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08.02.2023 / 19:17

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Mark Cousins’ Alfred Hitchcock Documentary Gets North American Deal

EXCLUSIVE: Cohen Media Group has acquired all North American distribution rights to filmmaker Mark Cousins’ Alfred Hitchcock doc My Name Is Alfred Hitchcock.

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Edinburgh Film Festival: New Campaign Launched To Save Long-Running Festival & Filmhouse Cinemas

Images from classic and contemporary films were beamed onto some of Edinburgh’s most famous locations Monday evening as part of a growing campaign to save the city’s Filmhouse cinema and the Edinburgh International Film Festival, the world’s longest continuously running film festival.

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Telluride Review: Mark Cousins’ Documentary ‘My Name Is Alfred Hitchcock’

By this time, don’t we know just about everything there is to know about Alfred Hitchcock? Few, if any, other filmmakers have had their lives and careers examined, explored and analyzed as much as has the vaunted master of suspense. So unless incontrovertible evidence were to be suddenly found that the director secretly fathered a dozen illegitimate children by as many women and personally supplied Churchill with an untraceable poison powder to drop into Stalin’s tea in Yalta, only to see the prime minister chicken out, it’s quite unlikely that much new will ever be added to his life story that we don’t already know.

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Telluride Film Festival Set With World Premieres Of Sam Mendes’ ‘Empire Of Light’, Sarah Polley’s ‘Women Talking’, Cate Blanchett Tribute And More

The 49th Telluride Film Festival opens Friday in a much-awaited edition that is set to feature world premieres of Searchlight’s Oscar hopeful Empire of Light from director Sam Mendes, starring Olivia Coleman and Colin Firth; Women Talking from director Sarah Polley, starring Rooney Mara and Frances McDormand in the ensemble; Sebastian Lelio’s The Wonder, starring Florence Pugh; and Sony/Netflix’s sizzling new version of D.H. Lawrence’s Lady Chatterley’s Lover with Emma Corrin and Jack O’Connell; among other films.

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How to Join the Dots Between Mussolini and the U.S. Capitol Riot in Venice’s ‘The March on Rome’

Leo Barraclough International Features Editor In “The March on Rome,” which world premieres in the Venice Days sidebar of Venice Film Festival Wednesday, Northern Irish-Scottish filmmaker Mark Cousins tracks the ascent of fascism in Italy in the 1920s, and its fall-out across 1930s Europe. He also draws a dotted line from those events to the storming of the Capitol in Washington, D.C., in January 2021. The documentary, illustrated with archive footage and Cousins’ characteristic cinematic analysis, starts with Donald Trump defending his decision to retweet a quote from Italian dictator Benito Mussolini: “It is better to live one day as a lion than 100 years as a sheep.” Later in the film, Cousins inserts footage of Trump supporters attacking the Capitol, hoping to overturn Joe Biden’s electoral victory.

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“September 6 was an echo of Mussolini,” Mark Cousins Talks Fascism Documentary ‘March On Rome’ – Venice Q&A + First Clip

Fascism – its roots, legacy and contemporary manifestations – is a leitmotif running throughout the 79th Venice Film Festival as Italy marks the centenary of Italian dictator Benito Mussolini’s fateful power grab in 1922, in an era when totalitarian leaders are once again on the rise.

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Abel Ferrara, Shia LaBeouf And Steve Buscemi Head To Venice Sidebar Giornate Degli Autori; San Sebastian Unveils Contenders For New Directors Award – Global Briefs

Abel Ferrara, Shia LaBeouf And Steve Buscemi Head To Venice Sidebar Giornate Degli Autori

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Mark Cousins Explores Roots of Fascist Propaganda in ‘March on Rome’ Documentary (EXCLUSIVE)

Nick Vivarelli International CorrespondentAward winning film director and historian Mark Cousins (“The Story of Film: A New Generation”) is at Rome’s Cinecittà Studios making a doc titled “March on Rome” that will explore the roots of fascism by analyzing films, photographs, and other documents found in Italian archives.The high-profile documentary — pegged to the centennial of the infamous late October 1922 insurrection by which Benito Mussolini came to power in Italy — will take its cue from the Fascist propaganda film “A Noi” by director Umberto Paradisi, produced in 1923 as an official Fascist party document celebrating the March on Rome.Italian writer and director Tony Saccucci (“The Duce’s Boxer”), who originated the project and did meticulous research for it, serves as a co-writer with Cousins. Saccuci cross-checked Paradisi’s film with other sources of the time to reveal details of the pic that provide a completely new take on the history of those dramatic days, according to the synopsis.