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16.01.2024 / 23:51

‘Cinema is Political:’ French Sales Agents Confront Global Tensions, Carbon Cutting Amid Rise in International Admissions

Ben Croll Capping a growth year that saw Gallic productions draw 37. 4 million global theatrical admissions for a total of $254 million in international receipts, producers and sales agents indicated that geopolitical tensions and eco-responsible transformation would be two of the major stressors on France’s film export business in the months to come.

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12.04.2023 / 17:19

Director of Sundance-Winning ‘The Guilty’ Set For ‘Vogter’ With Films du Losange, Nordisk Film On Board; First Still Revealed (EXCLUSIVE)

Elsa Keslassy International Correspondent Gustav Möller, who won the Audience Award at Sundance with his previous film “The Guilty,” has just completed the shooting of “Vogter,” a psychological thriller which has been boarded by Nordisk Film and Les Films du Losange. “Vogter” boasts a stellar Nordic cast including Sidse Babett Knudsen, the BAFTA-winning actor of “Borgen,” Dar Salim (“Game of Thrones”) and up-and-comer Sebastian Bull. The film follows Eva, an idealistic prison officer who is faced with the dilemma of her life when a young man from her past gets transferred to the prison where she works. Without revealing her secret, Eva asks to be moved to the young man’s ward – the toughest and most violent in the prison. Here begins an unsettling psychological thriller, where Eva’s sense of justice puts both her morality and future at stake.

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16.03.2023 / 20:05

Berlinale Golden Bear Winner ‘On The Adamant’ Finds U.S. Home With Kino Lorber (EXCLUSIVE)

Elsa Keslassy International Correspondent Kino Lorber has bought U.S. and Anglo-Canadian distribution rights to Nicolas Philibert’s poignant documentary “On the Adamant” which just won the Golden Bear at this year’s Berlin Film Festival. Kino Lorber is planning a theatrical release later this year followed by a digital and home video release on all major platforms. Sold by Films du Losange, “On the Adamant” takes place at a unique day-care centre for adults suffering from mental disorders. Located in a structure floating the middle of the Seine, in Paris, the center heals these adults with a blend of therapy, education, and culture rooted in music and the arts. The affecting documentary follows the team running the Adamant as they attempt to transform and uplift the lives for these people.

Kino Lorber Elsa Keslassy International Alice Lesort Wendy Lidell Paris USA Berlin Beyond film audience art Digital Music Platform Kino

08.09.2022 / 16:29

French Films Pop at Toronto Film Festival

Ben Croll French filmmakers and sales agents will hit Toronto looking for a sale, great buzz and, above all, a lasting foothold into the U.S. market. Because a welcome perch across the pond can make all the difference, especially given the recent crunch on the international scene. “Today, the market is extremely polarized,” says Alice Lesort, who heads sales for Les Films du Losange. “There are still films that perform extremely well abroad, but the number of films has shrunk; there are still films that take the spotlight, but the spotlight now focuses on fewer of them.” Bringing the Léa Seydoux-led “One Fine Morning” to Toronto after previous berths in Cannes and Telluride and an upcoming slot in New York, director Mia Hansen-Løve has proven an outlier several times over. For one thing, at only 41-years-old, she’s already made eight features; for another, all but one of those features has seen U.S. distribution.

Alice Lesort France New York USA film audience gossips

14.06.2022 / 19:59

Music Box Films Buys Cannes’ Un Certain Regard Prizewinning ‘Rodeo’ (EXCLUSIVE)

Elsa Keslassy International CorrespondentMusic Box Films has acquired North American rights to “Rodeo,” the bold feature debut of Lola Quivoron which premiered in Un Certain Regard at Cannes where it won the Coup de Cœur du Jury special prize. Produced by Charles Gillibert (“Annette”) at CG Cinema and represented by Les Films du Losange, “Rodeo” stars newcomer Julie Ledrue a Julia, a hot tempered and fiercely independent young woman who infiltrates an underground dirt bike community in France.After a chance meeting at an urban ‘Rodeo,’ Julia finds herself drawn into a clandestine and volatile clique and striving to prove herself to the ultra-masculine group, but is she is faced with a series of escalating demands that will make or break her place in the community.

Alice Lesort Charles Gillibert Les Films Du Brian Andreotti Australia Spain France New Zealand China USA Sweden Italy Austria Germany Portugal Switzerland Poland Hungary Israel city Tel Aviv film stars Music

07.06.2022 / 14:05

Cannes Directors’ Fortnight Title Sells To U.S., Australia, Spain For Les Films Du Losange

EXCLUSIVE: Cannes Directors’ Fortnight documentary De Humani Corporis Fabrica has sold to U.S. (Grasshopper Film and Gratitude), Australia & New Zealand (Madman) and Spain (Vitrine Filmes) for Paris-based sales firm Les Films Du Losange.

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04.04.2022 / 20:19

Berlinale Title ‘Nobody’s Hero’ Finds North American Distribution With Strand Releasing (EXCLUSIVE)

Elsa Keslassy International CorrespondentStrand Releasing has acquired all North American rights to Alain Guiraudie’s “Nobody’s Hero” which is handled by Films du Losange and world premiered at the Berlin Film Festival. The movie, which opened the Berlinale Panorama section, is set in Clermont-Ferrand revolves around Frederic, a 35 year-old man who falls in love with with a middle-aged sex worker who is married.

Alice Lesort Peter Von-Kant Alain Guiraudie Ursula Meier Jon Gerrans Marcus Hu Spain France Brazil Los Angeles USA Belgium Portugal Switzerland county Aurora Greece Poland Czech Republic Berlin Taiwan county Clermont film art Love man Strand Releasing

10.09.2020 / 18:27

French Filmmakers Adapt to Change as They Head to Toronto

Ben Croll Faced with a transforming marketplace still spooked by uncertainty, the French exporters accompanying their films to Toronto have looked to past experience, new practices and brand-name identification in order to launch their titles in such highly unpredictable times.“It’s a day-by-day learning process,” says Alice Lesort, head of international sales at Les Films du Losange. “We always have to adapt, to better work with distributors facing wildly different situations, in a context where the windows that we normally used to launch film, the big festivals and international markets, are not happening in the same way.” Case in point: This year’s slimmed-down Toronto Intl.

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