Vittorio Taviani - celebsbar.com

Nick Vivarelli International Correspondent Italian director Paolo Taviani, who with his late brother Vittorio formed the revered filmmaking duo that in 1977 won the Cannes Palme d’Or for “Padre Padrone,” has died at 92. Taviani died on Thursday in a Rome clinic after suffering from a short illness, according to Italian media reports. “Paolo Taviani, a great maestro of Italian cinema, leaves us,” Rome Mayor Roberto Gualtieri said on X, formerly known as Twitter.

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Fandango Takes World Sales on Carlo Sironi’s Berlin Generation Drama ‘My Summer With Irène’ – Watch Trailer (EXCLUSIVE)

Nick Vivarelli International Correspondent Italy’s Fandango Sales has taken global distribution rights outside Italy to Carlo Sironi’s coming-of-age drama “My Summer With Irène,” which will premiere in the Berlin Film Festival‘s Generation section. Sironi, whose first feature “Sole” made a splash on the international fest circuit, is back with this relationship drama starring rising French indie star Noée Abita (“Slalom”) and Maria Camilla Barandenburg (“Slam Italia”) playing two 17-year-olds named Clara and Irène who both have health issues.

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Rotterdam Opening Film; Paul Schrader Avellino Honor; New UNESCO Paris Film Fest & Clermont Ferrand Confirms Reduced 2024 Edition – Festival Briefs

Rotterdam Film Festival Sets ‘Head South’ As Opening Film

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‘Walls’: Trailer Unveiled for Kasia Smutniak’s Toronto Bound Directorial Debut (EXCLUSIVE)

Naman Ramachandran The first trailer has been unveiled for “Walls” (“Mur”), actor-turned-filmmaker Kasia Smutniak’s directorial debut that will world premiere at the Toronto International Film Festival. In 2022, Russia invaded Ukraine, leading to a mass exodus of refugees seeking asylum across Europe. Among the European countries offering aid and refuge, Poland was particularly generous but the country had also simultaneously commenced the construction of Europe’s most expensive wall along its entire border with Belarus to deter further refugees from entering.

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Berlin Review: Paolo Taviani’s ‘Leonora Addio’

Paolo and Vittorio Taviani directed films together from the early 1950s until Vittorio died in 2018, leaving his now 90-year-old brother to carry on alone. Leonora Addio, the second film Paolo has made without Vittorio, is not only dedicated to him but picks up many of the themes that ran through their earlier work, including their enthusiasm for theater in general and the writings of Nobel laureate Luigi Pirandello in particular. The Berlin Film Festival competition entry looks and sounds sumptuous, but its two stories — both of which raise questions about what the living owe the dead — are disappointingly slight.

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‘Leonora addio’ Review: Directing Alone, Paolo Taviani Sketches a Slight Farewell to His Late Brother

Peter Debruge Chief Film CriticIt’s no spoiler to say that Luigi Pirandello dies nine minutes into “Leonora addio.” This alternately playful and lugubrious work of reflection isn’t really about the controversial Italian writer’s life at all, but rather his legacy, and in a less literal yet ineluctable sense, that of film directors Paolo and Vittorio Taviani.Over the course of half a century, the two cinematic siblings made movies together — including 1985’s “Kaos,” an omnibus-style collection of five Pirandello stories — bookending their career together by winning top prizes at the Cannes and Berlin film festivals (for “Padre Padrone” and “Caesar Must Die,” in respectively). And then, in 2018, Vittorio died.

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