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12.03.2025 / 09:41

Visions Du Réel: Eliza Hittman, Athiná-Rachél Tsangári & Asif Kapadia Set For Fest — Full Lineup

Switzerland’s Visions du Réel documentary festival will screen 14 films, 13 of which will be world premieres, as part of its official competition strand at this year’s festival, which runs from April 4-13.

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Asif Kapadia, an Oscar Winner With ‘Amy,’ to Open Visions du Réel Industry Program

Leo Barraclough International Features Editor British filmmaker Asif Kapadia, an Oscar winner with “Amy,” will be the opening speaker of the 23rd edition of the industry program of documentary festival Visions du Réel in Nyon, Switzerland. The director, screenwriter and producer will give a masterclass on April 6, officially launching the industry program.

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‘Sonic the Hedgehog 3’ Races to No. 1 at U.K., Ireland Box Office as ‘Mufasa: The Lion King’ Holds Strong

Naman Ramachandran Paramount’s “Sonic the Hedgehog 3” raced to the top of the U.K. and Ireland box office with a £11.7 million ($14.7 million) opening weekend, according to numbers from Comscore. In its second weekend, Disney’s “Mufasa: The Lion King” continued to draw audiences, adding £4.2 million for a cumulative total of £12.6 million.

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Oscar-Winning Director Asif Kapadia “Spent Decade On U.S. Watch List After Taxi Driver Reported Him”

British film director Asif Kapadia was, for a decade, on a “watch list” that saw him stopped and interviewed every time he tried to enter the U.S.

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How did Ayrton Senna die?

Netflix series dramatises the tragic life of Ayrton Senna, but how did the Formula One legend die? Read on for all the details.The biographical drama runs for six episodes and the entire series was released onto the streaming service on Friday (November 29).It sees Brazilian actor Gabriel Leone (Ferrari, Hidden Truths) play his countryman, while Kaya Scodelario portrays Laura, a fictional motorsports journalist who also speaks Portuguese and offers Senna a connection to home. Alice Wegmann, Pamela Tome and Camila Mardita co-star.Directed by Vicente Amorim and Julia Rezende, the show was shot in Brazil, Argentina and Uruguay with an entirely Brazilian crew and charts Senna’s life from the beginning of his racing career in Formula Ford all the way up to the 1994 San Marino Grand Prix.Senna’s family aided with the production of the series, with his sister Vivane Senna saying: “It is very special to be able to announce that we will tell the story that only a few people know about him.

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Neon Sets December Release for Speculative Sci-Fi Doc ‘2073’ – Film News in Brief

Neon has set a Dec. 27 release date and released the trailer for Asif Kapadia’s (“Amy”) “2073,” a speculative sci-fi documentary that serves as a warning for a potentially dismal reality that lurks 49 years in the future. Per an official logline, the film takes place in the year “‘2073,’ and the worst fears of modern life have been realized.

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Neon Sets U.S. Release Date For Asif Kapadia’s Dystopian Doc ‘2073’ – Watch The New Trailer

Neon announced on Monday that 2073, the new genre-bending documentary from Oscar winner Asif Kapadia (Amy), will be released in select U.S. theaters on December 27th. The studio also unveiled a new trailer, which you can view above.

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Oscar-Winner ’20 Days In Mariupol’ Clinches Two Grierson Awards As Filmmakers Voice Palestine Support After Asif Kapadia Uproar

20 Days In Mariupol, the Oscar-winning Frontline/PBS and Associated Press documentary, was one of the big victors at the UK’s prestigious Grierson Awards on Wednesday.

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Asif Kapadia’s Dismissal As Grierson Patron Sparks Boycott Of Prestigious Documentary Awards

EXCLUSIVE: Senior Muslim figures in the British television industry are planning to boycott the Grierson Awards on Wednesday over the treatment of Asif Kapadia, the Oscar-winning director.

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‘Amy’ director Asif Kapadia apologises for “anti-Semitic” social media posts

Amy, has apologised “unequivocally” for a string of social media posts that some have interpreted as anti-Semitic.The Oscar-winning filmmaker, who has also directed the documentary films Senna and Diego Maradona, has been removed as a patron of the Grierson Trust in response to the controversy, a post he was only appointed to on Wednesday (October 9).The Trust is a charity that celebrates documentary and factual filmmaking from Britain and around the world, and said in a statement on Friday (October 11) that they were “not aware of these posts” when he was named as a patron. “We are sorry that our due diligence was not thorough enough,” they added.In a statement to BBC News, Kapadia has said he was “mortified by the hurt and offence” that his posts have caused.“I now understand that they will be seen by many as anti-Semitic, or in the case of one even justifying violence.

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Montclair Film Festival, Backed by Stephen Colbert, Opens With Edward Berger’s ‘Conclave’ (EXCLUSIVE)

Addie Morfoot Contributor Edward Berger‘s “Conclave” will open the 13th edition of the Montclair Film Festival on Oct. 18. The film, which made its world premiere earlier this month at the Telluride Film Festival, follows the unexpected death of the Pope and the efforts to select a new one.

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‘2073’ Review: Dystopia is Inevitable in Asif Kapadia’s Busy but Despondent Docufiction

Jessica Kiang In “Amy,” Asif Kapadia‘s Oscar-winning gut-punch about pop icon Amy Winehouse (and to a lesser extent in biographical docs “Senna” and “Diego Maradona” too), the British director employs an emotional rhythm by which his subject’s tragic end seems foredestined right from the start. Perhaps “2073,” his new hybrid docufiction is a natural expansion of that impulse — a blend of archival footage, CG enhancement and speculative fiction that applies similar retroactive dismay to a cautionary tale about a near-future dystopia, and the current rising tide of everything-is-terrible that may bring it about.

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‘2073’ Review: Director Asif Kapadia’s Dystopian Portrait Of The Future Feels All Too Real – Venice Film Festival

There’s a disturbing plausibility to director Asif Kapadia’s docudrama 2073, which just premiered out of competition at the Venice Film Festival. It’s set 49 years in the future, a time when surveillance drones swarm the skies and shock troops keep the order, truncheons in hand. We’re not in America anymore. Welcome to “New San Francisco – Capital of the Americas.”

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Asif Kapadia on Taking Aim at the Rich and Powerful in Dystopian Docudrama ‘2073’: ‘If I Don’t Work Again, at Least I Made This Movie’

Alex Ritman Asif Kapadia sees a future vision of the world where “chairwoman” Ivanka Trump is celebrating her 30th year as leader of a nightmarish fascist police state that was once America, a land mostly reduced to rubble following an unknown “catastrophe” that occurred in 2036. “It’s kind of a joke, but it’s also not a joke,” says the British filmmaker of mentioning Donald Trump’s daughter in “2073,” his chilling docudrama about the dystopia humanity is potentially hurtling towards and the very real and very contemporary factors concerning politics, the environment, corruption, race and technology that he says are propelling us in that direction.

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Oscar-Winning ‘Last King of Scotland,’ ‘One Day in September’ Director Kevin MacDonald Signs With Cinetic Media (EXCLUSIVE)

Brent Lang Executive Editor Cinetic Media has signed Oscar-winning filmmaker Kevin MacDonald for management. Macdonald won the Academy Award for Best Documentary for “One Day in September,” a look at the 1972 murder of 11 Israeli athletes at the Summer Olympics In Munich.

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Asif Kapadia teases new music doc about “famous” group and compares it to ‘Amy’

Amy Winehouse, Amy – will be pleased to hear he’s returning to the genre soon with a new project.Kapadia is known for his forensic, archive-heavy films about global stars including racing driver Ayrton Senna, Argentinian footballer Diego Maradona and Winehouse, but he has veered away from that approach recently. His latest show about tennis superstar Roger Federer’s final days before retirement uses precious little archive material, and when he has reverted to type it has been for streaming series such as Disney+’s Camden and 1971: The Year That Changed Everything on Apple TV+.

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‘Federer: Twelve Final Days’ Review: A Partial Backstage Pass to the Tennis Great’s Retirement Party

Andrew Barker Senior Features Writer In his classic 1994 essay “How Tracy Austin Broke My Heart,” David Foster Wallace pondered why so many athlete memoirs — and tennis player memoirs in particular — fail to provide sports fans with what they really want to know. What does it feel like to fail in front of millions of people? How does a human being handle such intense pressure? What actually goes through one’s mind in those do-or-die moments where the difference between eternal glory and lifelong disappointment is one tiny miscalculation or half-second’s hesitation? Maybe, Wallace eventually concludes, the answer to that last question is “nothing much at all,” and “the real secret behind top athletes’ genius may be as esoteric and obvious and dull and profound as silence itself.” In his two previous sports documentaries, “Senna” and “Diego Maradona,” filmmaker Asif Kapadia has gone a great distance toward disproving Wallace’s thesis, using ingeniously edited archival footage to probe the psyches of Formula One champion Ayrton Senna and soccer god Maradona in all their noisy complexity.

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Oscar-Winner Asif Kapadia Reveals Filmmaking Tricks He Learned From Making Commercials — Cannes Lions

Oscar-winning filmmaker Asif Kapadia has revealed that he uses the skillset he previously perfected making commercials to get his feature-length projects across the line.

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Roger Federer’s Poignant Farewell To Pro Tennis Documented In ‘Twelve Final Days’ – Tribeca Festival

In men’s tennis, as in other sports, there is constant debate over which player qualifies as the Greatest of All Time. Djokovic with his unprecedented 24 Grand Slam wins? Nadal with his astonishing 14 French Open victories? Federer, the first man to win 20 Grand Slams? Or perhaps a player from an earlier era – Rod Laver – who swept all four Grand Slam titles in a calendar year, not once but twice?

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Asif Kapadia on Co-Directing Roger Federer Documentary ‘Twelve Final Days’: ‘It Felt Different to Anything I’ve Done Before’

Jazz Tangcay Artisans Editor Producer Joe Sabia first encountered tennis legend Roger Federer in 2019 for Vogue’s “73 Questions” series. Sabia enjoyed the interview and kept in touch with his team. Three years later, as Federer looked to retire from the sport as a professional player, Sabia was brought into his offices.

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Information About Asif Kapadia

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