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Paul Mescal has been nominated for Best Actor for playing a Scots dad in the film Aftersun. The Irishman is up against the likes of Austin Butler and Colin Farrell.

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‘Great 8’ 2024: BFI Sets Line Up Of British Titles From Early Career Directors Set For Cannes Market

The BFI is once again heading to the Cannes Market with its so-called Great 8 — a selection of projects from first and second-time filmmakers that it will present to international buyers.

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Jonathan Glazer Adds Further Gifts To Cinema For Gaza Fundraising Campaign Alongside Spike Lee, Olivia Colman, Susan Sarandon & Paul Mescal

The Zone Of Interest filmmaker Jonathan Glazer has reinforced his support for the virtual Cinema For Gaza campaign auction, pledging a new personalized gift to the fundraiser alongside first-time donors Spike Lee, Olivia Colman, and Paul Mescal.

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Berlin: Sasha Nathwani On His Competition Title ‘Last Swim,’ Transitioning From Directing A-List Commercials To Narrative Features & The Struggles Of Indie UK Filmmaking

With his debut feature Last Swim, an ambitious and quietly radical portrait of young life in London, Sasha Nathwani has achieved one of the most difficult tasks for a new filmmaker: cutting through with a festival audience.

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Christopher Nolan’s Favorite Recent Films Include ‘Past Lives & ‘Aftersun’

Unless you’re Quentin Tarantino, if you’re a really intensely celebrated filmmaker, sometimes you just don’t praise anything because it sometimes draws attention away from less work or becomes reductive absorbed. The great Stanley Kubrick once famously said, “I am always reluctant to single out some particular feature of the work of a major filmmaker because it tends inevitably to simplify and reduce the work,” when deciding to praise Krzysztof Kieslowski’s “The Decalogue,” regardless.

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‘Priscilla’ Set to Become Mubi’s Biggest Box Office Hit Ever With $5 Million Grossed Internationally in First Week (EXCLUSIVE)

Alex Ritman After just one weekend of international release, “Priscilla” — Sofia Coppola‘s biopic starring Jacob Elordi as Elvis Presley and Cailee Spaeny as The King’s (then) teenage bride “Priscilla” — has already hit several major milestones for arthouse streamer and distributor Mubi. Produced by Fremantle’s The Apartment, the film currently sits on a box office in excess of $20 million in the U.S., where A24 released the film on Oct.

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‘Moonlight’ Producer Adele Romanski Teases ‘Mufasa: The Lion King’ and ‘True Detective,’ Accepts Indie Star Award: ‘It Feels Good to Be Called Independent again’

Marta Balaga Academy Award-winning producer of “Moonlight” Adele Romanski teased upcoming projects at Poland’s American Film Festival, including Barry Jenkins’ “Mufasa: The Lion King.” “I think anything new is scary and scary is exciting. I run towards that. What we saw was an opportunity to work with new tools, to explore the inside of a different medium and put our own stamp on it,” she said during a masterclass.

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‘All of Us Strangers’ Makes Andrew Scott an Oscar-Worthy Leading Man

Clayton Davis Senior Awards Editor Andrew Scott sees dead people, but he could also see an Oscar nomination come his way with his heartbreaking and tenderly emotional turn as a gay screenwriter in Andrew Haigh’s drama “All of Us Strangers.” Loosely based on Taichi Yamada’s 1987 novel “Strangers,” the film follows screenwriter Adam (Scott), who, after an encounter with his neighbor Harry (Paul Mescal), is mysteriously pulled back into his childhood home, where it appears his long-dead parents (played by Claire Foy and Jamie Bell) are actually alive — and haven’t aged in 30 years. Emmy nominee Scott (guest drama actor in 2020 for “Black Mirror”) has been seamlessly maneuvering back and forth between film and television, notably garnering massive attention for his “hot priest” role on “Fleabag.” He absorbs the underlying pain of losing parents, while also grappling with the lingering question of whether they would approve of you or not.

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Canadian Distributor LevelFilm Hires Duo in Key Leadership Roles (EXCLUSIVE)

Naman Ramachandran Canadian distributor LevelFilm has hired two executives from Sphere Films in leadership roles. Olivier Gauthier-Mercier joins as VP, distribution and Lainie Elton as VP, sales and acquisitions.

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Locarno Head Giona A. Nazzaro On His Political Competition Lineup, Why He Tapped Charlotte Wells For Jury Duty & How The Fest Is Navigating Hollywood Strikes: “I Don’t Think This Will Be Over Soon”

When we dial Locarno chief Giona A. Nazzaro’s line, he’s in the process of slipping into an air-conditioned bar where he can escape the blistering heat that has consumed Southern Europe for much of July.

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Cannes Critics’ Week Winners: ‘Tiger Stripes’ Scoops Grand Prize – Full List

With the Cannes Film Festival heading towards its conclusion on Saturday, the first awards are starting to trickle out. Sidebar Critics’ Week, which is devoted to first and second features, closed this evening, honoring Amanda Nell Eu’s debut Tiger Stripes with its Grand Prize. (Scroll down for the full list of winners).

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‘How to Have Sex’ Review: Molly Manning Walker’s Debut Makes a Hot Neon Splash Before Turning Chillingly Dark

Guy Lodge Film Critic Anyone seeking to describe “How to Have Sex” for potential American viewers is liable to land on the term “spring break” in the process: It is, after all, a story about hard-partying teenagers heading to a sunny coastal resort for several nights of boozy, horny, wholly unsupervised antics. Yet the teens here are British, the destination one of those grisly Mediterranean club hubs geared entirely toward British tourists, and the partying so distinctly British in its aims and etiquette that the translation hardly applies. The vacation presented here is as much like a quintessential spring break as Molly Manning Walker’s fresh, head-turning debut debut feature is like Harmony Korine’s “Spring Breakers” — superficially similar in its pile-driving social chaos and eye-searing fluorescent visuals, but with a very different, damaged heart beating underneath it all.

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Florence Pugh, Andrew Garfield Romantic Drama ‘We Live in Time’ Sells to Sphere for Canada (EXCLUSIVE)

Manori Ravindran Executive Editor of International Florence Pugh and Andrew Garfield-led romantic drama “We Live in Time” has sold into Canada’s Sphere Films. The Montreal- and Toronto-based company has picked up Canadian rights to the drama directed by “Brooklyn” helmer John Crowley, who also directed Garfield in his breakout role in “Boy A.” The film is currently in production in London and specific plot details are being kept closely under wraps. All that’s known so far is that the pic is an immersive love story. “We Live in Time” is scripted by playwright and screenwriter Nick Payne with Benedict Cumberbatch on board as executive producer. The project is developed and produced by Studiocanal with partners at SunnyMarch including Leah Clarke, Adam Ackland and Guy Heeley. It is co-financed by Film4 and Studiocanal. International sales are handled by Studiocanal while the U.S. distribution rights have been acquired by A24.

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Isabelle Huppert & Finn Wittrock Set For Home Invasion Thriller ‘Free Radicals’; Charades To Launch Sales At Cannes

EXCLUSIVE: Isabelle Huppert (Elle) and Finn Wittrock (Luckiest Girl Alive) have closed deals to star in Free Radicals, an English-language home invasion thriller based on the same-name short story originally published in The New Yorker by Nobel Prize-winning author Alice Munro.

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Irish Rap Band Kneecap to be Portrayed in Rich Peppiatt’s Raucous Comedy Slated for GREAT 8 Showcase, Boarded by Charades, Curzon (EXCLUSIVE)

Elsa Keslassy International Correspondent The birth of the hip and naughty Irish-language rap group Kneecap will be portrayed in a raucous anti-establishment comedy penned and directed by Rich Peppiatt (“One Rogue Reporter”). The film, which wrapped shooting this month, features the eponymous trio (Mo Chara, Móglaí Bap and DJ Próvaí) who play heightened versions of their own lives against the backdrop of post-Troubles Belfast. The politically engaged band has gained critical acclaim for their artful blend of Irish and English rap about the gritty reality of growing up in Northern Ireland. French sales and co-production house Charades has boarded “Kneecap” and will be representing the film in international sales, while Curzon and Wildcard will handle the distribution in the U.K. and Ireland.

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BFI, British Council Unveil Cannes Film Market Great8 Lineup

Naman Ramachandran The BFI and British Council have unveiled the eight new British films that will be presented to international distributors and festival programmers at the Cannes film market as part of the annual Great8 showcase. Unseen footage from the films, from first and second time U.K. filmmakers, will be introduced by their filmmakers and screened on May 11. Now in its sixth year, the initiative is in partnership with BBC Film and Film4. Films previously highlighted by Great8 include Charlotte Wells’ “Aftersun,” Rungano Nyoni’s “I Am Not A Witch,” Georgia Oakley’s “Blue Jean” and Rose Glass’ “Saint Maud.” Agnieszka Moody, BFI head of international and industry policy, said: “The lineup of films and filmmakers featuring in this year’s Great8 continues to shine a light on the exciting diversity of filmmaker voices and stories continuing to come out of the U.K. We are proud alongside our partners at the British Council, BBC Film and Film4 that our previous selections have been successful for international programmers and distributors, and with audiences worldwide.”

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Irish Film & TV Awards Winners: ‘Bad Sisters’ & ‘The Banshees Of Inisherin’ Sweep Top Honors

Apple’s comedy series Bad Sisters and Martin McDonagh’s latest feature, The Banshees of Inisherin, took the top honors at this year’s Irish Film & TV Awards (IFTAs). Scroll down for the complete list of winners.

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The Gotham Sets Date For 33rd Annual Gotham Awards

The 33rd annual Gotham Awards are set to take place on Monday, November 27th, The Gotham Film & Media Institute revealed on Thursday.

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Cannes’ Critics Week Unveils Lineup of 62nd Edition

Elsa Keslassy International Correspondent Rolling off a successful edition that premiered Charlotte Wells’ celebrated film “Aftersun” with Paul Mescal, Cannes’ Critics Week is back with an international lineup spanning South Korea and Malaysia to France and Jordan, among others. The Critics Week sidebar runs parallel to the Cannes Film Festival, and focuses on first and second films. Under the leadership of artistic director Ava Cahen since last year, the lineup will boast 11 feature films chosen from 1,000 submitted movies. Out of these 11 movies, seven are feature debuts and six are directed by women. Among them is “Ama Gloria,” directed by French helmer Marie Amachoukeli, who previously won Cannes’ Golden Camera for “Party Girl” which she co-directed with Claire Burger and Samuel Theis.

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Cannes Critics’ Week Unveils 2023 Poster Paying Tribute to 2022 Breakout ‘Aftersun’

One of the early signs that the Cannes Film Festival is around the corner is the reveals of the poster for the Official Selection as well as those for the main parallel sections of Cannes Critics’ Week (Semaine de la Critique) and Directors’ Fortnight.