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variety.com
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‘Transamazonia’ Review: A Faith Healer Begins to Ask Questions In a Handsome Amazon Mood Piece
Guy Lodge Film Critic There’s a distant, otherworldly aura to Rebecca Byrne, the teenage protagonist of “Transamazonia,” that is quite befitting of someone who literally dropped from the sky. As a small girl, a plane she was on crashed in the remote depths of the Amazon basin, leaving her the only survivor of the tragedy.
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‘Sew Torn’ Review: A Stitch in Time Saves None in This Loopy Crime Comedy
Guy Lodge Film Critic Several alternate realities, none of them remotely acquainted with ours, exist side-by-side in “Sew Torn,” a high-concept crime farce that pits guns against haberdashery, innocence against culpability, and genre grit against fruit-loop fantasy. Even as it nakedly steals its structural conceit from Tom Tykwer’s Nineties trendsetter “Run Lola Run” — a film made before 24-year-old writer-director-editor Freddy Macdonald was born — this is a debut feature strange and singular enough to attract its own keen following, with its blend of folksy small-town hijinks, nasty neo-noir tension and literally crafty comedy, centered around a heroine who calls to mind MacGyver with a pocket sewing kit.
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‘The Sparrow in the Chimney’ Review: A Heady Summer Bonfire of Combustible Family Relations
Guy Lodge Film Critic The opening frame of “The Sparrow in the Chimney” evokes a kind of art-directed ideal of country living: In a spacious, rustically textured farmhouse kitchen, mid-afternoon sunlight pours in through open windows so large they double as French doors, looking out onto rolling, summer-kissed lawns and hazy woods beyond. A regal ginger cat slinks in over the sill, as amplified birdsong and insect chatter also seem to blur the indoor-outdoor boundary.
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variety.com
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‘Widow Clicquot’ Review: Haley Bennett Plays a Champagne Trailblazer In a Biopic More Still Than Sparkling
Guy Lodge Film Critic Amid the glut of corporate biopics we’ve had on our screens of late — “Air,” “BlackBerry,” “Flamin’ Hot” and so on — one for leading French champagne house Veuve Clicquot is more appealing than most. Champagne itself is sexier than a running shoe or a smartphone, for one thing, while the sinuous vineyards of 19th-century Reims are a more seductive setting for a brand-building story than a squat office block in Beaverton.
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variety.com
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‘A Sudden Glimpse to Deeper Things’ Review: A Great British Artist’s Legacy Is Unthawed and Reexamined
Guy Lodge Film Critic Not for the first time in his filmmaking career, Northern Irish documentarian Mark Cousins begins his latest work by presenting the audience with a banal image, and persuasively talking us into a reconsideration. The picture is an unremarkable vacation snapshot of British artist Wilhelmina Barns-Graham in her seventies or eighties, dressed for a day’s sightseeing in a sensible raincoat, not projecting any particular halo of artistic genius.
Guy Lodge Christine Vachon Britain Ireland county Graham film audience art career Waves Glacier Features
variety.com
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‘Three Days of Fish’ Review: A Warm Breeze of Melancholy Runs Through This Dutch Father-Son Portrait
Guy Lodge Film Critic If Alexander Payne’s home discomforts weren’t Nebraskan but instead the soft climate and flat sidewalks of Rotterdam — if his name were Alexander Peijn, perhaps — his films might turn out a little like Peter Hoogendoorn‘s hangdog charmer “Three Days of Fish.” At once universally familiar and so quintessentially Dutch in flavor that it should come with a side of fritessaus, this story of a brief, fraught reunion between a distant father and his unmoored son is an intimate, closely examined character piece rooted in the director’s own family history — much like his debut “Between 10 and 12,” which premiered at Venice in 2014 but never found the international distribution it deserved. Bowing in competition at Karlovy Vary, this decade-later sophomore feature may be modestly built, but has enough emotional heft and wry humor to raise Hoogendoorn’s profile on the arthouse circuit.
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variety.com
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‘The Invasion’ Review: Sergei Loznitsa’s Raw but Restrained Reflection on Life During Wartime
Guy Lodge Film Critic The last time Ukrainian director Sergei Loznitsa made a documentary about contemporary events in his homeland was back in 2014: “Maidan,” a rigorously observational chronicle of the Euromaidan uprising in Kyiv, was both immediate and calmly detached. Eschewing overt narrative shaping or rhetoric for clear-eyed witnessing, it was thoroughly of-the-moment filmmaking that nonetheless felt built to last as a historical document.
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variety.com
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‘Loveable’ Review: A Norwegian Marital Drama That Keeps Our Sympathies in Flux
Guy Lodge Film Critic Wounded by the breakdown of her first marriage, a young mother of two meets a kind, handsome, charismatic new man and — after a protracted but ultimately successful romantic pursuit — learns to believe in love once more. This would be the complete arc of many a crowd-pleasing romcom or relationship drama.
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variety.com
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‘Julie Keeps Quiet’ Review: A Tight, Poised Belgian Debut About the Challenges of Holding It Together
Guy Lodge Film Critic For teenage tennis prodigy Julie, discipline isn’t merely a virtue but a survival strategy. Repressing adolescent urges and emotional swings has long been part of her routine at the high-level youth tennis academy where she’s currently the star student: Years of concentrating all her time and attention on her game — all work and all play, as it were — look likely to reward her with the pro career she dreams of.
Guy Lodge Belgium Courts film students stars composer tennis Strategy
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20 Best Movies New to Streaming in June: ‘Hit Man,’ ‘Origin,’ ‘I Am: Celine Dion’ and More
wrote Variety critic Guy Lodge. Check out this emotionally devastating movie before Mescal further blows up in this fall’s “Gladiator II.” Comedian Tig Notaro directs this coming-out story starring Dakota Johnson as Lucy, a woman who realizes she’s a lesbian after all her dates with men fail miserably. “Emotionally, she’s as awkward as a freshman with her first pimple.
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variety.com
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‘Elementary’ Review: French Docmaker Claire Simon Returns to the Schoolroom With Endearing Results
Guy Lodge Film Critic Like her fellow documentarian Frederick Wiseman, Claire Simon is drawn to institutions, and the human flow that keeps them running. Where many of Wiseman’s films favor a big picture, a systemic view, Simon often works in more intimate close-up, picking out faces and personalities from a larger institutional community.
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variety.com
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‘To Live, to Die, to Live Again’ Review: Gaël Morel’s ’90s-Set AIDS Drama Seems a Throwback Before Pointing to a Brighter Future
Guy Lodge Film Critic Nobody really makes AIDS dramas anymore, which seems as good a reason as any to make one now. The disease that, forty-odd years ago, decimated a generation of queer people and prompted a prejudice-driven global panic hasn’t gone away — least of all in various developing countries, where it isn’t popularly defined by gender or sexuality, and death rates are still high.
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variety.com
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‘Filmlovers!’ Review: Arnaud Desplechin Gets Back on Track With a Breezy but Thoughtful Ode to Cinephilia
Guy Lodge Film Critic No major film festival is complete without at least one Love Letter To Cinema™ from a filmmaker of some renown, to advocate the joys of the medium to an audience that doesn’t have to be told twice. French writer-director and Cannes regular Arnaud Desplechin brings that to the Croisette this year with “Filmlovers!,” a duly warm and nostalgia-washed cine-valentine, but one with a little more to say than just, “Movies, amirite?” Indeed, the film’s somewhat inelegant English-language title risks concealing the more specific focus of this unassuming but winning hybrid documentary: The French title, “Spectateurs!,” makes clear this is first and foremost a celebration of spectatorship rather than filmmaking, probing the dynamics of cinema audiences and their relationship to the screen.
Guy Lodge Arnaud Desplechin France film relationships audience track Interviews Love Features
variety.com
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‘Beating Hearts’ Review: Gilles Lellouche’s Swollen, Lovestruck Gangster Melodrama Isn’t Afraid to Be Uncool
Guy Lodge Film Critic Love, as everyone has long agreed, makes you do crazy things. Silly things, too, and vastly indulgent things, and occasionally even beautiful ones.
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‘Motel Destino’ Review: Karim Aïnouz’s Horned-Up Neon-Noir Keeps Its Cool While Getting Hot and Heavy
Guy Lodge Film Critic Welcome to the Motel Destino, which may be some distance from the Hotel California, but is very much programmed to receive — or give, if that’s your preference. With mirrors on the ceiling but definitely no pink champagne on ice, the run-down roadside sex den that houses most of Karim Aïnouz’s Olympically horny new film isn’t so much a palace of pleasure as a this-will-do hideaway for the illicitly amorous couples (or throuples, or more, no judgment here) checking into any of its hastily wiped-down rooms.
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variety.com
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‘The Balconettes’ Review: Noémie Merlant’s Sweaty Midsummer #MeToo Ghost Story
Guy Lodge Film Critic For crisp tension or thematic clarity, nothing in “The Balconettes” quite outdoes the nearly self-contained, minutes-long short that opens actor-director Noémie Merlant‘s frenzied, heatstruck genre mashup. On a 115-degree summer afternoon in a wilting, AC-challenged Marseilles apartment block, a put-upon middle-aged wife passes out on her balcony.
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variety.com
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‘Rumours’ Review: Cate Blanchett Gets Lost in Heavy Fog and Hot Air in a Laugh-Out-Loud Political Satire
Guy Lodge Film Critic Depending on who you talk to, the world is either in crisis, on fire, at war and/or simply lurching toward a frankly deserved final judgment. So what can be done to save it? Why, a carefully worded provisional statement, of course, from the global leaders currently in possession of both the gas canister and the lit match, but not a surfeit of great ideas for the future.
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variety.com
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Mubi Acquires Magnus von Horn’s Chilling Cannes Competition Entry ‘The Girl With the Needle’ (EXCLUSIVE)
Mubi has swooped on its third 2024 Cannes competition title, Variety has learned. Having acquired worldwide rights to Coralie Fargeat’s buzzy body horror “The Substance” and U.K.
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variety.com
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‘Everybody Loves Touda’ Review: Nabil Ayouch’s Feminist Musical Drama Only Really Sings When Its Leading Lady Does
Guy Lodge Film Critic The very title of “Everybody Loves Touda” poses a kind of challenge to viewers. If everybody loves Touda, dare you not? Moroccan director Nabil Ayouch‘s forthright musical drama certainly doesn’t permit much room for dissent.
Guy Lodge Nabil Ayouch Maryam Touzani Morocco film performer stage stars Love Music Dreams
variety.com
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‘Three Kilometers to the End of the World’ Review: A Portrait of a Small Romanian Village, Made Smaller Still by Prejudice
Guy Lodge Film Critic A hot, strong summer wind is the overriding soundtrack to “Three Kilometers to the End of the World” — the kind of dry, whirring weather that swallows conversations held even a short distance away, and carries stray, light objects far from where they meant to land. For 17-year-old Adi, however, it’s not loud enough to keep his secrets safe, nor heavy enough to lift and float him away from the home in which he feels increasingly imprisoned.
Guy Lodge Justice Cristian Mungiu Emanuel Pârvu Bogdan George Apetri Romania film actor community Gay Features freedom
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‘On Becoming a Guinea Fowl’ Review: Trauma Takes on Grieving in Rungano Nyoni’s Darkly Transfixing Second Feature
Guy Lodge Film Critic It is polite, we are told, not to speak ill of the dead, though it’s just as often prudent not to speak ill of the living. For victims with grievances against those older and more powerful than them, it’s hard to know when to speak up at all.
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