Roberto Rossellini: Last News

Isabella Rossellini has paid tribute to David Lynch — whose death was announced yesterday — with a post on Instagram. 

A photo of an Oscar statue that appeared to be burned in the Los Angeles fires went viral on social media this past week, but it was actually generated by AI.

At a spry 72 years young, Isabella Rossellini is having a moment. And an impressive one considering her remarkable life so far.

EXCLUSIVE: A biopic devoted to legendary Italian Rome, Open City and The Rose Tattoo actress Anna Magnani is in development at Indiana Production, the Milan and Rome-based company behind Netflix’s upcoming period drama The Leopard.

Model, actor and animal behaviorist Isabella Rossellini has no regrets. At the golden age of 72, the child of actress Ingrid Bergman and Italian director Roberto Rossellini has learned her fair share of lessons during her five decades-long career. Now, in Edward Berger’s papal whodunnit Conclave, Rossellini transfers that resilience to Sister Agnes, a primarily silent yet intimidating nun tasked with caring for the cardinals as they meet to elect a new Pope after the former one dies under mysterious circumstances. As the candidates, marshaled by Cardinal Lawrence (Ralph Fiennes), backstab and clandestinely strategize, Sister Agnes holds crucial information.

Nick Vivarelli International Correspondent Isabella Rossellini will be honoured during the upcoming European Film Awards with a lifetime achievement award celebrating her body of work as an actor and filmmaker. The Italian model and movie star, who is the daughter of Swedish actor Ingrid Bergman and Italian director Roberto Rossellini, made her acting debut in 1979 in the Taviani brothers’ film “Il Prato” before breaking out internationally in David Lynch’s “Blue Velvet” in 1986, followed by prominent roles in films such as Taylor Hackford’s “White Nights,” Robert Zemeckis’s “Death Becomes Her,” and Peter Weir’s “Fearless,” to name a few.

The first iteration of the Cannes Film Festival, planned for 1939, was scuppered when Germany invaded Poland to trigger the start of World War II. But when the festival finally got off the ground in 1946, Indian cinema came out swinging. Mounted shortly after the conclusion of the war, the first “real” Cannes Film Festival featured competition entries from Billy Wilder (The Lost Weekend), Roberto Rossellini (Open City), and David Lean (Brief Encounter). In the spirit of post-war peace and reconciliation, the competition jury, headed by French historian Georges Huisman, handed the top prize — then the Grand Prix — to films from 11 of the 18 countries represented that year.

Nick Vivarelli International Correspondent Italian director Paolo Taviani, who with his late brother Vittorio formed the revered filmmaking duo that in 1977 won the Cannes Palme d’Or for “Padre Padrone,” has died at 92. Taviani died on Thursday in a Rome clinic after suffering from a short illness, according to Italian media reports. “Paolo Taviani, a great maestro of Italian cinema, leaves us,” Rome Mayor Roberto Gualtieri said on X, formerly known as Twitter.

Nick Vivarelli International Correspondent Italian actor Sandra Milo, known for memorable roles in Federico Fellini’s “8½” and “Juliet of the Spirits” as well as her work with Roberto Rossellini, died on Monday at her Rome home. She was 90.

Nick Vivarelli International Correspondent Sting, Isabella Rossellini, and U.S. director Roger Ross Williams (“The Apollo,” “Life Animated”) came out to support the recent New York launch of Matteo Garrone’s Venice prizewinning immigration epic “Io Capitano” at the Museum of Modern Art. The movie – which is Italy’s now shortlisted Oscar candidate for best international feature film – narrates the Homeric journey of two two Senegalese teenagers, Seydou and Moussa, who decide to leave Dakar to reach Europe in pursuit of a better life.

Nick Vivarelli International Correspondent Roberto Benigni, whose film “Life Is Beautiful” won three Oscars in 1999, has come out of the woodwork to support Matteo Garrone’s Golden Globe-nominated “Io Capitano,” which is Italy’s current Oscar candidate for best international feature film. The revered yet reclusive Italian actor/director, whose most recent big screen role is playing Geppetto in Matteo Garrone’s hit 2019 live-action adaptation of “Pinocchio,” is clearly a big fan of “Io Capitano” (the title translates to “Me Captain”). The movie narrates the Homeric journey of two young African men, Seydou and Moussa, who decide to leave Dakar to reach Europe.

Nick Vivarelli International Correspondent Italian producer, director, and film and TV industry pioneer Renzo Rossellini is being honored with the Locarno Film Festival’s lifetime achievement award. The Swiss fest dedicated to indie cinema will pay tribute to the consummate filmmaker and renaissance man – who as a producer shepherded works by master directors such as Federico Fellini, Lina Wertmüller, Werner Herzog and Francis Ford Coppola – with a screening of Fellini’s 1980 work “City of Women” on its 8,000 seat open-air Piazza Grande venue on Aug. 10, followed by an onstage conversation the next day. Rossellini who also worked as assistant director for his father Roberto and, among others, François Truffaut and Claude Chabrol – and is a director in his own right – “Has never ceased his quest to pass on his knowledge of the cinema, teaching generations of students and cineastes with passion and commitment,” the fest said in a statement.

died aged 83.The late screenwriter and actor is said to have influenced high-profile Hollywood filmmakers with his work, including Quentin Tarantino, Oliver Stone and Eli Roth.Deodato had a lengthy career in cinema, but remains best known for his gruesome 1980 horror film, Cannibal Holocaust.The movie was banned in multiple countries and sparked controversy around the world.Some disturbing scenes included depictions of extreme violence and torture, while real violence against animals, including onscreen killings of monkeys and a coati, were shown.Cannibal Holocaust was also a pioneer of the “found footage” pseudo-documentary genre, preceding other famous films such as 1999’s The Blair Witch Project. While his film was very divisive, he did win a cult following that included several influential Hollywood filmmakers. Tarantino has cited him among his influences, while Roth has also referenced him as one of his inspirations.Roth paid homage to Cannibal Holocaust in his 2013 cannibal horror The Green Inferno.Deodato then later made a cameo appearance in Roth's 2007 shocker Hostel II.The late star began his career as a highly regarded assistant director for Roberto Rossellini.He then went on to work as a number two to Sergio Corbucci on the influential 1966 spaghetti western Django.The movie was the inspiration for Tarantino's 2012 Western drama film Django Unchained.Deodato spent the next few decades of his career making more than 30 movies, although Cannibal Holocaust remains his best-known. The film’s plot follows an academic who heads into the Amazon forest in search of a missing US documentary crew who are feared to have been eaten by a tribe.He then discovers the film they recorded before their horrific deaths and, to

The historic Barberini Cinema in Rome reopens its doors to the public this Thursday for the first time in two-and-a-half years after an ambitious multi-million-euro refurbishment.

Nick Vivarelli International CorrespondentAs we enter the final countdown to the Feb. 8 Oscar nominations announcement, Isabella Rossellini is clearly rooting for Paolo Sorrentino’s “The Hand of God,” which is Italy’s candidate for the Academy Award for Best International Feature Film and among the shortlisted titles.To help promote the pic with Academy voters, Rossellini engaged in an online chat with the director and young Italian actor Filippo Scotti, who plays Sorrentino’s alter-ego Fabietto in the pic. She also wore a gold horn amulet that belonged to her father, the late great Italian master Roberto Rossellini, for good luck.Here are edited excerpts of the conversation, to which Variety has been given exclusive access.