through deals signed last week with Taiwan Creative Content Agency (TAICCA).

France has submitted The Taste Of Things as its candidate for the Best International Feature Film at the 96th Academy Awards, in a major upset after Justine Triet’s Cannes Palme d’Or winner and hot favorite Anatomy Of A Fall was shut out.

France has unveiled the five titles in the running to be its entry for Best International Feature Film at the 96th Academy Awards.

Naman Ramachandran France has named a heavyweight Oscar selection committee to decide the submission in the international feature film category at the 2024 Academy Awards. France’s Minister of Culture Rima Abdul Malak has appointed a seven-person committee proposed by Dominique Boutonnat, president of French film board CNC. They include composer Alexandre Desplat, whose 11 Oscar nominations have led to two wins for “The Shape of Water” and “The Grand Budapest Hotel”; former Lionsgate executive and producer Patrick Wachsberger, Oscar winner for “CODA”; and two-time Cesar winning producer Charles Gillibert (“Mustang,” “M”).

Lionsgate film co-chief Patrick Wachsberger has been named as one of the members of the selection committee that will decide the French entry for the Best International Film Oscar category this year.

Elsa Keslassy International Correspondent Cannes Film Festival’s chief Thierry Fremaux asked journalists Monday if they really believed Cannes was celebrating rapists, as recently suggested by “Portrait of a Lady on Fire” actor Adele Haenel in an open letter published last week in Telerama. Haenel, who quit acting in films after Roman Polanski won best director at the Cesar Awards in 2020, said she retired from the film industry for political reasons, and said Cannes was “ready to do anything to defend their rapist chiefs,” citing Polanski, Gerard Depardieu and Dominique Boutonnat, the president of the National Film Board (CNC). Fremaux told journalists at a press conference ahead of the 2023 festival’s opening night that Haenel, who was at Cannes to present “Portrait of a Lady on Fire” in competition in 2019, was making “radical” comments that were “false.”

cinema cooperates with capitalism". The 34-year-old, who has won France's highest Cesar film award twice, in 2019 went public with a description of sexual assault she suffered at the hands of a film director with whom she worked as a teenager, and who she said had "a hold" over her.

Elsa Keslassy International Correspondent Adèle Haenel, the French star of Cannes prize-winning film “Portrait of a Lady on Fire,” vanished from the film world in the aftermath of the 2020 Cesar Awards ceremony. That year, Roman Polanski won best director and Haenel, who was on the ground for her nomination with “Portrait of a Lady on Fire,” walked out of the ceremony in a burst of anger upon hearing Polanski’s name, shouting “Bravo pedophilia!” Several months prior, Haenel had accused French director Christophe Ruggia of having sexually harassed her for years starting when she was just 12 years old, prompting the birth of France’s #MeToo movement. Since then, Haenel exited the movie biz to dedicate herself to political activism, as well as theater and dance with the artist Gisèle Vienne. She recently appeared on French TV to support the strike and protest against the country’s unpopular pension reform.

French cinema professionals from across the country’s independent production, distribution and exhibition chain flocked to an emergency general convention in Paris this week to raise the alarm over the future of their industry.

Elsa Keslassy International Correspondent Grappling with free-falling theatrical admissions and misplaced blame by exhibitors on so-called “auteur” movies, the leading lights of the French film industry sounded the alarm about the state of the country’s cinema sector during a dramatic and emotional conference. The jam-packed event on Thursday, called Appel aux Etats Generaux (Call for General Assemblies), was organized by some of France’s most established producers including Saïd Ben Saïd, Judith Lou Levy and Philippe Carcassone, who work frequently with directors Paul Verhoven, Mati Diop and Florian Zeller, respectively. The conference was held at the Institut du Monde Arabe, a cultural venue headed by Jack Lang, who served as minister of culture throughout the 1980s. More than 400 people attended the event, including members of the independent distributors guild (DIRE) and the directors guild SRF, the governing body of Cannes’ Directors’ Fortnight.