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The 35th edition of the Singapore International Film Festival (SGIFF) concluded with its highest-ever box office earnings. Total ticket sales saw a 10% increase from last year’s edition, with attendance numbers also surpassing the previous edition’s record.

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Costa Gavras, Miike Takashi and Mohammad Rasoulof Join Speakers at Rotterdam Festival

Leo Barraclough International Features Editor Costa Gavras, Miike Takashi and Mohammad Rasoulof have joined the roster of speakers at International Film Festival Rotterdam for the upcoming 54th edition, running from Jan. 30 – Feb. 9.

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‘Mongrel’ Takes Top Prize at Singapore International Film Festival

Naman Ramachandran Singapore director Chiang Wei Liang and co-director Yin You Qiao’s “Mongrel,” a portrayal of disenfranchised migrant workers in Taiwan, won Best Asian Feature Film at the 35th Singapore International Film Festival (SGIFF). The jury praised the film’s “dense, shadowy and violent world” and its innovative approach to depicting contemporary issues of forced migration. The film has previously won awards at the Cannes and the Golden Horse festivals and at the Asia Pacific Screen Awards.

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Lou Ye’s ‘An Unfinished Film’ Wins Top Honors at Golden Horse Awards

Patrick Frater Asia Bureau Chief Mainland Chinese director Lou Ye claimed the two top honors – best narrative feature film and best director – at the Golden Horse Film Awards on Saturday in Taiwan with his indie title “An Unfinished Film.”The prizes for Lou and others awarded on the night, represent a defiant gesture towards mainland Chinese authorities which operates a restrictive system of controls over its film industry.The long-running Golden Horse awards had for many years been regarded as the pinnacle awards event for Chinese-language cinema. But, after a speech advocating Taiwan’s independence was given from the stage by a 2018 awards winner, China sought to ban its filmmakers from attending and instead promoted its own prize race.The People’s Republic of China (mainland China) and the Republic of China (Taiwan) are at loggerheads over legitimacy in many international institutions.

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‘Dead Talents Society’ Heads Golden Horse Film Awards Nominations

Patrick Frater Asia Bureau Chief Comedy-horror “Dead Talents Society” picked up 11 nominations for the Golden Horse Film Awards, making it the most acclaimed title among the 169 films in contention for the prestigious Chinese-language prizes. “Yen and Ai-Lee” and “Bel Ami” both received eight nominations, putting them in a tie for second place. Recent Venice competition film “Stranger Eyes,” from Singapore’s Yeo Siew Hua received six. Five films compete for the best narrative features award: John Hsu’s “Dead Talents Society,” Ray Yeung’s “All Shall Be Well,” Lou Ye’s “An Unfinished Film,” Geng Jun’s “Bel Ami” and “Stranger Eyes.” The same five also contest the best director award. Nominees for best leading actor are: King Jieh-wen (“A Journey in Spring”), Chang Chen (“The Embers”), Yau Hawk-sau (“The Way We Talk”), Wanlop Rungkumjad (“Mongrel”) and Zhang Zhiyong (“Bel Ami”).

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‘Dead Talents Society’ Leads Race For Taiwan’s Golden Horse Awards With 11 Nominations

John Hsu’s horror comedy Dead Talents Society heads the race for this year’s Golden Horse Awards with 11 nominations, including Best Narrative Feature, Best Director, Best Original Screenplay and Best Supporting Actress for Sandrine Pinna.

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Toronto: Lou Ye’s ‘An Unfinished Film’ Sets North American Release (EXCLUSIVE)

Patrick Frater Asia Bureau Chief Chinese director Lou Ye’s pandemic-era docu-drama film which has its North American premiere this week at the Toronto International Film Festival will have a commercial release in the market in early 2025.North American rights to the film, which premiered in Cannes in May, have been picked up by indie distributor Film Movement. Sales are handled by the film’s co-producer The Coproduction Office. Plans for the film’s North American roll-out include a 2025 theatrical release, as well as distribution on leading digital platforms and in the home entertainment marketplace. Set in January 2020, “An Unfinished Film” follows director Xiaorui who convinces his cast and crew to resume the shooting of a film halted ten years earlier.

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‘An Unfinished Film’ Review: Lou Ye’s Docufiction Covid Chronicle Captures the Strange Slippage of Time

Siddhant Adlakha Nostalgic docufiction that morphs into a lockdown thriller, Lou Ye‘s “An Unfinished Film” is the second work at this year’s Cannes Film Festival (alongside Jia Zhangke’s “Caught by the Tides”) in which a “Sixth Generation” Chinese filmmaker has repurposed their old films to create something new. The line between reality and drama blurs as Lou genuinely re-discovers years-old footage, and proceeds to follow a fictitious film crew completing an abandoned project, only for China’s severe Covid-19 lockdowns to interrupt their work, as well as life in all its rhythms.

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Chinese Sports Film ‘Wild Punch’ to be Launched at Cannes Market by Fortissimo (EXCLUSIVE)

Patrick Frater Asia Bureau Chief China- and Netherlands-based sales firm Fortissimo Films has picked up the international rights to new Chinese sports feature film “Wild Punch.” It will launch the film in territories outside mainland China next week at the Cannes Market. Co-directed by well-established director Yu Lik-wai and Wang Jing (“The Best Is Yet to Come”), “Wild Punch is a sports and action drama about a top mixed martial arts athlete who has passed the peak of his career and faces competition from his young and gifted trainee. Both with something to prove, the two will have to face each other in the ring. Yu has directed four feature films, including Cannes competition title “Love Will Tear Us Apart” and Venice title “Plastic City.” He is also well-established as a cinematographer who has worked on films including “Still Life,” “A Touch of Sin,” and “Mountains May Depart” by Jia Zhangke, Lou Ye’s “Love and Bruises” and Ann Hui’s “A Simple Life.” “Wild Punch” is produced by Momo Pictures, the subsidiary of the NASDAQ-listed Zhiwen Group, which is best-known for its Momo instant messaging mobile application.

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Oliver Stone, Lou Ye, Michel Hazanavicius Films & ‘The Count Of Monte Cristo’ Among New Titles Added To Cannes 2024 Official Selection

The Cannes Film Festival has added 13 new titles to the selection for its 77th edition, including new films by Oliver Stone, Lou Ye and Arnaud Desplechin as Special Screenings.

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Tahar Rahim To Preside Over France’s 48th César Awards Ceremony In February

The Serpent and The Mauritanian star Tahar Rahim will preside over the 48th edition of France’s Cesar Awards, taking place at Paris’s historic l’Olympia concert venue on February 24.

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‘Infernal Affairs’ Marathon Set for Hong Kong Film Festival

Patrick Frater Asia Bureau ChiefA marathon screening of all three “Infernal Affairs” films has been announced for the much delayed 46th edition of the Hong Kong International Film Festival.The three films, all restored and upgraded to 4K digital prints, lead off a six- film section of Chinese-language restored classics at the festival.The HKIFF was this year postponed from its usual March-April slot to August, due to the fifth wave of the COVID pandemic which closed Hong Kong cinemas for the first months of 2022. It will now take place from Aug.

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Ursula Meier’s ‘The Line’ Finds U.S. Home, Sells Abroad for Memento International (EXCLUSIVE)

Elsa Keslassy International CorrespondentMemento International has sold Ursula Meier’s drama “The Line” to major markets, including the U.S. with Strand Releasing, on the heels of its world premiere in competition at the Berlin Film Festival.A poignant study of acceptance and delicate family bonds, “The Line” stars Valeria Bruni Tedeschi (“La Fracture”) and Stephanie Blanchoud (“Ennemi Public”) as a mother and daughter whose turbulent relationship and explosive fight lead to a retraining order.

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