Ursula Meier: Last News

Elsa Keslassy International CorrespondentMemento International has acquired “Sick of Myself,” a movie by L.A.-based Norwegian filmmaker Kristoffer Borgli which will world premiere at Cannes in Un Certain Regard. Borgli previously directed the short films including “Former Cult Member Hears Music For The First Time” and “Eer” which played at Sundance.

Elsa Keslassy International Correspondent Marie-Ange Luciani, who produced Justine Triet‘s Oscar-nominated film “Anatomy of a Fall,” won the Toscan du Plantier Award at a Paris ceremony hosted by the Cesar Academie on Monday. Celebrating the year’s best producer, the Toscan du Plantier prize is voted on by 1,717 members, including artists and crew members who were previously nominated at the Cesar Awards, along with the governing body members of the Cesar Academie. Luciani most recently produced “Anatomy of a Fall” with David Thion.

The International Film Festival Of India (IFFI) has announced the 15 films that will screen in competition at this year’s edition of the annual event, including recent festival favourites such as Maha Haj’s Mediterranean Fever and Lav Diaz’ When The Waves Are Gone, and three Indian films, including recent Busan premiere The Storyteller. 

Elsa Keslassy International CorrespondentStrand Releasing has acquired all North American rights to Alain Guiraudie’s “Nobody’s Hero” which is handled by Films du Losange and world premiered at the Berlin Film Festival. The movie, which opened the Berlinale Panorama section, is set in Clermont-Ferrand revolves around Frederic, a 35 year-old man who falls in love with with a middle-aged sex worker who is married.

Elsa Keslassy International CorrespondentMemento International has sold Ursula Meier’s drama “The Line” to major markets, including the U.S. with Strand Releasing, on the heels of its world premiere in competition at the Berlin Film Festival.A poignant study of acceptance and delicate family bonds, “The Line” stars Valeria Bruni Tedeschi (“La Fracture”) and Stephanie Blanchoud (“Ennemi Public”) as a mother and daughter whose turbulent relationship and explosive fight lead to a retraining order.

Elsa Keslassy International CorrespondentMemento International has closed major sales on Ursula Meier’s Berlin contender “The Line,” and “Boy from Heaven” by Tarik Saleh, the Swedish-Egyptian helmer of “The Nile Hilton Incident.” A religious and political thriller, “Boy From Heaven” is set in Cairo, in a Koranic school following the collapse of a grand imam which marks the start of a ruthless battle for influence.The movie is headlined by Tawfeek Barhom and Fares Fares, who previously starred in “The Nile Hilton Incident.” Saleh’s Stockholm-based outfit Atmo is producing the movie with Memento. Memento International has sold the film to Benelux (Cineart), Spain (La Aventura), Italy (Movies Inspired), Greece (Cinobo), Hungary (Vertigo) and Middle East (Falcon). Other territories in negotiation.

Ben Croll When developing films like 2008’s “Home” and 2012’s “Sister,” French-Swiss director Ursula Meier began by focusing on geography, imaging what stories may spring from a forgotten stretch of highway or how a remote mountaintop might shape the lives of those living upon it. But when she began work on “The Line,” which premiered on Friday at the Berlin Film Festival, the filmmaker had a different terrain in mind.“The setting for this film would be the character’s body,” Meier tells Variety.

Violence and motherhood make for an unusual combination in Ursula Meier’s Berlin Film Festival competition title The Line (La Ligne). Set in remote present-day Switzerland, it stars actor-singer-playwright Stéphanie Blanchoud as Margaret, whose anger towards her mother Christina (Valeria Bruni Tedeschi) frequently turns physical. While she’s a grown woman, there’s something primal and childlike about Margaret’s visceral fury that suggests a disorder that’s never named.

Nick Vivarelli International CorrespondentUndeterred by the pandemic, the wheels of Switzerland’s film production machine kept on spinning in 2021, churning out the meticulously made multicultural co-productions the country is known for that scored slots at top festivals.Works by young directors such as Elie Grappe, whose coming-of-age drama “Olga” launched at Cannes; Niccolò Castelli’s terrorism-themed “Atlas,” which bowed at Locarno; and also the VR project “Caves” by Carlos Isabel Garcìa, which premiered at Venice; provided a preamble to the exceptionally strong Swiss presence at this year’s Berlinale.Berlin sees a record-breaking two competition slots filled by new works from established Swiss directors, Ursula Meier’s “The Line” and Michael Koch’s “A Piece of Sky,” plus several more Swiss titles in other sections. “In the worst year ever we shot three productions back-to-back during the pandemic; somehow we got used to it,” says Oscar-nominated Max Karli (“My Life as a Zucchini”), who is among the producers of “The Line” via his Geneva-based Bandita Productions, in tandem with Pauline Gygax.In Switzerland, the film and TV industry held firm last year as one of the few sectors where camera crews and actors continued to work, unlike advertising, which shuttered completely for many months.“It was quite hard because we were shooting without insurance pertaining to anything linked to the pandemic,” Karli says, though some government subsidies were made available for physical productions struck by COVID infections.But, as Karli and other Swiss producers point out, Switzerland is a confederation.

Nick Vivarelli International CorrespondentSwitzerland, thanks to its prolific co-production activity, has a hand in a record-breaking 11 titles in the Berlinale’s official selection, including two films competing for the Golden Bear, and two more in Berlin’s cutting-edge Encounters section, as well as a Swiss talent selected for the fest’s Shooting Stars event, Souheila Yacoub.Ursula Meier’s “The Line” (competition) — Following “Home” and “Sister,” Meier continues to pursue “this idea of family that is as much necessary, as it is toxic,” says the film’s producer Pauline Gygax. After a violent argument with her mother, Margaret, 35 (Stephanie Blanchoud), who has a long history of inflicting and suffering from violence, is subjected to a restraining order.

Nick Vivarelli International CorrespondentBerlin Film Festival artistic director Carlo Chatrian on Wednesday unveiled the full lineup for the fest’s 72nd edition which he is hellbent on holding as an in-person event despite the global spread of the omicron variant, even after other top fests such as Sundance and Rotterdam have thrown in the towel and gone online.Chatrian spoke to Variety about the selection and what he expects his “exercise in resistance,” as he has called it, to be like on the ground in Berlin.Yes. Despite everything that is happening, the willingness and desire to be part of the festival on the part of production companies, sellers, actors and directors is very strong. I was even moved a couple of weeks ago when they told me that Paolo Taviani, who is 91, really wants to come at any cost. I think filmmakers are pining to be reconnected [with audiences] and the Berlinale even more than other festivals gives that sense, because you are at the center of a city.