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‘The Listener’ Director Steve Buscemi on How Calling a Helpline to Talk About His Late Wife Inspired His New Drama
Clayton Davis In a world where politicians use mental health as mere talking points when discussing gun violence and suicide rates, Steve Buscemi’s “The Listener” addresses the crisis head-on. Written by Alessandro Camon, the Oscar-nominated scribe of “The Messenger” (2009), the film follows a helpline volunteer named Beth, played by Tessa Thompson, who is an integral part of the small army of counselors who field calls from all kinds of people who feel lonely and broken. The film unspools at the Venice Festival’s Giornate degli Autori and is the closing film of Venice Days on Sept. 9. Buscemi can sympathize with anyone who feels lost and broken, especially as he is still reeling from losing his wife Jo Andres in January 2019; they had been married for over 30 years. While in pre-production, the director and producer called a helpline number. “At first, it was in the name of research,” Buscemi told Variety. “I had these dreams in the night involving my late wife, and it was reason enough for me to call. I had an amazing 15-minute talk with this person. I’ll never know who she was, and I never told her who I was. I just talked about Jo, and it was important.”
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European Festivals Respond to Russian Invasion by Promoting Ukrainian Films
Nick Vivarelli International CorrespondentAlmost two weeks into Russia’s invasion of Ukraine, Europe’s film industry continues to parse the complexities of a boycott on Russian cinema in order to express solidarity with the Ukrainian film community.While some film festivals, such as Stockholm and Glasgow, haven’t hesitated in boycotting Russian state-funded films outright, others like Cannes and Venice are taking a more nuanced approach, banning official delegations, but not necessarily Russian films and directors.The war’s more immediate effect, however, is that Ukrainian cinema is set to gain an increased visibility in the festival arena and beyond.On Monday evening, Rome’s Cinema Troisi hosted a free screening in collaboration with the Venice Film Festival of Ukrainian director Valentyn Vasynovych’s “Reflection” (pictured), set during the war in Donbass, in eastern Ukraine, in 2014. The film, which premiered in competition on the Lido last September, “asks, with brutal austerity, what happens to the soul of a man — and a nation — at war,” as critic Jessica Kiang put it in her Variety review.The Rome event, introduced by Venice Biennale president Roberto Cicutto, is being followed by other screenings of “Reflection,” organized by the fest in Italy.

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