Cristian Mungiu - celebsbar.com

Clayton Davis Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages are Davis’ assessment of the current standings of the race and do not reflect personal preferences for any film or performance. Like any organization or body that votes, each individual category is fluid and subject to change. Predictions are updated every Thursday. LAST UPDATED: Sept. 20, 2022 CATEGORY COMMENTARY: A large wave of official submissions have been announced with some expected and a few surprising choices. Some early favorites are already out of the running after not being chosen by their respective countries. Pan Nalin’s “Last Film Show” will represent India instead of the global box office smash “RRR” from S.S. Rajamouli, while Monica Stan and George Chiper’s “Immaculate” will define Romania in the race instead of Cristian Mungiu’s “R.M.N.” The Telluride and TIFF hit “Godland” from Hlynur Pálmason was also passed over for “Beautiful Beings” from Guðmundur Arnar Guðmundsson

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Corneliu Porumboiu to Be Special Guest at Visions du Réel: His Films ‘Cast an Offbeat, Critical Eye on the Changes to Romanian Society’

Leo Barraclough International Features Editor Romanian filmmaker Corneliu Porumboiu will be the special guest at the 56th edition of documentary festival Visions du Réel, which runs April 4 – 13 in Nyon, Switzerland. There will be a retrospective of all Porumboiu’s feature films, and he will deliver a masterclass.

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Goodfellas Unveils Star-Studded EFM Slate With New Films By Cristian Mungiu, Rodrigo Sorogoyen, Claire Denis, Saeed Roustaee, Mario Martone, Raoul Peck & Fresh Berlinale Acquisition

EXCLUSIVE: Goodfellas has unveiled one of its biggest EFM slates ever featuring upcoming films by Cristian Mungiu, Rodrigo Sorogoyen, Saeed Roustaee, Claire Denis, Mario Martone and Raoul Peck.

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Sebastian Stan Talks ‘The Apprentice’s Uphill Battle, Double Golden Globe Nomination, Lily James Reteam ‘Let The Evil Go West’ & Upcoming Cristian Mungiu & Justin Kurzel Projects

On Monday, Sebastian Stan pulled off a rare feat, scoring Golden Globe nominations for Lead Actor in both Drama and Musical/Comedy categories. Following the announcement, Stan got candid about upcoming projects with Cristian Mungiu, Christian Tafdrup and Justin Kurzel, his experience on the awards circuit with his nominated turn as Donald Trump in The Apprentice, and more.

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Cristian Mungiu-Penned ‘Traffic,’ Directed by Teodora Ana Mihai, Wins at Warsaw Film Festival

Marta Balaga Teodora Ana Mihai’s “Traffic” was named the winner of the 40th Warsaw Film Festival on Saturday. The film was written by Cristian Mungiu, who won the Palme d’Or at Cannes with “4 Months, 3 Weeks and 2 Days,” and stars “Happening” lead actor Anamaria Vartolomei.

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‘Three Kilometers to the End of the World’ Review: A Portrait of a Small Romanian Village, Made Smaller Still by Prejudice

Guy Lodge Film Critic A hot, strong summer wind is the overriding soundtrack to “Three Kilometers to the End of the World” — the kind of dry, whirring weather that swallows conversations held even a short distance away, and carries stray, light objects far from where they meant to land. For 17-year-old Adi, however, it’s not loud enough to keep his secrets safe, nor heavy enough to lift and float him away from the home in which he feels increasingly imprisoned.

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Palme d’Or Winner Cristian Mungiu Allies with Poland’s Kijora Films on ‘Tales of the Golden Age – The Warsaw Pact,’ and ‘The Incident’ (EXCLUSIVE)

Marta Balaga Palme d’Or winner Cristian Mungiu and his Bucharest-based company Mobra Films will join forces with Poland’s Kijora Films on “Tales of the Golden Age – The Warsaw Pact,” a follow up to his 2009 sketch comedy referencing urban legends from the Ceausescu regime. Expanding to accommodate stories from different ex-communist Eastern European countries, including Poland, it will be written by Mungiu and directed by Ioana Uricaru.

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‘Familiar’ Director Calin Peter Netzer on Unraveling the Secrets of a Family Who Fled Communist Romania: ‘You Never Know What the Truth Is’

Leo Barraclough International Features Editor In “Familiar,” Berlinale Golden Bear-winning director Călin Peter Netzer follows Dragoş Binder, a film director, as he delves into the murky secrets of his family, and tries to exorcise the trauma of his childhood by making a film about it. Beta Cinema is handling world sales for the film, which has its world premiere this month at Black Nights Film Festival in Tallinn, Estonia. In the film, Dragoş is trying to understand how his family were able to leave Romania in the early 80s, during the most oppressive period of Nicolae Ceausescu’s rule.

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‘Hesitation Wound’ Review: A Tense, Dilemma-Filled Day-in-the-Life of a Turkish Lawyer

Jessica Kiang In the second half of the 20th century a system of categorizing personalities into “Type A” and “Type B” gained mainstream pop-psychological traction. The obvious limitations of its binary, or at best linear, approach have seen the theory largely fall out of favor but sometimes, like when watching Selman Nacar’s sober, stressful second feature, “Hesitation Wound,” it’s hard not to be reminded of it.

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Dardennes, Alice Diop, Cristian Mungiu, Adil El Arbi & Bilall Fallah Demand Iran’s Fajr Film Fest Remove Titles From Line-Up

Belgian directors Jean-Pierre and Luc Dardenne, Adil El Arbi and Bilall Fallah, French filmmaker Alice Diop and Romanian director Cristian Mungiu have demanded that Iran’s Fajr International Film Festival remove their films from the line-up of its current edition, running from February 1 to 11.

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Wild Bunch’s Vincent Maraval & Brahim Chioua Talk New Era As They Move On From The Company’s Iconic Name: “I’ve Been Through My Period Of Mourning” — Deadline Q&A

EXCLUSIVE: Original Wild Bunch co-founders Vincent Maraval and Brahim Chioua bid farewell to the legendary company name they created in 2002 at a party in Paris on Thursday evening.

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New York Film Festival Unveils 2022 Slate, With New Movies From Claire Denis, Kelly Reichardt and Paul Schrader

Rebecca Rubin Film and Media ReporterNew movies from directors Claire Denis, Park Chan-wook, Ruben Östlund, Kelly Reichardt and Paul Schrader will play at the 60th New York Film Festival, which is running from Sept. 30 through Oct.

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New York Film Festival Sets Main Slate For 60th Edition

The 60th New York Film Festival unveiled its main slate from established and upcoming directors with Cannes’ Palme d’Or-winner Triangle of Sadness by Ruben Östlund, Claire Denis’s Stars at Noon (tied for Cannes Grand Prize), Park Chan-wook’s Decision to Leave (Cannes Best Director), and Charlotte Wells’ debut feature Aftersun (Cannes’ French Touch Jury Prize).

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Transilvania Film Festival’s Romanian Days Competition Showcases New Wave of Filmmakers ‘Willing to Take Risks’

Christopher Vourlias Bogdan George Apetri’s “Miracle” took home the top prize in the Romanian Days competition at the Transilvania Intl. Film Festival, which saw nine first-time directors among the 12 filmmakers competing in the annual showcase of domestic cinema.It’s the first time such a formidable number of debuts have featured in the competition, offering a snapshot of what the fest’s artistic director Mihai Chirilov describes as a “balanced landscape” of new and established voices in Romania’s celebrated film industry.It’s been nearly two decades since Cristi Puiu’s “The Death of Mr.

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‘Metronom’ Review: Youthful Rebellion and Teenage Love Struggle to Survive in the Shadow of Authoritarianism

Jessica Kiang It is 1972, in Bucharest. Ceaușescu has been in power for seven years, and the fabric of ordinary life has been steeped long enough in his regime’s corrosively oppressive mandate that it has begun to fray.

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There Will Be a ‘Triangle of Sadness’ If Awards Aren’t Given to Ruben Östlund and Dolly De Leon

Clayton Davis The best movie involving a boat since “Titanic” with the best vomiting sequence since “Team America: World Police,” Ruben Östlund’s “Triangle of Sadness” is an energetic and wacky examination of class, gender norms and culture, woven into a dynamite script. After debuting at Cannes, Östlund’s English-language debut will finally introduce the Swedish writer and director to more mainstream American audiences, and possibly even Oscar voters.The film tells the story of Carl (Harris Dickenson) and Yaya (Charlbi Dean), two fashion models and a celebrity couple who in three narrative chapters explore their roles in each other’s lives — following a dinner date, a luxury cruise and a shocking x-factor that presents an interesting turn of events.

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IFC Films Acquires Hot Cannes Title ‘Corsage’ Starring Vicky Krieps as ‘Sissi’ (EXCLUSIVE)

IFC Films has nabbed North American rights to “Corsage,” Marie Kreutzer’s bold costume drama starring Vicky Krieps as the Empress Elisabeth of Austria known as Sissi. Represented in international markets by MK2 Films, the movie world premiered at Cannes’ Un Certain Regard and earned unanimous praises.

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Cannes Review: Cristian Mungiu’s ‘R.M.N.’

Longtime Cannes Film Festival favorite Cristian Mungiu has returned to the competition once again with a potent look at multi-ethnic strains and divides in a small Transylvanian town in R.M.N. As ever, the writer-director works intimately and close to the ground with his handful of characters who struggle to keep themselves and their barely-getting-by community afloat in changing times. It’s a kind of close-up-and-personal look at contemporary issues in an area not often dramatized or in the news, which adds to the film’s fresh and urgent feel.

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‘R.M.N.’ Review: Cristian Mungiu’s Nightmarish Naturalism Detonates a Scabrous Social-Division Drama

Jessica Kiang The title is not, in the end, some kind of code for “Romania.” But if it were, it would be appropriate: The enormous, troubling, intricately pessimistic “R.M.N.” from director Cristian Mungiu, probably the pre-eminent filmmaker of the Romanian New Wave, is little less than a pared-back state of the nation, a microcosmic analogy for an entire shattered society boiled dry of its softening vowels, in which only the harder elements — the bigotries, the betrayals, and a surprising number of bears — remain.Laid out in discrete scenes of astonishing clarity and density, with the rigor of their construction belied by the spontaneity of their presentation, the connections between the various strands are initially difficult to discern. Rudi (Mark Blenyesi), a little boy walking to school, comes across a sight in the woods that is kept offscreen, but that instills in him such terror he runs home and ceases speaking.

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Audrey Diwan Has 2022 Cannes Market’s Buzziest Title ‘Emmanuelle’ With Lea Seydoux; Her Timely Take On The “Silent War” Of Illegal Abortion In Oscar-Snubbed ‘Happening’ — Deadline Disruptors

Audrey Diwan’s planned English language directing debut, the erotic tale Emmanuelle starring Lea Seydoux, has buyers buzzing as much as any Cannes Market package being shopped this week on the Croisette. But her last film Happening (which didn’t make the cut as France’s choice for Best Foreign Language Film, though many felt it would have won) might have the most lasting impact. The film is just released in the U.S. smack in the middle of revelations that the Supreme Court plans to overturn Roe V Wade.

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IFC Films Buys Cristian Mungiu’s ‘R.M.N.’ Ahead of Cannes Debut (EXCLUSIVE)

Brent Lang Executive Editor of Film and MediaIFC Films has acquired North American rights to “R.M.N.,” the new film from acclaimed writer, director and producer Cristian Mungiu, ahead of its world premiere in Cannes this week.It’s a grand reunion for the indie studio and the director, marking their fifth distribution collaboration. IFC Films will release “R.M.N.” theatrically in 2022.

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