Rodrigo Sorogoyen: Last News

Spanish filmmaker Rodrigo Sorogoyen, best known for his 2023 feature The Beasts, has been announced as jury president for this year’s edition of Cannes Critics’ Week.

John Hopewell Chief International Correspondent “Barren Land,” from Spain’s Albert Pintó, director of Netflix global blockbusters “Money Heist,” “Berlin” and “Nowhere,” have been snapped up by Spain’s Film Factory Entertainment. From an original idea by producer Alvaro Ariza, “Barren Land” (“Tierra de Nadie”) is penned by Fernando Navarro, one of Spain’s go-to screenwriters whose credits include Netflix hits “Below Zero” and “Veronica.” Film Factory will launch world sales on “Barren Land,” as it builds a powerful slate of upscale commercial packages.

Cannes Critics’ Week has unveiled the jury members for its upcoming 63rd edition, who join previously announced jury president Rodrigo Sorogoyen.

Alex Ritman Rwandan actress Eliane Umuhire (“Augure by Baloji,” “My New Friends”), French producer Sylvie Pialat (“Timbuktu,” “Staying Vertical”), Belgian cinematographer Virginie Surdej (“The Blue Caftan,” “Our Mothers,” “Casablanca Beats”) and Canadian film critic, journalist and frequent Variety contributor Ben Croll have been named on the jury for the Critics’ Week section of the Cannes Film Festival. The four will now join Spanish filmmaker Rodrigo Sorogoyen, who last week was named Critics’ Week jury president, with the group set to choose the sidebar competition’s award winners, including the Grand Prize for best feature film, the French Touch Prize of the Jury, the Louis Roederer Foundation Rising Star award for best actor or actress and the Leitz Ciné Discovery Prize for best short film.

Patrick Frater Asia Bureau Chief The Critics Week section of the Cannes film festival has set Spanish director Rodrigo Sorogoyen as the president of the jury for its 63rd edition. Sorogoyen is known for films including “Stockholm” in 2013, “The Candidate” in 2018, and “The Beasts” from 2022.

Saturn Return” (“Second Prize”), always a frontrunner, topped this week’s Malaga Festival winning its best picture, director (with co-director Pol Rodríguez) and editing (Javi Frutos) awards. The triple plaudit delivers further recognition for a feature which pulls off the double achievement of being formally radical and great fun at one and the same time.

John Hopewell Chief International Correspondent MALAGA — Antonio Chavarrías’ “Holy Mother,” Celia Rico’s “Little Loves” and Diogo Viegas’s “Alice’s Diary” play at this year’s 3rd Spanish Screenings Content, the Malaga Festival’s part of the Spanish Screenings XXL, Spain’s biggest international industry platform in its history, featuring over March 4-7 and – when it comes to Málaga – the monumental number of 222 titles. In production volume, Spain has never had it so good.

John Hopewell Chief International Correspondent In a coup for the Madrid-based sales agency, Latido Films has cliched a two picture deal with David Pérez Sañudo whose debut feature, “Ane,” repped by Latido, swept three Spanish Academy Goya Awards in 2021. Latido will take world sales rights on both titles. The move comes as Spanish sales companies battle to retain top-flight talent, increasingly in the crosshairs of international counterparts.

John Hopewell Chief International Correspondent FilmSharks has taken world sales rights outside Spain to “The Bus of Life,” next up from Arcadia Motion Pictures, producer of Rodrigo Sorogoyen’s Cesar and Goya winner “The Beasts” and Neon U.S. pick-up “Robot Dreams,” nominated last month for a best animated feature Academy Award.

EXCLUSIVE: Money Heist: Berlin actor Julien Paschal has signed with international management company Alta Global Media.

John Hopewell Chief International Correspondent Telefonica’s Movistar Plus+, Spain’s biggest pay TV-SVOD operator, is set to co-produce new movies from Rodrigo Sorogoyen, Iciar Bollaín, Alberto Rodríguez, Óliver Laxe and Ana Rujas. It’s a move which sees the high-end Spanish TV powerhouse become one of Spain’s most significant movie players.

John Hopewell Chief International Correspondent Rodrigo Sorogoyen, director of ‘The Beasts,’ the Best Foreign Film winner at France’s 2023 Cesar Awards, has gone into production on a new series, “The New Year’s Eves.” Following on Sorogoyen’s acclaimed “Riot Police,” and his episode in “Offworld,” chosen by Variety as one the best international series of 2022, “The Beasts” is produced by Movistar Plus+, the biggest Spanish pay TV/OTT operator, in collaboration with Madrid-based independent production house Caballo Films (“Riot Police,” “The Route”), co-founded by Sorogoyen. Movistar Plus+ International will handle distribution outside Spain.

Emiliano De Pablos In times of dramatic change for the film-TV industry, Spanish auteur cinema is booming, goosed by multiple significant and high-quality titles, reaping prizes, critical praise and profile at international festivals. Beyond the preeminent interest in established auteurs such as Pedro Almodóvar, Alejandro Amenábar, J.A.

Peter Debruge Chief Film Critic Fiftysomething French couple Antoine and his wife Olga move to Galicia looking for a fresh start. Instead, they find only hostility and hardship in Rodrigo Sorogoyen’s “The Beasts,” a deeply uncomfortable portrait of everyday evil that’s all the more terrifying for being true — not the two main characters, who are fictional, but the conflict that comes to define their new life in that wild corner of northwest Spain.

John Hopewell Chief International Correspondent High-flying Madrid-based Caballo Films, behind Rodrigo Sorogoyen’s “The Beasts” and “Riot Police” and Borja Soler’s “The Route,” has put into development a fiction series adaptation of Mabel Lozano’s prized same-titled non-fiction work. Shaping up as a deep drill-down into the growth of prostitution in Spain into large-scale organized crime, “El Proxeneta” packs a powerful talent package of creator-writers Isabel Peña, co-writer of Rodrigo Sorogoyen’s “As Bestas” and “Riot Police,” and Eduardo Villanueva, a co-scribe on “Riot Police” and producer on “Stockholm.”  Pilar Palomero, a Spanish Academy Goya best picture winner for “Schoolgirls,” will direct the series, her first TV work beyond one episode of “Venga Juan.”

John Hopewell Chief International Correspondent Few European arthouse-crossover film sales agents have better weathered the ebb and flow of international market dynamics than Madrid’s Latido Films, which turns 20 in 2023. Proof of that came at April’s Platino Awards, where Latido scored six statuettes, split between an acting double for Alauda Ruiz de Azúa’s “Lullaby” and four for Rodrigo Sorogoyen’s “The Beasts,” which has already swept Spain’s Goya Awards and scored a French Cesar for foreign film. Scoring €6.8 million ($7.5 million) in Spain, and 327,000 admissions in France, “The Beasts” also rates as one of the top-performing recent Spanish-language movies.

John Hopewell Chief International Correspondent In a significant play for audience growth at Telefonica’s Movistar+, Domingo Corral has been promoted to the position of director of fiction and entertainment at the company, the biggest Spanish pay TV/SVOD service.  The move, which in some ways echoes the larger oversight of ITV Studios’ Ruth Berry, marks further recognition for the former director of original fiction who has spearheaded Movistar+’s notably successful drive into scripted production, begun with its first releases in 2017.  Playing off Corral’s innate flair at forge talent relationships his passion for premium entertainment and willingness to explore flexible market models, Movistar+ has created some of the most lauded and prized series in Spain, such as Canneseries double winner “A Perfect Life,” Rodrigo Sorogoyen’s “Riot Police” and “Offworld,” chosen by Variety as one of its best international TV shows of 2022.

News of a Kidnapping,” created by Andrés Wood and Rodrigo García, swept the top prizes for best picture on Saturday night at the 2023 Platino Awards, in a sign of how the global streamers – here Amazon Studios and Prime Video – have lured top-of-their-class talent in Latin America. One highlight of the ceremony, dedicated to films and TV shows in the Spanish-speaking world, was Benicio del Toro’s acceptance speech of a honorary Platino in which he reflected on being typecast for many years in Hollywood as a Latino actor.  “If I had to play stereotypes, I tried to find the character’s humanity, a sense of complicity, so that audiences felt what my character felt and whilst they’re watching, don’t forget who I am and where I come from.,” he said. “What’s important is to share more than be divided,” he added. 

Callum McLennan Recently, there has been a consistent tide of well crafted and highly regarded films coming out of Spain. “Alcarràs,” “The Beasts,” “Lullaby,” “La Maternal,” “Prison 77,” to name just the five that the Spanish Academy Goyas singled out in early February.  This level of quality, over a short period, is getting noticed internationally. Last week the Glasgow Film Festival, Scotland’s largest, shone a light on eight films in its Viva el Cine Español program. A cultural moment is a strange beast, hard to fathom, but there are strong signals that Spanish Film is having one.   In addition to the aforementioned five, Glasgow added Andrea Bagney’s debut “Ramona,” “Wild Flowers,” from Jaime Rosales, another debut with Elena López Riera’s “The Water,” and a Penelope Cruz starrer, in Juan Diego Botto’s “On The Fringe.” 

Argentina, 1985 Leads 2023 Platino Awards NominationsSantiago Miter’s political thriller Argentina, 1985 leads this year’s Platino awards nominations with 14 nods, including Best Director, Screenplay, and Best Ibero-American Fiction Film. Alejandro G. Iñárritu’s latest pic Bardo, False Chronicle of a Handful of Truths trails with six nominations alongside Spanish filmmaker Rodrigo Sorogoyen’s The Beasts and Lullaby by Alauda Ruiz De Azúa. On the TV side, the Colombian series Noticia de un kidnapping also notched six noms. This year’s Platino awards take place on April 22 at the IFEMA Municipal Palace in Madrid. Check out the full list of nominations here.

Elsa Keslassy International Correspondent Cannes’ Marché du Film has named Spain its Country of Honor for the upcoming 2023 edition which will take place May 16-24 during the 76th edition of the Festival de Cannes. The Marché du Film will work with ICEX Spain Trade & Investment and ICAA – Institute of Cinematography & Audiovisual Arts to showcase Spanish talent and content, ranging from cinema to documentary, animation and extended reality. Spain follows India which became Cannes’ first official Country of Honor in 2022. The industry event launched the initiative last year to spotlight and celebrate different nations at each market edition. Spain’s cinema sector has been having a banner 2023. Last month, Estibaliz Urresola Solaguren’s debut feature “20,000 Species of Bees” won three awards at the Berlinale, while Albert Serra’s “Pacifiction” won two Cesar awards, and Rodrigo Sorogoyen’s “The Beasts” won the Cesar award for best foreign film. Recent successes last year also include Carla Simón’s “Alcarràs” which won last year’s Golden Bear at the Berlin Film Festival and Alberto Mielgo’s “The Windshield Wiper” which won best animated short film at The Academy Awards).