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EXCLUSIVE: Bankside Films has boarded international sales for Steve Buscemi-directed Venice Film Festival drama The Listener, starring Tessa Thompson (Creed).

Clayton Davis In a world where politicians use mental health as mere talking points when discussing gun violence and suicide rates, Steve Buscemi’s “The Listener” addresses the crisis head-on. Written by Alessandro Camon, the Oscar-nominated scribe of “The Messenger” (2009), the film follows a helpline volunteer named Beth, played by Tessa Thompson, who is an integral part of the small army of counselors who field calls from all kinds of people who feel lonely and broken. The film unspools at the Venice Festival’s Giornate degli Autori and is the closing film of Venice Days on Sept. 9. Buscemi can sympathize with anyone who feels lost and broken, especially as he is still reeling from losing his wife Jo Andres in January 2019; they had been married for over 30 years. While in pre-production, the director and producer called a helpline number. “At first, it was in the name of research,” Buscemi told Variety. “I had these dreams in the night involving my late wife, and it was reason enough for me to call. I had an amazing 15-minute talk with this person. I’ll never know who she was, and I never told her who I was. I just talked about Jo, and it was important.”

Right at the beginning of The March On Rome, a special screening in the Venice Days section of the Venice Film Festival, Mark Cousins draws our collective gaze to a piece of graffiti saying that cinema is most powerful weapon of all. It isn’t clear — to me, anyway — whether that joyful proclamation dates back to 1922, when Benito Mussolini led a Fascist march from Naples to Rome, or to some other eruption of historical optimism. Cinema isn’t as powerful as all that — if it were, Fascism would have been clobbered to a pulp by Chaplin, Lubitsch and all the other filmmakers who lampooned its vainglorious leaders. But images do matter. They certainly mattered to Italian Fascism.

Leo Barraclough International Features Editor In “The March on Rome,” which world premieres in the Venice Days sidebar of Venice Film Festival Wednesday, Northern Irish-Scottish filmmaker Mark Cousins tracks the ascent of fascism in Italy in the 1920s, and its fall-out across 1930s Europe. He also draws a dotted line from those events to the storming of the Capitol in Washington, D.C., in January 2021. The documentary, illustrated with archive footage and Cousins’ characteristic cinematic analysis, starts with Donald Trump defending his decision to retweet a quote from Italian dictator Benito Mussolini: “It is better to live one day as a lion than 100 years as a sheep.” Later in the film, Cousins inserts footage of Trump supporters attacking the Capitol, hoping to overturn Joe Biden’s electoral victory.

Will Tizard Contributor Spontaneous flames, dysfunctional warning alerts and a sense of impending catastrophe feature in Hungarian-Romanian director Cristina Grosan’s sophomore feature “Ordinary Failures,” premiering in Venice Days, a sidebar to the Venice Film Festival. Variety is launching the trailer for the film (below), which is being sold by Totem Films. The Czech-Hungarian-Italian-Slovak co-production, filmed entirely in the Czech Republic, mainly in Prague but also featuring Pilsen, is based on a screenplay by Klára Vlasáková, which Grosan says evolved for three years and continued morphing right up through the shoot. The ominous tale revolves around the lives of three strangers: a teenager, a young mother, and a woman in her early sixties, who cross paths during one day in which their city is rocked by mysterious explosions.

Leo Barraclough International Features Editor MPM Premium has picked up Cláudia Varejão’s queer coming-of-age drama “Wolf and Dog” (Lobo e cão), which has its world premiere in Venice Days, a sidebar to the Venice Film Festival. Variety has been given exclusive access to the trailer. The film centers on Ana, who was born in São Miguel, an island in the middle of the Atlantic Ocean, ruled by religion and traditions. She is the middle child of a family of three, growing up with her mother and grandmother. As she grew up, Ana realized that girls and boys were given different tasks. Through her friendship with Luis, her queer best friend who loves dresses as much as pants, Ana questions the world that is promised to her. When her friend Cloé arrives from Canada, Ana embarks on a journey that will take her beyond her limited horizons.

Nick Vivarelli International CorrespondentAbel Ferrara’s “Padre Pio,” starring Shia LaBeouf as an Italian monk who gained rock-star status among the Catholic faithful, is among the titles set to launch from the Venice Film Festival’s independently run Giornate Degli Autori.The section, also known as Venice Days, will see LaBeouf back on the big screen after the actor — best known for his roles in the Transformers and Indiana Jones franchises — took a break from acting in 2020 following allegations made by his ex-girlfriend Tahliah Debrett Barnett. The singer, known as FKA twigs, sued the actor for sexual battery, assault and emotional distress.It is not yet known whether LaBeouf will be on the Lido to promote “Padre Pio.” In the latest film by Ferrara, who is known for cult classics such as “Bad Lieutenant,” LaBeouf puts in what Giornate chief Gaia Furrer called an “extraordinary” performance as the “mystic and feverish” Capuchin monk born in the late 19th century in a small Southern Italian town.

Christopher Vourlias Bogdan George Apetri’s “Miracle” took home the top prize in the Romanian Days competition at the Transilvania Intl. Film Festival, which saw nine first-time directors among the 12 filmmakers competing in the annual showcase of domestic cinema.It’s the first time such a formidable number of debuts have featured in the competition, offering a snapshot of what the fest’s artistic director Mihai Chirilov describes as a “balanced landscape” of new and established voices in Romania’s celebrated film industry.It’s been nearly two decades since Cristi Puiu’s “The Death of Mr.

UK LGBTQ+-focused distributor Peccadillo Pictures has claimed that Amazon Prime Video UK is refusing to make Canadian artist and filmmaker Bruce LaBruce’s provocative dark comedy Saint-Narcisse available on its online store.

Nick Vivarelli International CorrespondentSpecialty U.S. distributors Uncork’d Entertainment and Dark Star Pictures have acquired Italian director Pasquale Marrazzo’s LGBTQ drama “The Neighbor” for release in North America from Rome-based Coccinelle Film Sales.“The Neighbor” (which is titled “Hotel Milano” in Italy) is about two young men who are in love but get bullied by a gang of neo-Nazi skinheads that makes their life impossible as hatred and intolerance seeps into the rapport between their respective families.It’s the fifth feature written and directed by Marrazzo whose debut “South of the Sun” launched from Toronto’s Discovery section in 2001.

Nick Vivarelli International CorrespondentAlmost two weeks into Russia’s invasion of Ukraine, Europe’s film industry continues to parse the complexities of a boycott on Russian cinema in order to express solidarity with the Ukrainian film community.While some film festivals, such as Stockholm and Glasgow, haven’t hesitated in boycotting Russian state-funded films outright, others like Cannes and Venice are taking a more nuanced approach, banning official delegations, but not necessarily Russian films and directors.The war’s more immediate effect, however, is that Ukrainian cinema is set to gain an increased visibility in the festival arena and beyond.On Monday evening, Rome’s Cinema Troisi hosted a free screening in collaboration with the Venice Film Festival of Ukrainian director Valentyn Vasynovych’s “Reflection” (pictured), set during the war in Donbass, in eastern Ukraine, in 2014. The film, which premiered in competition on the Lido last September, “asks, with brutal austerity, what happens to the soul of a man — and a nation — at war,” as critic Jessica Kiang put it in her Variety review.The Rome event, introduced by Venice Biennale president Roberto Cicutto, is being followed by other screenings of “Reflection,” organized by the fest in Italy.

Leo Barraclough International Features EditorThe trailer for Gu∂mundur Arnar Gu∂mundsson’s teen drama “Beautiful Beings” has debuted ahead of the film’s world premiere at the Berlin Film Festival on Friday. The film, which plays in Panorama, is being sold by Jan Naszewski’s New Europe Film Sales.

Naman Ramachandran “Drive My Car” filmmaker Hamaguchi Ryusuke, director Karim Ainouz (Berlin-winner “Central Airport THF”) and actor Connie Nielsen (“Wonder Woman”) will join president M. Night Shyamalan on the international jury of the Berlin Film Festival.

Benedetta star Virginie Efira plays a woman leading a double life in drama Madeleine Collins which premiered in the Venice Days section of the Venice Film Festival today. Also doubling up in Venice by serving on the competition jury, Efira puts in a terrific performance in Antoine Barraud’s taut relationship pic that veers into thriller territory.

Nick Vivarelli International CorrespondentTunisian director Kaouther Ben Hania’s “I and the Stupid Boy,” the new title in the Prada-commissioned Miu Miu Women’s Tales short film series directed by women, was unveiled Sept. 4 at the Venice Film Festival’s independently run Venice Days section.The short by Ben Hania, who directed the Oscar-nominated “The Man Who Sold His Skin,” is a tale of male-female power, sexuality and shame — with a biting, feminist twist.  In “I and the Stupid Boy,” the protagonist, Nora, is a striking young woman, newly in love.

Christopher Vourlias Philipp Yuryev’s “The Whaler Boy,” which took home the Venice Days award at last year’s Venice Film Festival, won the top prize at the Transilvania Film Festival on Saturday.The jury praised the Russian director’s feature debut, an offbeat story of a teenage whale hunter on the Bering Strait who sets out to meet a webcam model, for being “beautiful and meticulous in its sense of time and place” while also being “really resonant and contemporary at the same time as being classic.”Yuryev, who had not attended the festival, was hastily flown to Cluj from Moscow on Saturday morning, telling the audience: “It is really something surprising to be here, and to have a chance to visit this place and to see you all.” He

EXCLUSIVE: Greenwich Entertainment has picked up U.S. rights to Lili Horvát’s Preparations To Be Together For An Unknown Period Of Time, which is this year’s Oscar submission for Hungary.

Guy Lodge Film CriticBefore this year’s Venice Film Festival comes to a close with Saturday’s announcement of the official selection awards, the fest’s autonomous sections got the ball rolling Friday with their own prizes.Coming out on top in the Venice Days program was Russian director Philipp Yuryev’s debut feature “The Whaler Boy,” an offbeat story of a teenage whale hunter on the Bering Strait, who sets out to meet the webcam model with whom he’s become obsessed.The film received the Director’s Award — which carries a cash prize of €20,000 ($23,668) for Yuryev and Paris-based sales agent Loco Films — from a jury headed by Nadav Lapid, the Israeli auteur who won last year’s Berlinale Golden Bear for “Synonyms.” Unusually, the jury’s

Maya Hawke has some fun in the sun after a day of press in Venice, Italy on Sunday (September 6)