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03.03.2025 / 20:39

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Dublin International Film Festival Report: Ed Harris And Jessica Lange Receive The Event’s Top Honors

The Dublin International Film Festival came to an end at the weekend after one of its most varied programs yet. Guests visiting the event included deep-dive documentary-maker Alexandre O. Philippe, attending with his Texas Chain Saw Massacre meditation Chain Reactions; director Jason Buxton, there with his acclaimed Ben Foster-starring thriller Sharp Corner, soon to be released by Vertical; Albert Serra, supporting his surprise San Sebastian winner Afternoons of Solitude; Palestinian director Elia Suleiman, honored by a curated retrospective; and British ’60s pop-culture icon Twiggy, subject of Sadie Frost’s film of the same name. From closer to home, director Lorcan Finnegan and writer Thomas Martin brought their cult Cannes hit The Surfer, and the UK’s Polly Steele came with Four Letters of Love starring Helena Bonham Carter and Pierce Brosnan.

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Costa Gavras, Miike Takashi and Mohammad Rasoulof Join Speakers at Rotterdam Festival

Leo Barraclough International Features Editor Costa Gavras, Miike Takashi and Mohammad Rasoulof have joined the roster of speakers at International Film Festival Rotterdam for the upcoming 54th edition, running from Jan. 30 – Feb. 9.

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‘The Last Showgirl’ Wins Special Jury Prize At San Sebastián Film Festival

Gia Coppola’s The Last Showgirl took home the Special Jury Prize at the 2024 San Sebastián Film Festival, held in Spain’s Basque Country from Sept. 20 through 28.

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Albert Serra’s Bullfighting Doc ‘Afternoons of Solitude’ Wins Golden Shell at San Sebastián, as Pamela Anderson and ‘The Last Showgirl’ Take Jury Prize

Guy Lodge Film Critic Sometimes, in a closely contested festival competition, it pays to be the one thing that isn’t like the others. A starkly powerful, observational study of contemporary bullfighting, Spanish auteur Albert Serra’s “Afternoons of Solitude” was the only documentary in the main competition at this year’s San Sebastian Film Festival — and this evening won the Golden Shell for best film of the festival, beating some big-name narrative competition.

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‘Afternoons of Solitude’ Review: Albert Serra Observes the Matador Life In All Its Absurd Beauty and Obscene Bloodshed

Guy Lodge Film Critic Albert Serra‘s “Afternoons of Solitude” begins not taking the bull by the horns, but looking it in the eye. It opens on a blunt close-up of a magnificent bovine specimen staring straight to camera, its gaze somehow confrontational, even as its pupils are nearly lost in the glossy obsidian monument of its head.

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Audiovisual From Spain Unveils Ambitious Campaign, Star-Studded Meta Short Film to Promote Spanish Talent Abroad

Jamie Lang Audiovisual from Spain, operated by Spanish governmental export and investment org ICEX, hosted a short film screening, roundtable discussion and cocktail party at the San Sebastian Festival on Tuesday evening to promote its new screen industry promotion campaign: Spain, Where Talent Ignites. At the city’s historic Tabakalera culture center, ICEX CEO Elisa Carbonell explained, “This campaign aims to help build an image associated with the country related to transversality, diversity and the richness of its creativity.

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Basque Docs Scene Spotlight: A Look at ‘Los Williams’

Callum McLennan In July, José Luis Rebordinos, director of the San Sebastián Film Festival, highlighted the growing prominence of documentaries at this year’s event. Among the notable examples he cited were Albert Serra’s “Afternoons of Solitude,” and the New Directors opener “La guitarra flamenca de Yerai Cortés,” the directorial debut of Antón Álvarez, better known to date as singer-songwriter C. Tangana.

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From Ester Expósito Starrer ‘The Wailing’ to the Next From Albert Serra and Pilar Palomero, the Breadth of Catalan Films is Underscored at San Sebastián

John Hopewell Chief International Correspondent SAN SEBASTIAN — Is this the San Sebastián Catalan Film Festival? Always boasting a sterling presence at San Sebastián, Catalonia has a massive 27 titles this year, counting five projects in doc forum Lau Haizetara and including four of the five Spanish movies in main Competition and 10 in Made in Spain. Following a break-down of major section titles: “Afternoons of Solitude,” (Andergraun Films, Ideale Audience, LaCima Producciones) Albert Serra’s not at all obvious follow-up to Cannes competition player “Pacifiction,” a portrait of star bullfighter Andrés Roca Rey at work.

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San Sebastian Unveils Spanish Titles, Led by an Ester Expósito Chiller, New Pics from Albert Serra, Iciar Bollaín, Pilar Palomero

San Sebastian Film Festival, the biggest film event in the Spanish-speaking world, has unveiled a packed lineup of Spanish titles that is strong on women auteurs, led by Iciar Bollaín, Pilar Palomero, Paula Ortiz and Alauda Ruiz de Azua, who are now stepping up in scale or industry backing as big SVOD players – Movistar Plus+, Prime Video – move into the production of Spanish movies aimed at theatrical release or back their original series. Vying in main competition, Bollaín’s “I Am Nevenka” looks like the first film to see the light of day from six auteur event movies co-produced by Movistar Plus+ and directed by leading cinematographic talent such as Rodrigo Sorogoyen and Alberto Fernández.

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Sarajevo Film Fest Opener; San Sebastian’s Spanish Selection & Rúnar Rúnarsson Heads To Venice With Short Film – Festival Briefs

Danis Tanović’s ‘My Late Summer’ To Open Sarajevo

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Totem Reveals Production Slate, With Projects by Nastia Korkia, Vytautas Katkus, Ernst de Geer, Anna Roller (EXCLUSIVE)

Leo Barraclough International Features Editor Paris-based international sales and production company Totem Films has revealed its production slate, with projects by Nastia Korkia, Vytautas Katkus, Ernst de Geer and Anna Roller. Totem brought together the directors and writers of the projects they are developing to take part in a Script Circle in Berlin, led by consultants Françoise von Roy and Franz Rodenkirchen. Totem partners Bérénice Vincent and Laure Parleani said that the production companies they are working with, Garagefilm, TamTam and Kalekone, were “enthusiastic about this collaborative idea, so were the directors and scriptwriters.” They added: “It is very nurturing to have a mix of different personalities, countries and backgrounds.

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Berlin Film Festival: Red Carpet Protests And Political Speeches Dominate Opening Ceremony

The Berlin Film Festival officially kicked off this evening with an eventful opening ceremony at the Berlinale Palast theater in the German capital.

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“I Hope He’ll Educate Himself”: Berlin Jury Presser Is Charged Affair With Talk Of Germany’s Far-Right, Russia-Ukraine & One Member’s Views On Putin

The build-up to the 74th Berlin Film Festival (Feb 15 – Feb 25) has been highly politicised and the international jury press conference this morning was no different.

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Lupita Nyong’o on Berlinale Disinviting Far-Right Politicians From Opening Ceremony: ‘I’m Glad I Don’t Have to Be in That Position’

Ellise Shafer During a press conference on Thursday, Berlinale jury president Lupita Nyong’o responded to the festival inviting and then disinviting politicians from far-right group AfD to its opening ceremony. “I’m a foreigner here. I don’t know the ins and outs of the political situation here,” Nyong’o said in response to a question asking if she would have attended the ceremony had the politicians still been invited.

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Producer Pierre-Olivier Bardet, Honored at Ji.hlava, Relishes Filmmakers Who Go Their Own Way

Will Tizard Contributor Producer Pierre-Olivier Bardet has become a hero to filmmakers who rock the boat – feature and documentary revolutionaries who work in ways that he says are “completely unique,” as he puts it: Albert Serra, Frederick Wiseman, Wang Bing and Alexandr Sokurov. And it’s hard to imagine anyone else who would have agreed to produce an English version of Mozart’s “The Magic Flute,” directed by Kenneth Branagh (after Francis Ford Coppola and several luminaries declined the project), set in World War I.

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What Cannes Country of Honor Status Means for Spain

John Hopewell Chief International Correspondent Spain’s status as Cannes’ Marché du Film’s Country of Honor is a “milestone,” says María Peña, CEO of ICEX Spain Trade & Investment. But it’s also a mark of recognition, she says, after Spain’s big wins just this year at the Berlinale (three prizes for Estibaliz Urresola’s “20,000 Species of Bees”) and France’s Cesars (foreign film win for “The Beasts” and actor trophy to Benoît Magimel for Albert Serra’s “Pacification” and cinematography for its DP, Artur Tort). Peña also points to April’s MipTV, where Rafael Cobos’ “The Left Handed Son,” from Movistar Plus+, won Canneseries’ Short Format Competition, and “The Caravan,” produced by Barcelona’s Caravan Films, the first MipDoc International Buyers Screenings honors.

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‘Jeanne du Barry’ Review: Johnny Depp Makes a Decent, if Distracting Match for ‘My King’ Director Maïwenn

Peter Debruge Chief Film Critic They instructed her no one must turn their back to the king, but she did so anyway. They warned that she was not to look Louis XV directly in the eyes, lest others take it as “an invitation,” but she ignored Versailles’ advisers on this point as well, defiantly meeting the king’s gaze. Jeanne Bécu was not the type of woman to do as she was told. In this respect, divisive French actor-director Maïwenn can relate, casting herself as the courtesan-turned-comtess in “Jeanne du Barry,” a sensitive and surprisingly low-key portrait of the French monarch’s last mistress. That Maïwenn saw fit to engage tabloid-embattled Johnny Depp as “her king” is just one of the many hurdles she set for herself — but then, no one embarks on such a project with the intention of pleasing her critics.

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Is Spanish Film Having a Moment?

Callum McLennan Recently, there has been a consistent tide of well crafted and highly regarded films coming out of Spain. “Alcarràs,” “The Beasts,” “Lullaby,” “La Maternal,” “Prison 77,” to name just the five that the Spanish Academy Goyas singled out in early February. This level of quality, over a short period, is getting noticed internationally. Last week the Glasgow Film Festival, Scotland’s largest, shone a light on eight films in its Viva el Cine Español program. A cultural moment is a strange beast, hard to fathom, but there are strong signals that Spanish Film is having one. In addition to the aforementioned five, Glasgow added Andrea Bagney’s debut “Ramona,” “Wild Flowers,” from Jaime Rosales, another debut with Elena López Riera’s “The Water,” and a Penelope Cruz starrer, in Juan Diego Botto’s “On The Fringe.”

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Cannes Film Market to Turn Spotlight on Spain as its Country of Honor

Elsa Keslassy International Correspondent Cannes’ Marché du Film has named Spain its Country of Honor for the upcoming 2023 edition which will take place May 16-24 during the 76th edition of the Festival de Cannes. The Marché du Film will work with ICEX Spain Trade & Investment and ICAA – Institute of Cinematography & Audiovisual Arts to showcase Spanish talent and content, ranging from cinema to documentary, animation and extended reality. Spain follows India which became Cannes’ first official Country of Honor in 2022. The industry event launched the initiative last year to spotlight and celebrate different nations at each market edition. Spain’s cinema sector has been having a banner 2023. Last month, Estibaliz Urresola Solaguren’s debut feature “20,000 Species of Bees” won three awards at the Berlinale, while Albert Serra’s “Pacifiction” won two Cesar awards, and Rodrigo Sorogoyen’s “The Beasts” won the Cesar award for best foreign film. Recent successes last year also include Carla Simón’s “Alcarràs” which won last year’s Golden Bear at the Berlin Film Festival and Alberto Mielgo’s “The Windshield Wiper” which won best animated short film at The Academy Awards).

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César Awards Winners Updating Live

Refresh for latest… The 48th edition of France’s César Awards, the country’s equivalent to the Oscars or the UK’s BAFTA, is unfolding at Paris’s historic Olympia concert hall this evening.

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Information About Albert Serra

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Information About Albert Serra

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Is there a full biography of Albert Serra available?

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