Michael Koch: Last News

A critical hit at this year’s Berlinale, Michael Koch’s second feature A Piece of Sky is a sober relationship drama with a difference: It takes place in a picturesque Alpine idyll, with its sections interspersed by a folk choir that acts as an unorthodox Greek chorus. Speaking at Deadline’s Contenders International award-season event Saturday, Koch explained: “It’s a story about a couple in a remote mountain village who meet and then are put to the test due to a brain cancer that the man has. The film is about how she deals with it, how the couple deal with it, and how strong love can be.”

The first calendar year to see the physical return of almost every major film festival since the pandemic, 2022 has been a huge morale booster for filmmakers from all around the globe. And now, with the third edition of Deadline’s Contenders Film: International kicking off Saturday at 8 a.m. PT, that outreach expands even further: leaving a carbon-free footprint, our online event will showcase the myriad films that soared at Sundance, beguiled Berlin, captivated Cannes, thrilled Telluride, vitalized Venice and touched Toronto, all the while shining a spotlight on the must-see movies that might have flown under your radar.

Switzerland has selected Michael Koch’s Swiss-German language feature A Piece Of Sky as its candidate for the best international film category of the 2023 Oscars.

Guy Lodge Film CriticThe hills are indeed alive with the sound of music in Swiss filmmaker Michael Koch’s intimate Alpine epic “A Piece of Sky,” but if you go in expecting twirling frolics, expect to be harshly disappointed. Acting as a kind of distinctly non-Greek chorus, a full Helvetian choir pops up between the acts of this small-scale domestic tragedy, their solemn folk songs lending a mournful running commentary to this story of a mountain family undone by medical misfortune and psychological upheaval.

Ben Croll To follow-up his 2016 debut “Marija,” Swiss filmmaker Michael Koch set his sight skyward, fixing his vision on a remote Alpine farming community both untouched and victim to time. The filmmaker immersed himself in that world, working with village locals, collecting stories and living off the land, and would then channel those experiences into his sophomore feature.Now premiering in competition in Berlin, “A Piece of Sky” follows a taciturn farmhand, Marco (Simon Wisler), and a single mother, Anna (Michèle Brand), who find strength in each other as they build a life in the punishing Alpine range.

“Do you believe in God?,” Julia asks her stepfather on his sickbed. He looks down at her little face. Not much captures his interest these days. “I think so,” he mumbles. Julia continues, undeterred. “I believe in something else,” she says firmly. “The sun, mountains, animals, trees. And snow.” Marco says nothing — he never said much, even at his most hale and hearty — but his big body seems to soften in acceptance. She’s talking his language.

Nick Vivarelli International CorrespondentUndeterred by the pandemic, the wheels of Switzerland’s film production machine kept on spinning in 2021, churning out the meticulously made multicultural co-productions the country is known for that scored slots at top festivals.Works by young directors such as Elie Grappe, whose coming-of-age drama “Olga” launched at Cannes; Niccolò Castelli’s terrorism-themed “Atlas,” which bowed at Locarno; and also the VR project “Caves” by Carlos Isabel Garcìa, which premiered at Venice; provided a preamble to the exceptionally strong Swiss presence at this year’s Berlinale.Berlin sees a record-breaking two competition slots filled by new works from established Swiss directors, Ursula Meier’s “The Line” and Michael Koch’s “A Piece of Sky,” plus several more Swiss titles in other sections. “In the worst year ever we shot three productions back-to-back during the pandemic; somehow we got used to it,” says Oscar-nominated Max Karli (“My Life as a Zucchini”), who is among the producers of “The Line” via his Geneva-based Bandita Productions, in tandem with Pauline Gygax.In Switzerland, the film and TV industry held firm last year as one of the few sectors where camera crews and actors continued to work, unlike advertising, which shuttered completely for many months.“It was quite hard because we were shooting without insurance pertaining to anything linked to the pandemic,” Karli says, though some government subsidies were made available for physical productions struck by COVID infections.But, as Karli and other Swiss producers point out, Switzerland is a confederation.

Nick Vivarelli International CorrespondentSwitzerland, thanks to its prolific co-production activity, has a hand in a record-breaking 11 titles in the Berlinale’s official selection, including two films competing for the Golden Bear, and two more in Berlin’s cutting-edge Encounters section, as well as a Swiss talent selected for the fest’s Shooting Stars event, Souheila Yacoub.Ursula Meier’s “The Line” (competition) — Following “Home” and “Sister,” Meier continues to pursue “this idea of family that is as much necessary, as it is toxic,” says the film’s producer Pauline Gygax. After a violent argument with her mother, Margaret, 35 (Stephanie Blanchoud), who has a long history of inflicting and suffering from violence, is subjected to a restraining order.