Clayton Davis The 2022 Cannes Film Festival is nearing its conclusion, and soon the jury will be selecting awards for this year’s impressive, albeit quieter, slate of films.
After last year’s “Titane” from Julia Ducournau made history as the first female-directed film to fully win the Palme d’Or (Jane Campion’s “The Piano” tied with “Farewell My Concubine” in 1993), at this point in the festival, it doesn’t seem likely that a woman-directed project will walk away with it this year.“Forever Young” by French-Italian director Valeria Bruni Tedeschi seems to be the only film directed by a woman that has so far invoked any passion for bringing it to the finish line.
Claire Denis’ “Stars at Noon,” Kelly Reichardt’s “Showing Up,” Leonor Serraille’s “Mother and Son” and Charlotte Vandermeersch and Felix van Groeningen’s “Eight Mountains” are the other titles directed by women among the 21 contending features.
Only eight filmmakers have won the coveted top festival prize more than once: Alf Sjöberg (1946, 1951), Francis Ford Coppola (1974, 1979), Bille August (1988, 1992), Emir Kusturica (1985, 1995), Shohei Imamura (1983, 1997), Jean-Pierre & Luc Dardenne (1999, 2005), Michael Haneke (2009, 2012) and Ken Loach (2006, 2016).Is it possible for the Dardenne brothers to become the first directors to win three times with their well-received “Tori and Lokita”?
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