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04.01.2024 / 17:03

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Jonathan Glazer’s Holocaust Drama ‘The Zone Of Interest’ Set For United Nations Screening

EXCLUSIVE: Ahead of this weekend’s Golden Globes, where it’s set to contend for Best Motion Picture – Drama, Best Picture – Non-English Language, and Best Original Score, Jonathan Glazer‘s acclaimed Holocaust drama The Zone of Interest has been set for a special screening at the United Nations in New York on January 5, which marks a first for studio A24.

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‘Zone Of Interest’ Teaser; BBC Studios And Nippon TV Partner; Fremantle Set Jamie Oliver FAST Channel — Global Briefs

‘The Zone Of Interest’ Teaser Trailer

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Oscars: UK Selects Jonathan Glazer’s Holocaust Drama ‘The Zone Of Interest’ For Best International Film Race

Jonathan Glazer’s Cannes-winning Holocaust drama The Zone Of Interest has been selected as the UK’s entry for the Best International Feature Film category at the 2024 Oscars.

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‘The Zone of Interest’ Cinematographer and TIFF Variety Artisan Award Winner Lukasz Zal on the Quest to Capture Life’s ‘F—ing Beautiful Moments’

Christopher Vourlias When U.K. writer-director Jonathan Glazer approached Polish cinematographer Łukasz Żal about “The Zone of Interest,” a provocative Holocaust drama adapted from a 2014 novel by Martin Amis, he had a bold proposition for the film, which centers on the domestic life of an Auschwitz commandant and his family living in the shadow of the notorious concentration camp. What if, Glazer suggested, they shoot the scenes inside the Höss family home without a single camera on set? Working on location, production designer Chris Oddy and his crew built a replica of the camp commandant’s real-life house.

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Davina McCall and Vicky McClure are among stars on King's Birthday Honours list 2023

Davina McCall and Line Of Duty actress Vicky McClure have been made MBEs on the King's first Birthday Honours list this year.The duo joined veteran broadcaster Ken Bruce, footballer Ian Wright, fashion editor Dame Anna Wintour and Booker Prize-winning author Ian McEwan in the list, with the latter two being awarded the highest honours as Companions of Honour.They joined Professor Sir John Bell, who is the Regius professor of medicine at the University of Oxford. Former England and Arsenal footballer-turned-pundit Ian was made an OBE, while late author Sir Martin Amis was knighted a day before he died last month at the age of 73. Speaking to PA News, author Ian shared his "delight" at learning of the news, and admitted it was a "complete surprise".

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‘The Zone of Interest,’ ‘The Settlers’ Score Fipresci Awards at Cannes

Marta Balaga Jonathan Glazer’s “The Zone of Interest” has scored a Fipresci award in Cannes. The jury of the International Federation of Film Critics praised the film “for its formal radicality, the complexity of the sound and score, and its contrast between the invisible atrocities behind the wall and a supposed paradise,” Fipresci stated on Saturday. “By presenting the horror as something usual, and using everyday-like dialogues, it’s a reflection on ignorance as a disease that connects the past with the present.” Glazer’s take on a Nazi family living next door to Auschwitz and enjoying it – loosely based on the novel by Martin Amis, who tragically passed away on May 19, just before the premiere – has been getting rave reviews at the French festival, becoming one of the frontrunners for this year’s Palme d’Or.

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A24 Posts Deals For Cannes Palme D’Or Hot Favorite ‘The Zone Of Interest’

A24 has unveiled a raft of key territory deals for Jonathan Glazer’s hotly tipped Cannes Film Festival Palme d’Or frontrunner The Zone Of Interest ahead of the awards ceremony on Saturday.

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Martin Amis Dies: Author Of ‘London Fields’ And ‘The Information’ Was 73

Martin Amis, whose 15 novels were must-read for British fiction lovers, died Friday at home in Lake Worth, Florida of esophageal cancer, his wife confirmed. He was 73.

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‘Zone of Interest’ Author Martin Amis Dies at 73

Manori Ravindran Executive Editor of International British writer Martin Amis, the author of the book “The Zone of Interest,” has died at 73. News of his death comes just one day after the big-screen adaptation of his 2014 novel premiered at the Cannes Film Festival to rave reviews. The New York Times reports that Amis died of esophageal cancer, as confirmed by his wife, the writer Isabel Fonseca. Amis published 15 novels over the course of his career, a number of which were adapted. Jonathan Glazer’s treatment of Amis’ chilling Nazi drama “The Zone of Interest” is one of the buzziest premieres to come out of Cannes so far. The film follows the family of a high-ranking SS officer that lives next door to Auschwitz concentration camp. In a review that labelled “Zone of Interest” as “chilling and profound,” Variety critic Owen Gleiberman said the film “holds human darkness up to the light and examines it as if under a microscope.”

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‘Zone of Interest’ Director Jonathan Glazer on Portraying Nazis as People: ‘Human Beings Did This to Other Human Beings’

Rebecca Rubin Film and Media Reporter “The Zone of Interest,” writer-director Jonathan Glazer’s searing Nazi drama about the banality of evil, became the talk of Cannes Film Festival after its debut on Friday night. But the director admits he didn’t know the story he wanted to tell before the cameras were rolling. “You never really know why you tackle and subject. It’s an ever-evolving journey,” he said at Saturday’s press conference for the movie. “It wasn’t one particular moment that I knew I was going to make this film. When I started the process, I didn’t know what perspective we were coming from.” In the end result, “The Zone of Interest,” which is loosely based on the 2014 novel by Martin Amis, tells the story of Rudolf Höss, a Nazi commandant who designed and built Auschwitz. It also looks at his relationship with his wife Hedwig, as they create their dream life directly next door to the concentration camp. In crafting a portrait of the Holocaust, Glazer says he conducted an “enormous amount of research” to capture the divide between the Höss family’s mundane domestic dramas and Auschwitz, which lies on the other side of the garden walls.

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Poles Share Their Souls With the World

Christopher Vourlias The anticipation surrounding Jonathan Glazer’s Holocaust drama “The Zone of Interest” was building long before it was tapped to compete at this year’s Cannes Film Festival. Details about the Auschwitz-set film, which is loosely based on the novel by Martin Amis, have been kept under wraps, although no less a Cannes personage than festival director Thierry Fremaux described it as “quite a challenging film.” Glazer’s first movie since 2013 sci-fi fantasy “Under the Skin” is sure to be among the more talked-about films bowing on the Croisette. Filmed entirely in Poland and lensed by two-time Oscar nominee Łukasz Żal (“Ida,” “Cold War”), “Zone of Interest” is also a triumph for the Polish film industry. “The character, the genes of the film, they were here in Poland,” says Academy Award-winning producer Ewa Puszczyńska (“Ida,” “Cold War”), whose shingle Extreme Emotions shares producing credits with British producer James Wilson’s JW Films. “There is a lot of Polish soul…in this film.”

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A24’s Nazi Drama ‘Zone of Interest’ Is a Cannes Sensation With 6-Minute Standing Ovation

Zack Sharf Digital News Director Jonathan Glazer just delivered the first instant sensation of the 2023 Cannes Film Festival. “The Zone of Interest,” only the director’s fourth feature film after “Sexy Beast,” “Birth” and “Under the Skin,” earned a six-minute standing ovation following its world premiere. Glazer’s film is austere and challenging as it tells the story of the commandant of Auschwitz and his wife, who have created their dream home directly next to the concentration camp. The constant screams of prisoners, gun shots and smoke from the gas chambers haunt their paradise, but their indifference to such horrors creates a terrifying and sinister juxtaposition.

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‘The Zone Of Interest’ Review: Jonathan Glazer’s Stunning Look At The Holocaust In A Way It Has Not Been Seen – Cannes Film Festival

The title of Jonathan Glazer’s The Zone of Interest refers to how the Germans labeled the 40-square-kilometer area that surrounded the Auschwitz concentration camp on the outskirts of Oświęcim, Poland. This is where the writer-director has set this unique Holocaust film with a perspective and focus on what was on the other side of a wall separating the most horrific mass murder and terror in human history, and the daily, almost bucolic lives of those who caused it or were in complete denial of it. Yes, Holocaust movies are virtually a genre of their own, but I can safely say I have never seen one, sans any visuals of violence and suffering, that still manages to be just as harrowing and frightening, maybe even more. The Zone of Interest takes its place among the great films made on the Holocaust and will probably haunt you long after seeing it.

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Cannes Chief Thierry Fremaux Breaks Down 2023 Lineup: Jonathan Glazer’s Surprise Film, Convincing Martin Scorsese to Enter Competition and Johnny Depp Controversy

Elsa Keslassy International Correspondent Cannes Film Festival’s longtime director Thierry Fremaux sat down with Variety following the announcement of this year’s lineup, which includes a bevy of star-studded period movies, including Martin Scorsese’s highly anticipated “Killers of the Flower Moon,” Karim Aïnouz’s “Firebrand” and Jonathan Glazer’s “Zone of Interest.” Along with a raft of politically-minded films, there’s also a record six movies directed by female helmers in competition, including newcomers like Senegalese direcotr Ramata-Toulaye Sy’s feature debut “Banel et Adama.” Fremaux said his only regret this year is to miss out on “Oppenheimer” and “Barbie,” but he’s keeping high hopes to convince Scorsese to vie for a second Palme d’Or 47 years after winning his first with “Taxi Driver.” He also revealed that as many as two or three movies are expected to be added to the competition next week, after Directors’ Fortnight and Critics’ Week announce their respective lineups.

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‘The Meaning of Hitler’ Review: A Look At Why the Icon of 20th-Century Hate Lives on in the 21st

Owen Gleiberman Chief Film CriticWhen a documentary is called “The Meaning of Hitler,” there are two things you know off the bat. One is that the film probably won’t live up to that title — and doesn’t have to, because how could it? The other thing you know is that it’s trying for something audacious, placing itself on the high bar of who-was-Adolf-Hitler? meditation.

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