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‘Afire’ Review: A Summer Retreat Brings No Peace in Christian Petzold’s Superb, Smoldering New Film
Guy Lodge Film Critic If any writer has ever retreated to a remote, idyllic rural pad with the intention of getting some work done, and proceeded to have a productive and creatively fulfilling time, it has certainly never happened in the movies. Leon, the callow young novelist at the center of Christian Petzold’s canny, many-layered new film “Afire,” is the latest in a long line of onscreen scribes to learn that lesson. But over the course of a hot, rainless summer by the Baltic coastline, the elusiveness of his imagined masterwork turns out to be far from his greatest problem: Writer’s block spills over into bitter social paralysis, exposing every facet of life he doesn’t yet know how to live, let alone write about. All the while, the surrounding woodsy landscape wilts and scorches, the threat of natural disaster lending an urgent pull to this dry, elegant comedy of manners — so dry, in fact, it’s just a breath of wind away from tragedy.
