Amjad Al-Rasheed - celebsbar.com

In a lull for specialty openings early in the new year, three foreign-language films are taking a shot. The Settlers, winner of the Cannes Un Certain Regard FIPRESCI Prize, and Inshallah A Boy are Cannes alumns and Oscar submissions from, respectively, Chile and Jordan (neither short-listed in a competitive field). Driving Madeleine is a crowd pleasing French film.

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Viola Davis to Be Honored by Red Sea Film Festival as Lineup Is Unveiled, Including Johnny Depp’s ‘Modi’ and Robbie Williams Biopic ‘Better Man’

Nick Vivarelli International Correspondent Viola Davis will be honored by Saudi Arabia’s Red Sea Film Festival, where the Oscar winner and four-time nominee will also be holding a master class highlighting her career. On Monday, the festival — which will run Dec.

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How Thessaloniki’s Industry Arm Stays True to Its Mission to ‘Nurture Talents’ and Remains a Vital Launching Pad for Region’s Filmmakers

Christopher Vourlias As the Thessaloniki Film Festival’s industry arm, Agora, celebrates its 20th anniversary this year, organizers are looking to maintain the right balance for an event that continues to grow in stature while retaining its carefully curated, almost intimate feel. To that end, industry head Angeliki Vergou — an Agora veteran who assumed her current post in 2022 — is pragmatic in her approach to the Thessaloniki event and where it fits into the broader marketplace.

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Oscars: Jordan Selects Doc ‘My Sweet Land’ For International Feature Film Race

Jordan has selected Sareen Hairabedian’s documentary My Sweet Land to represent it in the Best International Feature Film category of the 97th Academy Awards.

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Asif Kapadia And Amjad Al Rasheed’s ‘Inshallah A Boy’ Among Winners At London’s Inaugural Muslim International Film Festival

The first Muslim International Film Festival (MIFF) ended this weekend in London with Amjad Al Rasheed’s debut feature Inshallah A Boy taking the best feature gong while veteran documentarian Asif Kapadia picked up the festival’s honorary Trailblazer Award.

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Cannes 2023 Titles ‘Goodbye Julia’ & ‘Four Daughters’ Lead Prizes At 8th Critics Awards For Arab Films

Tunisian filmmaker Kaouther Ben Hania’s Four Daughters and Sudanese director Mohamed Kordofani’s drama Goodbye Julia topped the prizes at the 8th Critics Awards for Arab Films, which were announced on the fringes of the Cannes Film Festival on Saturday.

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‘Goodbye Julia,’ ‘Four Daughters’ Stand Out at Critics Awards for Arab Films Handed Out in Cannes

Nick Vivarelli International Correspondent Sudanese first-timer Mohamed Kordofani’s “Goodbye Julia,” a timely morality tale that takes place just before the 2011 secession of South Sudan, has won top awards for both fest feature film and best screenplay at the eighth edition of the Critics Awards for Arab Films that will be handed out today at the Plage des Palmes in Cannes. The first Sudanese film ever to screen in Cannes’ official selection, where it premiered in Un Certain Regard last year, “Goodbye Julia” (pictured) is the story of two women — one from the North, the other from the South — who are brought together by fate in a complex relationship that attempts to reconcile differences between northern and southern Sudanese communities in the war-ravaged country.

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Arab Cinema Outfit Untamed Talent Expands And Rebrands as 75East With Shams Mohajerani on Board as Manager (EXCLUSIVE)

Nick Vivarelli International Correspondent Untamed Talent, the recently launched Arab world management and production company led by former Mister Smith Entertainment executive Antone Saliba is rebranding as 75East and bringing on board Shams Mohajerani, a former acquisitions executive at Cairo-based MAD Solutions, as its chief manager and producer. The change in name to 75East of the company, which launched last December with backing from Front Row Productions – a joint venture between leading Middle East distribution companies Front Row Filmed Entertainment and Empire Entertainment – is a geographical reference to the wider Southwest Asian and North African (SWANA) region from Morocco to Pakistan, “reflecting the company’s commitment to representing talent beyond Arabic-speaking territories,” according to a statement.

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‘Four Daughters’ & ‘Goodbye Julia’ Lead Nominations For 8th Edition Of Critics Awards For Arab Films

Tunisian filmmaker Kaouther Ben Hania’s Oscar-nominated documentary Four Daughters and Sudanese director Mohamed Kordofani’s Lupita Nyong’o-EPed drama Goodbye Julia lead the nominations in the eighth edition of the Critics Awards for Arab Films.

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‘Goodbye Julia’ Leads Critics Awards for Arab Films Nominations Ahead of Cannes Ceremony

Nick Vivarelli International Correspondent Sudanese director Mohamed Kordofani’s “Goodbye Julia,” a timely morality tale that takes place just before the 2011 secession of South Sudan, leads the way in nominations for the eighth edition of the Critics Awards for Arab films, winners of which will be announced during the Cannes Film Festival. The first Sudanese film ever to screen in Cannes’ official selection, “Goodbye Julia” is the story of two women — one from the North, the other from the South — who are brought together by fate in a complex relationship that attempts to reconcile differences between northern and southern Sudanese communities in the currently war-ravaged country.

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Antone Saliba Launches Untamed Talent With Abu Bakr Shawky, Bassel Ghandour, Amjad Al Rasheed Among Clients

Leo Barraclough International Features Editor Untamed Talent, a management and production company led by former Mister Smith Entertainment executive Antone Saliba, is launching with the backing of Dubai-based Front Row Productions, a joint venture of leading Middle East distribution companies Front Row Filmed Entertainment and Empire Entertainment. Front Row Productions will provide capital and strategic value to support Untamed Talent’s goals to innovate new business models covering the South West Asia and North Africa region, the fastest-growing entertainment market in the world.

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Dubai Management Co. Untamed Talent Launches With A.B. Shawky & Amjad Al Rasheed Among Directors On Inaugural Client List – Red Sea Film Festival

Former Mister Smith sales executive Antone Saliba has launched management and production company Untamed Talent, with the backing of Dubai-based Front Row Productions.

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Martin Scorsese Delays Marrakech Atlas Workshops Mentorship, Citing Personal Reasons

Ben Croll Martin Scorsese will no longer attend nor participate in the Marrakech Film Festival’s Atlas Workshops, citing personal reasons. The award-winning filmmaker was slated to serve as artistic godfather for Marrakech’s industry arm, which spotlights development titles and works-in-progress from dynamic new talents from across the MENA world.

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‘Inshallah a Boy’ Review: A Gripping Social Drama About Systemic Oppression That Morphs into a Masterful Thriller

Jessica Kiang At the memorial gathering for her husband Adnan, 30-year-old Nawal (a riveting Mouna Hawa) is offered many empty words of support and so-called comfort by friends and family. “When a woman loses her husband, she loses her lover, her partner, everything in her life,” clucks a commiserating neighbor.

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Oscars: Jordan Selects ‘Inshallah A Boy’ For Best International Feature Film

Jordan has submitted Amjad Al-Rasheed’s female inheritance rights drama Inshallah A Boy for Best International Feature Film at the 96th Academy Awards.

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Martin Scorsese To Attend His “Beloved” Marrakech International Film Fest As It Marks 20th Edition

Martin Scorsese has been confirmed as a special guest of the upcoming Marrakech International Film Festival as it gears up for its 20th edition, running from November 24 to December 2.

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Martin Scorsese to Be Patron of the Marrakech Film Festival’s Atlas Workshops to Foster MENA Region Talents

Nick Vivarelli International Correspondent Martin Scorsese is set to be the official patron of the upcoming Marrakech International Film Festival’s Atlas Workshops. The revered filmmaker is a Marrakech festival regular — he notably presided over its jury in 2013 and presented an honorary tribute to Robert De Niro in 2018.

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Greenwich Entertainment Picks Up U.S. To Cannes Critics’ Week Title ‘Inshallah a Boy’

EXCLUSIVE: Greenwich Entertainment has acquired U.S. distribution rights to Inshallah a Boy, the directorial debut of Amjad Al Rasheed which world premiered during the Cannes Film Festival’s Critics’ Week and is set to have its North American debut at TIFF next month.

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‘Inshallah a Boy’ Director Amjad Al Rasheed Braces for Controversy as he Shows Women Who Say No

Marta Balaga In “Inshallah a Boy,” selected for Cannes’ Critics Week, women talk about sex and pregnancy, they also address misogyny and social injustice. But most of all, they say no. “The main idea was to talk about a woman who refuses something that’s considered normal in her society,” points out director Amjad Al Rasheed, celebrating his feature debut. In the Jordan-set film, Nawal (Mouna Hawa), after her husband’s sudden death, finds out that according to local inheritance law, and because she “only” gave birth to a daughter, his family might be entitled to everything she owns, including her home. Out of options, she pretends to be pregnant again.

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Jerzy Skolimowski’s ‘EO’ Wins Arab Critics’ Awards; Marrakech’s Atlas Workshops Announces Prizes; Munich Film Up! Unveils China, Iran & India Participants – Global Briefs

Jerzy Skolimowski’s EO Wins Arab Critics’ Awards For European Films

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Venice’s Final Cut Winner Talks ‘Inshallah a Boy’: ‘We Want to Address the Taboos, But Be Smart About It’

Marta Balaga Amjad Al Rasheed’s feature debut “Inshallah a Boy” – co-produced by Jordan, Egypt, Saudi Arabia and Qatar – was awarded La Biennale di Venezia Prize at Final Cut, an industry program at the Venice Film Festival dedicated to films from African and Arab countries. Shot in February, with mostly Jordanian crew, it was lensed by Kanamé Onoyama. In the story, a mother and a housewife – played by Mouna Hawa, known for “In Between” – has to face the sudden death of her husband. According to the inheritance law, his family is entitled to most of her belongings, including the home she paid for herself – just because she doesn’t have a son. Desperate, she pretends to be pregnant.

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