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Naman Ramachandran Taiwanese actor Lee Kang-sheng is set to reprise his role in the next two films of auteur Tsai Ming-liang‘s celebrated “Walker” series. “Director Tsai is making two films in the Walker series soon. So I’ll be doing those,” Lee confirms to Variety, adding to his decades-long collaboration with the Malaysian-born Taiwanese director that began in 1989.

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Lee Kang-sheng Stars in Qiu Jiongjiong’s ‘Fuxi: Joy in Four Chapters,’ Selected for Hong Kong Project Market

Naman Ramachandran Chinese auteur Qiu Jiongjiong‘s upcoming drama “Fuxi: Joy in Four Chapters,” starring acclaimed Taiwanese actor Lee Kang-sheng, has been selected for the Hong Kong — Asia Film Financing Forum (HAF), the project market that runs concurrently with Hong Kong FilMart, as a work-in-progress. The production weaves together four Sichuan tales spanning thousands of years, connected through the universal language of food and feasting.

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Surveillance Thriller ‘Stranger Eyes,’ Venice Golden Lion Nominee, Nabbed by Film Movement for North America (EXCLUSIVE)

Naman Ramachandran Film Movement has landed North American rights to “Stranger Eyes,” the surveillance-themed thriller from Singaporean director Yeo Siew Hua that competed for Venice’s Golden Lion in 2024. The psychological thriller stars Taiwanese cinema icon Lee Kang-sheng (“Days”) alongside Chien-Ho Wu and Anicca Panna.

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‘A New Old Play’ Director Qiu Jiongjiong Sets Foodie Drama ‘Fuxi’ With Top Notch Asian Cast (EXCLUSIVE)

Patrick Frater Asia Bureau Chief Chinese artist and filmmaker Qiu Jiongjiong has begun production of “Fuxi,” his second feature film, following an acclaimed debut with 2021’s “A New Old Play.” The film expands on Qiu’s use of history and folklore and uses food as a through-line to explore a narrative that blends myths, legends, literature and folk tales. The title is a blend of the Chinese words for ‘food’ and ‘joy’ and the setting is a circus tent where a ragtag film crew is busy shooting a gourmet movie. The narrative is told in four chapters, through four festivities and tells a tale that that involves the living, the dying, the dead, and the very long dead.

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Singapore International Film Festival Unveils Full Lineup, Including Gala Presentations For ‘The Fable’ and ‘The Unseen Sister’

The 35th edition of the Singapore International Film Festival has unveiled its full lineup, which features 105 films from 45 countries, with 80% of the selections hailing from Asia.

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Singapore Film Fest Reveals Full Lineup With 105-Title Slate, Spotlights Asian Cinema

Naman Ramachandran The Singapore International Film Festival is marking its 35th edition with 105 films from 45 countries, with Asian titles comprising 80% of the program. Running Nov.

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‘Dead Talents Society’ Leads Race For Taiwan’s Golden Horse Awards With 11 Nominations

John Hsu’s horror comedy Dead Talents Society heads the race for this year’s Golden Horse Awards with 11 nominations, including Best Narrative Feature, Best Director, Best Original Screenplay and Best Supporting Actress for Sandrine Pinna.

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Yeo Siew Hua’s ‘Stranger Eyes’ Set as Golden Horse Festival Opening Film – Global Bulletin

Patrick Frater Asia Bureau Chief “Stranger Eyes,” Yeo Siew Hua’s powerful film about surveillance and the surveilled, has been selected as the opening title for the Golden Horse Film Festival in Taiwan. The film, which is structured as a co-production between Singapore and Taiwan, stars Taiwan film icon Lee Kang-sheng alongside Wu Chien-ho, Vera Chen and Anicca Panna. In ‘Stranger Eyes,’ a young couple begins to receive strange videos after the mysterious disappearance of their baby daughter and realize that someone has been filming their daily life — even their most intimate moments.

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In ‘Blue Sun Palace,’ U.S.-Made Critics Week Charmer, Constance Tsang Reframes the Chinese Immigrant Tale With Empathy – and a Stellar Cast

Patrick Frater Asia Bureau Chief First-time feature director Constance Tsang makes a splash in Cannes with “Blue Sun Palace,” the first U.S. film in Critics Week that is in the Mandarin Chinese language. Set in a massage parlor, staffed with Chinese immigrants, in Queens, New York, the melodramatic film tells of how the romantic relationship between a man and a woman is disrupted by a sudden disappearance. Tsang was careful to avoid stereotypes and to be true to the community that she grew up in and observing. But the feature effort was also a big step up from the short films she cut her teeth on. Underlining that point, she amassed a powerful cast of leading Chinese-speaking actors, including Lee Kang-sheng (“What Time Is It There” and a dozen Tsai Ming-liang films), Wu Ke-xi (“Nina Wu,” “The Road to Mandalay”) and rising Mainland China star Xu Haipeng.How did you jump from a succession of short films into your first feature? I would say that jumping into the feature is exactly what happened.

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Cannes Critics’ Week Unveils 2024 Lineup

Elsa Keslassy International Correspondent Cannes Critics’ Week, the sidebar dedicated to first and second films, will open with Jonathan Millet’s psychological thriller “Ghost Trail” and wrap with Emma Benestan’s genre film “Animale.” “Ghost Trail” and “Animale” are two of the 11 features slated for Critics’ Week, which runs alongside the Cannes Film Festival. The sole U.S.

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Hugo Lloris wanted for shock Paris Saint Germain transfer but hardline Tottenham chief Daniel Levy seeks a fee

Paris Saint-Germain are interested in bringing Tottenham Hotspur captain Hugo Lloris back to French football.

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‘Absence’ Director Wu Lang on What Chinese Filmmakers Have Been Doing While the World Was Not Watching

Patrick Frater Asia Bureau Chief Sculptor turned director Wu Lang made a splash at the Berlin Film Festival with his debut feature “Absence” playing in the festival’s showcase Encounters section. With a high-profile cast headed by Lee Kang-sheng (“What Time Is It There?” “The Wayward Cloud”) and Li Meng (“The Bad Kids,” “The Guillotines”) “Absence” is an art-house romance that uses skyscapes and urban landscapes as metaphors for inner feelings. The seduction starts with a man’s return to Hainan Island after ten years in jail and ends with a flock of sheep in an abandoned construction site. Wu: Shooting the first short film for me had two purposes. First, making a film is not easy in terms of financing and finding coproducers. So, first I wanted to make a short in order to get myself started.

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