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Select public screenings of All We Imagine As Light, the second feature from rising Indian filmmaker Payal Kapadia, began in early May, a few weeks ahead of the film’s splashy competition debut at the Cannes Film Festival. I first saw the film during this run in London at the notoriously dingy Soho screening rooms and as the credits rolled in the room, there was a feeling of subdued excitement in the air. Attendees — some of the industry’s most hardened and cynical critics — could be seen cracking smiles at each other and nodding approvingly.

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‘All We Imagine As Light’ Takes Top Honors At Asian Film Awards; Japanese Filmmaker Daihachi Yoshida Wins Best Director For ‘Teki Cometh’

All We Imagine As Light took home top honors at the 18th Asian Film Awards (AFA), winning the Best Film prize.

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‘All We Imagine as Light,’ ‘Hard Truths,’ ‘Nickel Boys’ Among Winners at 22nd ICS Awards

Elsa Keslassy International Correspondent Payal Kapadia’s “All We Imagine as Light” triumphed at the 2025 International Cinephile Society (ICS) Awards, winning best picture, director and ensemble. “All We Imagine as Light” world premiered at the Cannes Film Festival where it won the grand prize of the festival, along with a flurry of international awards.

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‘A Complete Unknown’ & ‘The Brutalist’ Hold In Top 10; Documentary ‘No Other Land’ Sees Solid NYC Debut – Specialty Box Office

Oscar-nominated No Other Land scored among highest per screen openings for a documentary in the last year, grossing an estimated $26.1k on one screen at the Film Forum in New York City.

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Sammo Hung to Head Asian Film Awards Jury as ‘Exhuma,’ ‘Twilight of the Warriors: Walled In’ Lead Nominations

Naman Ramachandran Martial arts legend Sammo Hung has been tapped as jury president for the 18th Asian Film Awards, while South Korean supernatural thriller “Exhuma” and Hong Kong action pic “Twilight of the Warriors: Walled In” dominate the nominations. South Korean supernatural thriller “Exhuma,” helmed by director Jang Jae-hyun and marking the return of veteran actor Choi Min-sik, leads with 11 nods including best film, director, actor and actress. The film weaves elements of feng shui and traditional shamanism in its story of an ominous grave investigation.

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Payal Kapadia Teases Mumbai-Set Film Trilogy Following Global Success of ‘All We Imagine as Light’

Naman Ramachandran Indian director Payal Kapadia is developing two additional features set in Mumbai, potentially forming a trilogy with her acclaimed fiction feature debut “All We Imagine as Light.” Kapadia, who just attended the Golden Globes where “All We Imagine as Light” was nominated for best non-English language film and director, revealed she has begun writing her next project, a trilogy concept that is still in early stages. “I started writing my next movie and it’s also going to be a film in Bombay.

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‘Anora,’ ‘The Brutalist’ Lead London Critics’ Circle Film Award Nominations

Naman Ramachandran Sean Baker’s “Anora” and Brady Corbet’s “The Brutalist” have topped the 45th London Critics’ Circle Film Awards nominations with seven nods each. Edward Berger’s “Conclave” and Coralie Fargeat’s “The Substance” followed with six nominations each, while Jacques Audiard’s “Emilia Pérez” secured five nods. Mike Leigh’s “Hard Truths” and Rich Peppiatt’s “Kneecap” each received four nominations.

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‘All We Imagine As Light’ Director Payal Kapadia On Indie Filmmaking, Oscars Snub In Conversation With Hirokazu Kore-eda

Indian filmmaker Payal Kapadia, who was awarded the Grand Prix at this year’s Cannes film festival for her debut narrative feature All We Imagine As Light, talked about the challenges facing indie filmmakers in India during a conversation with Japanese auteur Hirokazu Kore-eda at Tokyo International Film Festival (TIFF).

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Tokyo Film Festival Chiefs Talk Samurai, Japanese Buyers & Building Bridges Between Japan And The World

As the biggest festival in one of the world’s biggest film markets, Tokyo International Film Festival (TIFF, Oct 28 – Nov 6) has always been held under the glare of painfully high expectations. But taking place towards the end of Asia’s crowded autumn festival season, then struggling through the brutal years of the pandemic, it hasn’t been easy for the event to create a global footprint.

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‘All We Imagine as Light’ and ‘April’ Lead Nominations for Asia Pacific Screen Awards

Patrick Frater Asia Bureau Chief Two films by women directors, Payal Kapadia’s “All We Imagine as Light” and Dea Kulumbegashvili’s “April” lead the nominations for the Asia Pacific Screen Awards. Both films will compete in five categories – best film, best director, best screenplay, best cinematography and best performance – it was revealed Wednesday in a nominations announcement. Also competing for best film are Yoko Yamanaka’s Tokyo-set story of a young woman’s mental illness, “Desert of Namibia” (Japan); Neo Sora’s future Tokyo tale of perilous social surveillance “Happyend” (Japan, U.S.); and Jiang Xiaoxuan’s “To Kill a Mongolian Horse” (Malaysia, Hong Kong, South Korea, Japan, Saudi Arabia, Thailand, U.S.), a portrait of a Mongolian horseman turned performer, based on a true story. Four of the five films nominated for best film are from female directors, and in an APSA first, all five best film contenders are first or second features. In addition to Kapadia, Kulumbegashvili and Jiang, the nominees for best director include Tato Kotetishvili for “Holy Electricity,” alongside veteran French Cambodian auteur Rithy Panh for “Meeting with Pol Pot.” For the first time since the acting category became an ungendered best performance award, all five nominations go to women.

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France Unveils Shortlist For 2025 Best International Feature Film Candidate

France has unveiled the five titles in the running to represent it in Best International Feature Film category at the 97th Academy awards.

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Telluride Festival Lineup Includes ‘Nickel Boys,’ ‘The Piano Lesson’ and ‘Saturday Night’ With Tributes for Jacques Audiard and Saoirse Ronan

Clayton Davis Senior Awards Editor The official lineup for the 51st Telluride Film Festival has been announced, unveiling a series of world premieres from awards hopefuls. Highlights include Edward Berger’s religious thriller “Conclave,” RaMell Ross’ “Nickel Boys” film adaptation, Jason Reitman’s “Saturday Night,” Joshua Oppenheimer’s apocalyptic musical “The End,” and Malcolm Washington’s film adaptation of the August Wilson play “The Piano Lesson.” The Colorado-based festival will also honor three distinguished figures in cinema: four-time Oscar nominee Saoirse Ronan, who stars in and produced the drama “The Outrun”; three-time Oscar-winning editor Thelma Schoonmaker; and French director Jacques Audiard, whose film “Emilia Pérez” will make its U.S.

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Payal Kapadia, Tim Blake Nelson, Luca Marinelli, Diana Elbaum Join Locarno Film Festival Jury

Nick Vivarelli International Correspondent Cannes Grand Prix winner Payal Kapadia (“All We Imagine as Light”); U.S. actor Tim Blake Nelson; Italian actor Luca Marinelli; and Belgian producer Diana Elbaum have been recruited for jury duty by the Locarno Film Festival.

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Best of Cannes: 17 Must-See Movies From the 2024 Festival

Variety presents their favorite discoveries. Indian director Payal Kapadia’s second feature is a wise, gently lambent portrait of two roommates, both Mumbai nurses, at different points in their romantic lives. Spanning the city and the seaside, an understated yet profound bond grows between them despite different ages and outlooks, and both actresses are outstanding.

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Cannes Facetime: ‘All We Imagine as Light’ Director Payal Kapadia

Naman Ramachandran Payal Kapadia‘s “All We Imagine as Light” is the first Indian film in competition at the Cannes Film Festival in 30 years. A graduate of the Film and Television Institute of India (FTII), Kapadia’s “Afternoon Clouds” was a 2017 Cannes Cinefondation selection and she won the festival’s Golden Eye award in 2021 for her documentary “A Night of Knowing Nothing.” Fiction feature “All We Imagine as Light” follows two nurses (Kani Kusruti and Divya Prabha) from Kerala, southern India, who are roommates in Mumbai. A trip to a beach town allows them to find a space for their desires to manifest.

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Made In India: The World’s Biggest Film Industry Hasn’t Had A Film In The Cannes Competition Since 1994 … Until Now

The first iteration of the Cannes Film Festival, planned for 1939, was scuppered when Germany invaded Poland to trigger the start of World War II. But when the festival finally got off the ground in 1946, Indian cinema came out swinging. Mounted shortly after the conclusion of the war, the first “real” Cannes Film Festival featured competition entries from Billy Wilder (The Lost Weekend), Roberto Rossellini (Open City), and David Lean (Brief Encounter). In the spirit of post-war peace and reconciliation, the competition jury, headed by French historian Georges Huisman, handed the top prize — then the Grand Prix — to films from 11 of the 18 countries represented that year.

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