fascism: Last News

vocal supporter of 2024 Democratic presidential candidate Kamala Harris, blasted American politics while attending the Torino Film Festival in Italy.During a panel discussion, Stone, 66, was asked her thoughts on the International Day for the Elimination of Violence against Women, which the award-winning actress said was “a big” question to think about.“We have to stop and think about who we choose for government,” Stone said in a thinly veiled swipe at President-elect Trump. “And if, in fact, we are actually choosing our government or if the government is choosing itself.“You know, Italy has seen fascism. Italy has seen these things, you guys.

Rafa Sales Ross Guest Contributor The line sprawling along the corridors and staircases of De Doelen, the heart of the International Film Festival Rotterdam, alerted passersby that there was a star in town. The actor in question? German thesp Sandra Hüller, at the festival to support Jonathan Glazer’s “The Zone of Interest” and to give an in-depth talk about her career and latest projects. Hüller, who landed her first Oscar nomination for best actress last week for Justine Triet’s “Anatomy of a Fall,” said she is “definitely not” used to the growing attention.

Chris Willman Senior Music Writer and Chief Music Critic Jazz and animation make for strong bedfellows in “They Shot the Piano Player,” a film from Spanish directors Fernando Treuba and Javier Mariscal that represents an intriguing hybrid in all sorts of ways. It’s a love letter to the bossa nova movement that peaked in the 1960s, while at the same time it’s a sobering procedural that looks into the state murder of a musician that occurred as fascistic regimes rose to power in Latin America in the ’70s.

Nick Vivarelli International Correspondent Chilean auteur Pablo Larraín is back in Venice – following “Spencer” in 2021 – with scathing satire “El Conde,” in which Chilean dictator Augusto Pinochet, a symbol of global fascism, resurfaces as a 250-year old vampire living in a rundown rural mansion after faking his death. The allegorical film, beautifully shot in black-and-white by ace cinematographer Ed Lachman, stars revered 87-year-old Chilean actor Jaime Vadell in the role of Pinochet, who in reality died at the age of 91 in 2006, unpunished and rich. During Pinochet’s 17-year regime, which began with a bloody military coup in 1973, more than 3,000 people died or disappeared due to political violence in Chile, which had previously experienced a long history of democracy.

Karen Idelson The subtleties of war. The struggle with loss and grief. The search for a home and belonging. The terror of puberty. The realization of mortality. This year’s Oscar nominees in the animated feature category never shied away from the big issues. Underneath the bold exteriors of their artistic and technological achievements, each one embraced difficult, rich themes. “I think there’s a way that young and old can both feel the emotion and the meaning of the story,” says “Puss in Boots: The Last Wish” helmer Joel Crawford. “Puss’ story is something we can all relate to in a way. He’s this fearless hero who has this moment where when he comes across the wall, feels fear for the first time because he knows he’s run out of lives and that he’s mortal — like all of us — for the first time. That moment is an impression of fear that I think everybody can feel. But then we are also able to tap into to some brighter kind of themes as well like hope through this impressionistic style we used in the animation. 

When Guillermo del Toro takes his shot at an animation classic, he doesn’t mess around. He and co-director Mark Gustafson took the Carlo Collodi creation Pinocchio but made a version unrecognizable compared to the 1940 Disney classic. In the stop-motion animated film, Geppetto, the wood-carved boy and the cricket are there, but in a musical adventure that takes the tale in a direction all its own.

Nick Vivarelli International Correspondent On a cobblestone-paved square in the ancient town of Tivoli, north-east of Rome, in late September, a large crew is prepping to shoot a key scene in Italian period drama “La Storia,” which will be pubcaster RAI’s biggest event show next year. Based on a bestselling novel by the late great Elsa Morante – whom “My Brilliant Friend” author Elena Ferrante often cites as her primary literary reference – “La Storia” is set during the final years of World War II and its immediate aftermath in Italy. The eight-episode series, being unveiled by Beta Film to buyers at Rome’s MIA content market, stars Italian A-list actor Jasmine Trinca – who earlier this year was a member of the Cannes jury – as Ida, a single mother of two sons, who hides her Jewish heritage and fights against poverty and persecution.

Alan Moore has argued that the dominance of superhero films has caused a rise in fascism.The legendary writer, who is well-known for works such as Watchmen, V For Vendetta and Batman: The Killing Joke, reflected on the dominance of the likes of Marvel and DC in the cinema world, suggesting that “simpler realities” could be dangerous.“I said round about 2011 that I thought that it had serious and worrying implications for the future if millions of adults were queueing up to see Batmanmovies,” he told The Guardian.“Because that kind of infantilisation – that urge towards simpler times, simpler realities – that can very often be a precursor to fascism,” Moore added, noting how “when we ourselves took a bit of a strange detour in our politics” when Donald Trump was elected, superhero films were very dominant.The writer continued: “Hundreds of thousands of adults [are] lining up to see characters and situations that had been created to entertain the 12-year-old boys – and it was always boys – of 50 years ago. I didn’t really think that superheroes were adult fare.“I think that this was a misunderstanding born of what happened in the 1980s – to which I must put my hand up to a considerable share of the blame, though it was not intentional – when things like Watchmen were first appearing.

One of the world’s most admired comic creators has expressed his concern at the crowds queueing up to watch superhero movies in recent years, saying such urges can be “a precursor to fascism,” and pointing out the correlation with Donald Trump’s election.

Fascism – its roots, legacy and contemporary manifestations – is a leitmotif running throughout the 79th Venice Film Festival as Italy marks the centenary of Italian dictator Benito Mussolini’s fateful power grab in 1922, in an era when totalitarian leaders are once again on the rise.

Susan Sarandon apologized Friday for sharing a meme likening the funeral turnout for a slain NYPD detective to "fascism," calling it "deeply disrespectful" and "insensitive." "I deeply regret the meme I recently shared on Twitter that included Officer Jason Rivera's funeral," the 75-year-old actress wrote in her statement.  "I reacted quickly to the picture without connecting it to a police funeral and I realize now how insensitive and deeply disrespectful it was to make that point at that time. I sincerely apologize to the family of Officer's Rivera and Mora for causing additional pain during their time of grieving.

Susan Sarandon seemingly shared a message to Twitter comparing cops gathered to pay their respects to fallen NYPD officer Jason Rivera to fascists on Wednesday.  The image Sarandon posted featured a tweet written by podcaster Danny Haiphong.  The original tweet showed a photo of police officers lining the New York City streets and read, "I’m gonna tell my kids this is what fascism looks like." Sarandon's photo added the words, "So, if all these cops weren’t needed for CRIME that day, doesn’t that mean they aren’t needed ANY day?" It is unclear if the photo was made by Sarandon or a re-shared post. A representative for the actress did not immediately respond to Fox News Digital's request for further comment. Rivera and Wilbert Mora, 27, were shot on the evening of Jan.

Growing up in Miami, Mariah Wilson always knew her family had a rich history of standing up for what they believed in.