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Michelle Yeoh is known for the jaw-dropping stunts she performed during her years in Hong Kong action movies, and more recently for winning an Oscar, a Golden Globe and a SAG Award for her acclaimed performance in “Everything Everywhere All at Once”.

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Trans activist who disrupted Kathleen Stock is daughter of four-day-week council boss

Prof Kathleen Stock is the daughter of a council boss who introduced a four-day working week. Riz Possnett’s mother Liz Watts was working on a PhD thesis on the topic when South Cambridgeshire District Council last year became the first to implement a trial to cut hours while staff remain on the same pay. The 19-year-old’s father Robert Possnett is an Extinction Rebellion protester who has been arrested a number of times.

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Wim Wenders’ Cannes Competition Title ‘Perfect Days’ Sells Out For The Match Factory

Wim Wenders’ Tokyo-based Cannes Competition title Perfect Days has clocked a series of international deals for The Match Factory.

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Wim Wenders’ ‘Perfect Days,’ Cannes Best Actor Award Winner, Sells Out Worldwide

Leo Barraclough International Features Editor Wim Wenders’ “Perfect Days,” which won the best actor award for Koji Yakusho at the Cannes Film Festival, has sold out worldwide. The Match Factory is handling international sales. As previously announced, North American rights went to Neon and France went to Haut et Court. Further sales included U.K./Ireland/Latin America/Turkey (MUBI), Australia/New Zealand (Madman), Benelux (Paradiso), China (DDDream), Italy (Lucky Red), Spain (A Contracorriente), Switzerland (DCM), Baltics (A-One Baltics), Bulgaria (Art Fest), CIS (A-One), Czech Republic and Slovakia (Aerofilms), Former Yugoslavia (MCF), Greece (Feelgood Entertainment), Hong Kong (Edko Films), Hungary (Cirko), Israel (Lev Cinemas), Poland (Gutek), Portugal (Alambique), Romania (Bad Unicorn), Scandinavia (Future Film) and Taiwan (Applause).

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What are the world's best hotels?

From royal lodgings in India to tropical resorts in the Maldives and Indonesia, luxury city escapes in Hong Kong and London, and more, this list is sure to give you the travel bug.

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Shanghai Film Festival Reveals Competition, Golden Goblet Contenders

Patrick Frater Asia Bureau Chief The 25th Shanghai International Film Festival, June 9 to 18, has unveiled the titles in contention for awards in its four main feature-length sections: main competition, Asian New Talent, Animation film and documentary. These are eligible for the festival’s prestigious Golden Goblet Awards, winners of which will be announced at the Shanghai Grand Theater on the evening of June 17. While SIFF remains the only mainland China festival to be accredited as a so-called A-list event by the International Federation of Film Producers (FIAPF), its selections are largely separate and distinct from those at other major international festivals.

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Shanghai International Film Festival Announces Competition Line-Up; Jerzy Skolimowski To Head Jury; Mike Leigh Featured In Tribute

Shanghai International Film Festival (SIFF) has unveiled the major competition selections for its 25th edition (June 9-18), which will be the first to be held in a fully physical format with international guests since before the pandemic.

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Cannes Buyers Crack for ‘The Breaking Ice’ Anthony Chen’s Un Certain Regard Contender (EXCLUSIVE)

Anthony Chen’s well-regarded Mainland China-set “The Breaking Ice” has found favor with multiple European and Asian buyers in the few days since its Sunday premiere as part of the Cannes Film Festival’s Un Certain Regard. The film narrates a love triangle story among China’s lost youth generation and is set in the middle of winter in Yanji, a town that is heavily populated by ethnic Koreans. It is headlined by a star-studded Chinese cast of Zhou Dongyu (“Better Days”), Liu Haoran (“Detective Chinatown” franchise) and Qu Chuxiao (“The Wandering Earth”). “The Breaking Ice” has been newly licensed to Challan for release in South Korea, Trigon-Film for Switzerland, One From the Heart for Greece, Tucker Film for Italy and Edko Films for Hong Kong.Rights sales are handled by Rediance, Mainland China’s leading indie sales company, which reports that addition territory deals are currently being negotiated.

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Sundance Film Festival in Asia Relocates to Taiwan

Patrick Frater Asia Bureau Chief The Sundance Film Festival Asia, an offshoot of the Sundance Institute, is to set up camp in Taipei, Taiwan this summer. The three-day mini festival will run Aug. 18-20 and be put together in association with local organizer G2Go Entertainment. The event will showcase a handful of films curated by the Sundance Institute and host a short film competition that is open only to Taiwanese productions. Panel discussions will accompany the festival to foster artistic exchange, providing opportunities for the Taiwan film industry to connect with Sundance’s executive team, and elevating Taiwan’s image and presence in the global independent film industry.

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‘Pigsy’ Animation Squeaks for Futuristic Adaptation of Chinese Classic ‘Journey to the West’

Patrick Frater Asia Bureau Chief Magic Fair, a Miami-Paris based indie sales company and Hong Kong- and Paris-based All Rights Entertainment have launched rights sales on upcoming feature animation “Pigsy,” directed by Chiu Li-Wei (“Barkley”) during the Cannes Film Festival’s Marche du Film. The film is a reimagining of the classic Chinese tale “Journey to the West.” The story follows a self-absorbed and lazy pig on a journey to lasting happiness. Set in a distant future, the film sees Pigsy embark on a deceitful quest for a better life, only to find that true happiness may be closer than he thinks. The production has recently added Taiwanese stars Greg Han, Liu Kuan-Ting, Harlem Yu, Tuo Tsung-Hua, Chung Hsin-Ling, Ivy Shao, Waa Wei and K.R. Bros. The film is to be completed in time for release at Chinese New Year in early 2024. Production is by the Netherland’s studio Submarine (“Where is Anne Frank,” TV series “Undone” Season 2, “Apollo 10 ½ : A Space Age Childhood”) with Taiwan’s Greener Grass (“GrX”) and Studio2 (“Barkley,” “Get the Hell Out,” “The Tag-Along”).

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‘Kubi’ Review: Japanese Master Takeshi Kitano Disappoints With His Vicious Samurai Epic — Cannes Film Festival

In the early ’90s, Japan’s Takeshi “Beat” Kitano was on a roll, with a superb string of nuanced crime movies that stood in stark contrast to the good-vs.-evil bullet operas that were coming out of Hong Kong at the time. Kitano’s darkly funny cynicism (who else could have made Violent Cop?) made him stand out by miles, but it soon became his weakness, as became evident in the lean period after the success of Zatoichi in 2013. The experimental, semi-autobiographical trilogy that followed — Takeshis’, Glory to the Filmmaker and Achilles and the Tortoise — seemed to offer little more than self-sabotage, the work of a frustrated artist trying to take a blowtorch to his populist image without much thought for the future.

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‘Circumstance’ Producer Karin Chien on the Importance of Distribution and the Making of Cannes Title ‘Man in Black’

Lise Pedersen Award-winning US producer and distributor Karin Chien (“Robot Stories,” “Circumstance”), whose latest co-production, “Man in Black,” is one of two films by Chinese director Wang Bing running in Cannes’ official selection, shared her experience with the crowd during a masterclass at Cannes Docs, the Film Market section dedicated to documentary films. “Man in Black” premiered at a special screening in Cannes on May 22. Wang’s other film selected in this year’s edition is main competition title “Youth.” In the talk, moderated by Documentary Association of Europe co-founder Brigid O’Shea, Chien put on her distributor’s hat to talk about a job she said was “not pitched enough but [represented] some of the most meaningful work she [had] ever done.”

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Wang Luodan and Bosco Wong Head ‘My Dearest Stranger,’ Ambitious China Drama Series

Patrick Frater Asia Bureau Chief Mainland Chinese star Wang Luodan (“The Dead End,” “Struggle,” “The Continent”) and Hong Kong-born Bosco Wong (“Lives of Omission,” “Triumph In The Skies”) head the cast of “My Dearest Stranger.” The high-end suspense drama series is a production fronted by mainland Chinese distributor-producer Hishow Entertainment, which announced the production at the Cannes Market, adjacent to the Cannes Film Festival in France. Based on the best-selling novel “Secret Love,” by Fan Shu and adapted by renowned screenwriter Cao Xueping (“Game Changer”), “My Dearest Stranger” tells a compelling story of Yu Xiao, a housewife who realizes her seemingly perfect husband may have a dark side. Yu decides to cooperate with policeman Song Cheng to find out the truth, while trying to keep her own secrets from the world.

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China’s Youku, Hishow To Co-Produce Drama Series ‘My Dearest Stranger’, Starring Wang Luodan, Bosco Wong

Chinese streamer Youku is teaming with Beijing-based producer-distributor Hishow Entertainment to produce high-end drama series My Dearest Stranger, starring Wang Luodan and Bosco Wong.

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‘Proud Princess’ Animation Adaptation Picked up by All Rights Entertainment

Patrick Frater Asia Bureau Chief All Rights Entertainment, the Paris-, Hong Kong- and Los Angeles based international sales company, is launching sales at the Cannes Market (Marché du Film) for “The Proud Princess.” The picture is an animation film based on the fairy tale book “Punished Pride,” written by Bozena Nemcova. Directed by Borivoj Zeman and starring Alena Vranova and Vladimir Raz, a 1952 live-action adaptation of the book is one of the most-watched Czech films of all time. The new adaptation is directed by Radek Beran (“The Little Man”) and David Lisy (“Spy Cat”). Production is by Luminar Film with Animation is handled by PFX, the Prague-based studio behind “Diplodokus,” “The Websters” and “Marnie’s World,” and is to be completed in the third quarter of 2024. Czech theatrical distribution is set to be handled by CinemArt.

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First Ever Cannes Docs Showcase Dedicated Totally to Human Rights Issues Presented by Docs-by-the-Sea

Lise Pedersen Newcomer Docs-by-the-Sea, the international documentary Labs and Forum for creative doc projects from Asia, will present and works-in-progress showcase for the first time at the Marché du Film’s Cannes Docs. Featuring four films in late production stage, the showcase is highly necessary, argues its curator, Gugi Gumilang, the executive director of In-Docs, the non-profit org behind Docs by the Sea. A member of last year’s Docs-in-Progress jury, he said this gave him a chance to see what people are looking for. “There’s a lack of Asian representation [in documentaries],” he tells Variety, adding: “It’s really tough for documentary filmmakers in Asia, few countries have film funds,” he said, citing Taiwan, Singapore, South Korea, the Philippines and, more recently, Hong Kong. “There are few dedicated festivals, the biggest being South Korea’s DMZ. Other international film festivals like Busan, Singapore and Jeonju cater for documentary film, but the competition is tough as they don’t just focus on Asian projects.”

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France’s Capricci swoops on Hong Sangsoo’s Directors Fortnight Title ‘In Our Day’

Seoul-based sales agent Finecut has sold Hong Sangsoo’s In Our Day to France’s Capricci, Spain’s L’Atalante Cinema and Ama Films for Greece.

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Asian Buyers Still Up For Animation, Classics & Streamer Package Deals, But Pre-Buying Remains Rare – Spotlight Asia

Asian buyers are ultra-cautious as theatrical markets are still in recovery following the pandemic, but bright spots include animation and re-releases of classic titles, said a group of leading European sales agents at the Cannes Marche’s Spotlight Asia panel today.

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Hot Vietnam Production ‘Don’t Cry, Butterfly’ Boarded by ‘Plan 75’ Producer Wilfredo Manalang (EXCLUSIVE)

Patrick Frater Asia Bureau Chief Wilfredo Manalang, who was one of the producers of last year’s Cannes’ Japanese hit “Plan 75,” has come on board Vietnamese film project “Don’t Cry, Butterfly.” Manalang (aka Will Fredo) and partners in his Philippines-based Fusee consortium will join as an executive producer. Written and to be directed by Duong Dieu Linh, “Don’t Cry, Butterfly” follows a Vietnamese housewife who finds out that her husband is cheating on her. Instead of confronting him, she uses voodoo on him so he falls back in love with her. Production of “Don’t Cry Butterfly” is by Tan Si En at Singapore-based Momo Film Co. The company was founded in 2018 by Tan and writer-director Kris Ong. In 2021, Beach House Pictures, part of Canada’s Blue Ant Media, acquired a majority stake in Momo.

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‘Tiger Stripes’ Is Highly Developed Product of Indie Film Support System

Patrick Frater Asia Bureau Chief Amanda Nell Eu’s “Tiger Stripes,” which had its premiere this week in Cannes Film Festival’s Critics’ Week, is being celebrated as a punchy female-driven debut feature and as the first film by a Malaysian woman director in any section Cannes. The story focuses on a small group of 11 or 12-year-old girls. When one of the friends enters puberty she finds her body changing in unexpected ways. Relations with her friends and family start morphing too. Eu’s finished film straddles the metaphorical drama and body horror genres. “Tiger Stripes” is also a triumph for the now highly-developed global network of project markets, talent development programs, script and production workshops (often labelled as ‘labs’) and grant schemes. These are intended to encourage diversity and nurture film-making talent in countries where that is a rarity or where commercial films crowd out more experimental art-house titles.

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Poised for Breakup, China’s Alibaba Finishes Year With $10 Billion Profit

Patrick Frater Asia Bureau Chief Alibaba, China’s e-commerce and entertainment giant, announced net profits of $10.6 billion for its financial year to the end of March, a year-on-year increase of 39%. The rebound was achieved on revenues of $126 billion that were up by just 2%. Using the group’s preferred non-GAAP measure to exclude extraordinary items, net income rose by a smaller 4%, but weighed in at over $20 billion. The importance of the overall figures has been rendered moot by Alibaba’s end of March announcement that it plans to transform itself from an operating company into a holding company, by allowing each of its six divisions to go their own way.

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Shanghai Film Festival Sets Out China-Centric Agenda

Patrick Frater Asia Bureau Chief Returning as an in-person event after cancelation last year, the Shanghai International Film Festival has set out an agenda with a clear focus on China. The festival (June 9-16) will celebrate the 10th anniversary of the Belt and Road Initiative, China’s economic outreach and development program. With a series of press conferences and film culture roundtables, the SIFF’s Belt and Road Film Week will “bring together old friends of the alliance from previous years and new friends made this year [..] and announce an action plan for the future.”

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Trans activist who disrupted Kathleen Stock is daughter of four-day-week council boss

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