Sundance Film: Last News

Naman Ramachandran Indian filmmaker Shaunak Sen’s “All That Breathes” has won the Cannes Film Festival’s top documentary award, the Golden Eye.The film won the documentary grand jury prize at the Sundance Film Festival earlier this year and was acquired by HBO Documentary Films during Cannes, where it played as a special screening.Set in Indian capital Delhi, where, in an unbreathable atmosphere, the threat of inter-religious massacres floats in the air, the film follows two brothers, Nadeem and Saud, who along with their assistant, dedicate their lives to save the migratory black kites that are destroyed by human madness.The Golden Eye jury, composed of Agnieszka Holland, Iryna Tsilyk, Pierre Deladonchamps, Alex Vicente and Hicham Falah, said: “The Golden Eye goes to a film that, in a world of destruction, reminds us that every life matters, and every small action matters. You can grab your camera, you can save a bird, you can hunt for some moments of stealing beauty, it matters.

Leo Barraclough International Features Editor September Film has acquired all rights for Belgium, the Netherlands and Luxembourg for “In the Land of Brothers,” which has its world premiere at the Sundance Film Festival in the World Cinema Dramatic Competition section. The film is written and directed by Iranian filmmakers Raha Amirfazli and Alireza Ghasemi. Alpha Violet is handling world sales.

Rebecca Rubin Film and Media ReporterSundance Film Festival has revealed a mystery movie on its 2022 lineup.“Navalny,” a fly-on-the-wall documentary about Russian opposition leader Alexei Navalny, has been a late addition to the festival’s agenda. The film will debut on Jan. 25 at 6 p.m.

Owen Gleiberman Chief Film CriticHe’s a cha cha real smooth talker. He’s 22, tall and handsome with a beard, but not a scruffy hipster beard — more like a post-millennial, post-ironic traditional beard, which sets off features that are finely chiseled in a Middle American corporate way. (When he grins, he looks like Donny Osmond.) He’s just out of college but has no idea what he wants to do.

Addie Morfoot ContributorRacism and women’s rights are two timely, urgent issues that numerous directors with films at Sundance tackle via fictional or documentary films.Mariama Diallo’s “Master” and Carey Williams’ “Emergency” are two examples of narrative features heading to the fest that address the issue of race and racism in America. While Diallo’s “Master” portrays racism in an academic setting, Williams’ “Emergency” follows a group of Black and Latino college students who weigh the pros and cons of calling the police when faced with an emergency situation.“As always, our program is a reflection of artists’ response to the times we live in,” says Kim Yutani, Sundance Film Festival’s director of programming.

He was never a household name by any stretch, but 50 years ago there was a lad who was widely dubbed “The Most Beautiful Boy in the World,” which is now the name of a documentary about the now-old boy, Bjorn Andresen. It’s a sad, cautionary tale, after a fashion, as Andresen has spent a lifetime trying to divest himself of that sobriquet–one that is no longer true, of course, but that will rise again thanks to this cautiously insightful look at a singular, and quite melancholy, figure.