J. Kim Murphy Mankind is barreling further into an age of climate disaster, but whether it has the speaking vocabulary, much less a cinematic one, to accurately interpret its rapidly changing environment is another matter. With his astonishing new experimental feature, “The Human Surge 3,” Argentine filmmaker Eduardo Williams proposes a new analogue for the sensation of modern living: It’s kind of like seeing panoramas shot with a 360-degree camera, navigated via a VR headset and then translated back to a traditional cinematic frame, completely and utterly distorting the imagery in the process.
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