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Alex Ritman The Cannes Film Festival’s Directors’ Fortnight sidebar competition has revealed the poster for its upcoming 2025 edition, featuring a painting by one of cinema’s boundary-obliterating cult heroes. From “Spring Breakers” director Harmony Korine, the painting features two blurry faces in red and yellow, which Korine introduced as “Twitchys” “The characters in the painting are called Twitchys,” he said in a quote on the competition’s social media pages.

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Émilie Dequenne, Cannes Best Actress Winner for ‘Rosetta,’ Dies at 43

Ellise Shafer Émilie Dequenne, the Belgian actor who won a Cannes Film Festival prize for her breakout role in the Dardenne Brothers’ 1999 film “Rosetta,” died on Sunday. She was 43. Dequenne’s family confirmed to French news agency AFP (via The Guardian) on Sunday night that she died of a rare cancer in a hospital just outside Paris.

Catherine Deneuve Cannes Film Joachim Lafosse Christophe Gans Émilie Dequenne France Belgium performer hospital actress actor awards Parke

Carlos Reygadas’ Norwegian Co-Producer Stær Film Sails Into Distribution, Takes Tess Quatri, Elle Sofe Sara to Göteborg (EXCLUSIVE)

Annika Pham Two years after launch, Norway’s boutique production outlet Staer Film headed by Elisa Fernanda Pirir, is ramping up its activities by venturing into distribution and bigger budget movies. With a focus on visionary new and established auteurs, regional productions and international collaborations, the new Tromsö-based distribution outfit led by Eleanor Debreu will offer a home for Stær’s most artistically challenging co-productions, that will benefit from tailor-made innovative marketing strategies.

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KimStim Takes N. America For Cannes Doc ‘The Falling Sky’ About Threat To Yanomami People

EXCLUSIVE: New York-based arthouse distributor KimStim has acquired North American rights to feature-doc The Falling Sky, about the threat to the existence of the Amazonian Yanomami people, ahead of its screening in DOC NYC next month.

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Paolo Sorrentino’s ‘Parthenope’ Starts Theatrical ‘Journey,’ Drops Trailer Ahead of Global Rollout (EXCLUSIVE)

Nick Vivarelli International Correspondent Italian distributor Piper Film, Fremantle and Pathé have dropped the international trailer for Paolo Sorrentino’s “Parthenope” ahead of the widely sold film’s international rollout following its bow in May from the Cannes Film Festival. Praised in his review by Variety critic Siddhant Adlakha as “An exquisite treatise on cinematic beauty,” “Parthenope” is a love letter to the director’s native Naples.

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Shelley Duvall Dies: ‘The Shining’, ‘Nashville’ Actor Was 75

Shelley Duvall, the doe-eyed actor who was both muse and protégé of director Robert Altman but might best be remembered for her co-starring role opposite Jack Nicholson in Stanley Kubrick’s The Shining, died today, July 11, of complications from diabetes at her home in Blanco, Texas. She was 75.

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The Playmaker to Launch International Sales of Creature Horror ‘Paws’ at Cannes Film Market (EXCLUSIVE)

Leo Barraclough International Features Editor The Playmaker has signed with Neopol Film to handle international sales for their upcoming creature horror thriller, “Paws.” Featuring polar bear creature animatronics from the renowned studio behind “Star Wars” and “Jurassic World,” the film tells the story of a climate researcher stranded in the Arctic who must forge an unlikely alliance with a polar bear in order to survive. The project will feature a stellar international cast, yet to be announced.

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Sofia Exarchou’s Locarno Prize Winner ‘Animal’ Takes Top Award, Acting Honors at Thessaloniki Film Festival

Christopher Vourlias Sofia Exarchou’s “Animal” won the Golden Alexander at the 64th Thessaloniki Film Festival on Sunday, marking the first time in 30 years that a Greek film took home the top honors at the country’s longest-running film event. Exarchou’s sophomore feature, which premiered at the Locarno Film Festival, was praised by Variety’s Jessica Kiang as “a poignant portrait of life amid the sequins and the seediness of a Greek resort.” The film follows a group of entertainers at an all-inclusive island resort preparing for the busy tourist season who are forced to wrestle with the dark reality that the show must go on as the sultry Mediterranean nights turn violent.

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Greenwich Entertainment Picks Up U.S. To Cannes Critics’ Week Title ‘Inshallah a Boy’

EXCLUSIVE: Greenwich Entertainment has acquired U.S. distribution rights to Inshallah a Boy, the directorial debut of Amjad Al Rasheed which world premiered during the Cannes Film Festival’s Critics’ Week and is set to have its North American debut at TIFF next month.

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Cannes Thriller ‘Sleep’ Sells to Magnolia’s Genre Arm, Magnet Releasing (EXCLUSIVE)

Brent Lang Executive Editor Magnet Releasing, the genre arm of indie distributor Magnolia Pictures, has acquired North American rights to “Sleep.” The horror-thriller, which sounds designed to make you rethink your thoughts about sleepwalking, recently had its world premiere at the Cannes Film Festival’s critics week. It was directed and written by Jason Yu, who worked with Korean filmmaking legends Bong Joon-ho and Lee Chang-dong before making his feature directing debut with “Sleep.” Magnet will release the film early next year. The director’s previous collaborator, Bong, called “Sleep,” “the most unique horror film and the smartest debut film I’ve seen in 10 years.” So that’s some high praise from the director of “The Host” and “Parasite.”

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Robert De Niro Talks Scorsese’s New Jesus Film, Says ‘Flower Moon’ Premiere Was Always Set for Cannes Over Tribeca

Ethan Shanfeld Robert De Niro is going from Cannes to Tribeca, as the world-renowned actor prepares to kick off the 22nd edition of the film festival he co-founded in 2001 with Jane Rosenthal and Craig Hatkoff. It runs from June 7 to 18 across New York City. De Niro recently appeared at Cannes Film Festival for the world premiere of Martin Scorsese’s “Killers of the Flower Moon,” in which he stars opposite Leonardo DiCaprio. The Oscar-winning actor said there were conversations about premiering the Western crime epic at Tribeca, but that idea never materialized. “We did talk about it a little bit, but it was always Cannes,” De Niro told Variety. “There was talk about whether it should go in competition or out of competition. And we decided out of competition. It made more sense.”

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‘Fallen Leaves’: Mubi Acquires Aki Kaurismäki’s Acclaimed Tragicomedy – Cannes

Mubi has snapped up rights to the acclaimed feature Fallen Leaves, written and directed by Aki Kaurismäki, in a competitive situation, following its world premiere in Official Competition at the Cannes Film Festival.

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‘Tiger Stripes’ Is Highly Developed Product of Indie Film Support System

Patrick Frater Asia Bureau Chief Amanda Nell Eu’s “Tiger Stripes,” which had its premiere this week in Cannes Film Festival’s Critics’ Week, is being celebrated as a punchy female-driven debut feature and as the first film by a Malaysian woman director in any section Cannes. The story focuses on a small group of 11 or 12-year-old girls. When one of the friends enters puberty she finds her body changing in unexpected ways. Relations with her friends and family start morphing too. Eu’s finished film straddles the metaphorical drama and body horror genres. “Tiger Stripes” is also a triumph for the now highly-developed global network of project markets, talent development programs, script and production workshops (often labelled as ‘labs’) and grant schemes. These are intended to encourage diversity and nurture film-making talent in countries where that is a rarity or where commercial films crowd out more experimental art-house titles.

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Cannes 2023: Juror Brie Larson Dodges Question About Attending Johnny Depp’s Film; Amber Heard Supporters Protest On Red Carpet

Brie Larson seemed to dodge questions surrounding this year’s Cannes Film Festival opening with the Johnny Depp-led film “Jeanne du Barry”.

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Cannes Boss Thierry Fremaux Confronts Johnny Depp Backlash, Rejects Claim That ‘It’s A Festival for Rapists’

Elsa Keslassy International Correspondent Cannes Film Festival’s chief Thierry Fremaux asked journalists Monday if they really believed Cannes was celebrating rapists, as recently suggested by “Portrait of a Lady on Fire” actor Adele Haenel in an open letter published last week in Telerama. Haenel, who quit acting in films after Roman Polanski won best director at the Cesar Awards in 2020, said she retired from the film industry for political reasons, and said Cannes was “ready to do anything to defend their rapist chiefs,” citing Polanski, Gerard Depardieu and Dominique Boutonnat, the president of the National Film Board (CNC). Fremaux told journalists at a press conference ahead of the 2023 festival’s opening night that Haenel, who was at Cannes to present “Portrait of a Lady on Fire” in competition in 2019, was making “radical” comments that were “false.”

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Pixar's 'Elemental' Will Premiere at the 2023 Cannes Film Festival

Pixar’s Elemental will have its world premiere screening at the 2023 Cannes Film Festival on May 27.

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Cannes Chief Thierry Fremaux Breaks Down 2023 Lineup: Jonathan Glazer’s Surprise Film, Convincing Martin Scorsese to Enter Competition and Johnny Depp Controversy

Elsa Keslassy International Correspondent Cannes Film Festival’s longtime director Thierry Fremaux sat down with Variety following the announcement of this year’s lineup, which includes a bevy of star-studded period movies, including Martin Scorsese’s highly anticipated “Killers of the Flower Moon,” Karim Aïnouz’s “Firebrand” and Jonathan Glazer’s “Zone of Interest.” Along with a raft of politically-minded films, there’s also a record six movies directed by female helmers in competition, including newcomers like Senegalese direcotr Ramata-Toulaye Sy’s feature debut “Banel et Adama.” Fremaux said his only regret this year is to miss out on “Oppenheimer” and “Barbie,” but he’s keeping high hopes to convince Scorsese to vie for a second Palme d’Or 47 years after winning his first with “Taxi Driver.” He also revealed that as many as two or three movies are expected to be added to the competition next week, after Directors’ Fortnight and Critics’ Week announce their respective lineups.

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Venice Review: Alejandro G Iñárritu’s ‘Bardo’

Dear Alejandro:

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‘CODA’ producer Philippe Rousselet, Jacques Audiard, Hengameh Panahi, Michel Gondry on France’s Revamped Oscar Submission Committee

Naman Ramachandran Philippe Rousselet, Oscar-winning producer of “Coda,” “Paris, 13th District” director Jacques Audiard, sales agent Hengameh Panahi and “Eternal Sunshine of the Spotless Mind” filmmaker Michel Gondry are part of France’s newly revamped Oscar submission committee.The committee also includes sales agent Grégoire Melin, “11 Flowers” producer Didar Domehri and Gaumont executive Ariane Toscan du Plantier.The new group will decide which French film to submit for an international feature film Oscar. They will meet Sept. 15 to pre-select three to five films.

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‘Blonde’ Official Trailer: Ana de Armas Unravels as Marilyn Monroe in Netflix’s NC-17 Drama

Elsa Keslassy International CorrespondentNetflix has dropped the official trailer from Andrew Dominik’s “Blonde,” an NC-17 biopic starring Ana de Armas as Hollywood icon Marilyn Monroe. The movie, based on the bestselling novel by Joyce Carol Oates, will world premiere in competition at the Venice Film Festival.“Blonde” reimagines the life of Marilyn Monroe, from her volatile childhood as Norma Jeane through her rise to stardom and romantic entanglements.

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France Overhauls Oscar Submission Committee

Elsa Keslassy International CorrespondentFrance has rejigged its Oscar submission committee to change the group that decides which French film to submit for an international feature film Oscar.As part of the overhaul, permanent members such as Cannes Film Festival’s general deleguate Thierry Fremaux, Cesar Académie president Veronique Cayla and Unifrance boss Serge Toubiana will no longer be part of the committee.The decree was issued by the newly elected culture minister and was published in the Journal Officiel on July 27. The decision to reform France’s Oscar commission stems from criticism over the submission of films which had premiered at Cannes but did not have the best chances of earning an Oscar nomination and going far in the race.

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