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Joel Crawford: Last News

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variety.com
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Oscar-Nominated Animated Films ‘Turning Red,‘ ’Sea Beast,‘ ’Wendell and Wild’ Tackle Themes of Mortality, Fascism and Intolerance
Karen Idelson The subtleties of war. The struggle with loss and grief. The search for a home and belonging. The terror of puberty. The realization of mortality. This year’s Oscar nominees in the animated feature category never shied away from the big issues. Underneath the bold exteriors of their artistic and technological achievements, each one embraced difficult, rich themes. “I think there’s a way that young and old can both feel the emotion and the meaning of the story,” says “Puss in Boots: The Last Wish” helmer Joel Crawford. “Puss’ story is something we can all relate to in a way. He’s this fearless hero who has this moment where when he comes across the wall, feels fear for the first time because he knows he’s run out of lives and that he’s mortal — like all of us — for the first time. That moment is an impression of fear that I think everybody can feel. But then we are also able to tap into to some brighter kind of themes as well like hope through this impressionistic style we used in the animation. 
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deadline.com
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‘Puss In Boots: The Last Wish’ Claws Way To No. 8 In Deadline’s 2022 Most Valuable Blockbuster Tournament
Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream monies they can bring. Not to mention their power in launching IPs around the world with big global marketing campaigns. When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses, and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end of the equation, Deadline is repeating our Most Valuable Blockbuster tournament for 2022, using data culled by seasoned and trusted sources.
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deadline.com
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‘Puss In Boots: The Last Wish’ Sets Peacock Premiere Date
Puss in Boots: The Last Wish will soon head to Peacock after a staggeringly successful run both in theaters and on PVOD. The film bows on the streaming platform on March 10, there joining a series of Puss In Boots shorts, as well as other films in the Shrek franchise, and such additional DreamWorks favorites as The Croods and Trolls World Tour.
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variety.com
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‘Puss in Boots: The Last Wish’ Director Joel Crawford on Why Panic Attack Scene Was an Important Moment for Both Kids and Parents
Karen Idelson When director Joel Crawford considered including a realistic panic attack in “Puss in Boots: The Last Wish,” he knew it would be an important moment for kids and adults alike. “We know so many people who struggle with anxiety or we struggle with it and have panic attacks ourselves,” Crawford says. “Children can handle these scenes, maybe sometimes better than adults, and it can help everyone to feel seen if we create a scene that feels like it’s drawn from something that really happens.” In the scene, Puss is overwhelmed by fear as he considers that he’s used up eight of his nine lives. Though the character’s signature state of mind is that of a daring, playful and extroverted cat, this new film takes him in a more vulnerable direction.
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variety.com
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How Evolving Technology Helped ‘Puss in Boots’ Animators Update Sequel
For helmer Joel Crawford, the story told in “Puss in Boots: The Last Wish” needed something new and distinct from what had been done in DreamWorks Animation’s “Puss in Boots” film, released in 2011. It had been more than a decade since the first film delighted audiences with the story of a cat who was often too big for his boots. Puss, who was walking onto the screen this time would be humbled, even frightened, by coming down to the last of his precious nine lives. ¶ Crawford and his team decided to lean into the amount of time that had passed between the two films. They embraced the opportunity to create a fresh take on the animation in the second film and let themselves be inspired by favorite films and treasured fairy tales.
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theplaylist.net
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Joel Crawford On More ‘Puss In Boots’ Adventures After ‘Last Wish’ Claws Its Way To The Top
At the publication of this interview, director Joel Crawford is likely on his way across the Atlantic to attend the 2023 BAFTA Awards. Crawford, a 17-year DreamWorks Animation veteran, is up for Best Animated Film for “Puss in Boots: The Last Wish.” A word of mouth wonder that surprised many not only critically, but at the box office.
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deadline.com
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‘Puss In Boots: The Last Wish’ Purrs Past $400M At Global Box Office
Universal/DreamWorks Animation’s Puss in Boots: The Last Wish had a happy Valentine’s Day, swashbuckling to a new global milestone. The spinoff sequel crossed $400M with Tuesday’s numbers bringing the worldwide kitty to $401.5M. The split is $160.1M domestic and $241.4M at the international box office. 
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deadline.com
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Cat’s Meow: ‘Puss In Boots: The Last Wish’ Crossing $300M Global Today
Universal/DreamWorks Animation’s Puss In Boots: The Last Wish is a bonafide puss in loot, as it will cross the $300M mark globally with today’s grosses included. 
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deadline.com
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‘Avatar: The Way Of Water’ Has Best Wednesday Of 2022 With $20.4M – Domestic Box Office
After earning the highest grossing Tuesday of 2022 with $24.1M, 20th Century Studios/Disney/Lightstorm’s Avatar: The Way of Water also notched the best Wednesday of the year yesterday with $20.4M beating Top Gun: Maverick‘s June 1 take of $14.8M, and Avatar 2‘s first Wednesday of $14.4M. At a running total of $337.9M through 13 days, the James Cameron directed, Jon Landau produced sequel is pacing 1% ahead of Top Gun: Maverick at the same point in time.
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deadline.com
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‘Puss In Boots: The Last Wish’ Director Joel Crawford On Going “To A Darker Place” Than The Previous Films “In Order To Feel The Bright”
Coming into a franchise as storied as the Shrek series, director Joel Crawford was thrilled at the opportunity to show a new side of the iconic Puss in Boots. A sequel to the 2011 Puss in Boots film, DreamWorks Animation’s Puss in Boots: The Last Wish takes place after Shrek Forever After, when Puss in Boots (Antonio Banderas) is accidentally killed by a bell and discovers he is down to his ninth, and final, life. After a brush with a mysterious wolf who is determined to take his last life, Puss decides to live the rest of his life in hiding. However, he soon learns about a wishing star that could help them get his lives back. Crawford wanted to take the story of Puss in Boots into a darker direction than the other films in the Shrek franchise, using inspiration from Grimm’s Fairy Tales.
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deadline.com
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‘Puss In Boots: The Last Wish’ Secures December China Release
Universal/DreamWorks Animation’s Puss In Boots: The Last Wish has secured a China release date on December 23, two days after its North American bow. Apart from Avatar: The Way of Water, this currently appears to be the only other Hollywood title dated through the end of the year in the PRC.
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deadline.com
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DreamWorks Animation Debuts New Animated Logo Sequence – Watch
DreamWorks Animation on Friday unveiled a new, 32-second curtain raiser that will open its films going forward. 
Florence Pugh Olivia Colman John Mulaney Antonio Banderas Harvey Guillen Samson Kayo Joel Crawford Kitty Softpaws USA county Ray county Randolph film stars Celebrity
variety.com
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‘Puss in Boots: The Last Wish’ Sneak Peek in Annecy Reveals Darker Tone, New Look for Spaghetti Western Fairytale
Ben Croll Nearly two decades after the character broke out in “Shrek 2″ and 11 years since his last solo outing, Puss in Boots – that Antonio Banderas-voiced rapscallion who wields his saucer eyes as dangerously as he does his sword – made his swashbuckling return to the big screen at an Annecy Intl. Animation Film Festival presentation that saw the first 27 minutes of DreamWorks’ upcoming “Puss in Boots: The Last Wish” screen before a packed auditorium.Cheering before the opening song gave way to an action scene, the Annecy crowd greeted their feline friend with a pop idol’s welcome – neatly mirroring the energetic musical number happening on screen.“At the forefront of our minds was not just reintroducing Puss to the world, but introducing the world to where the character is now,” director Joel Crawford tells Variety.
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deadline.com
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‘Puss In Boots: The Last Wish’ Heads To Christmas Time
In the wake of Illumination’s Nintendo movie Mario moving off of Wednesday, Dec. 21, Dreamworks Animation’s sequel Puss in Boots: The Last Wish will now take over that slot, moving back from its Sept. 23 release date.
Florence Pugh Olivia Colman Tom Hanks John Mulaney Antonio Banderas Harvey Guillen Damien Chazelle Ray Winstone Chris Meledandri Joel Crawford Anthony Mendez Rosy Cordero Kitty Softpaws city Lost dance Nintendo pandemic
deadline.com
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‘Puss In Boots: The Last Wish’ Sets Salma Hayek Return; Harvey Guillén, Florence Pugh & Olivia Colman Among New Cast
EXCLUSIVE: The cat is out of the bag.
Florence Pugh Olivia Colman John Mulaney Antonio Banderas Harvey Guillen Ray Winstone Joel Crawford Anthony Mendez city Lost film exclusive Discover
deadline.com
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‘The Croods: A New Age’ Director Joel Crawford And Kelly Marie Tran On How The Film’s Prehistoric Story Is Fit For Current Times – Contenders Film
It took seven years for a sequel to come to fruition from DreamWorks Animation for its 2013 hit The Croods, but as it turns out the timing was just right. The coronavirus pandemic not only impacted the production process for the follow-up The Croods: A New Age, it also actually wound up giving it more gravitas and relevance.
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deadline.com
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‘The Croods: A New Age’ Dawns With $21M Offshore; ‘Demon Slayer’ Still Rising In Japan – International Box Office
Refresh for latest…: DreamWorks Animation/Universal’s The Croods: A New Age led the weekend in China with a $19.2M debut, outpacing local titles One Second and Caught In Time. This is the third best bow for a studio movie in the Middle Kingdom during the pandemic era (behind Tenet and Mulan). In total, the Croods sequel opened in seven offshore markets for a combined $20.8M at the international box office. There were also No. 1 starts in Saudi Arabia, Vietnam and the UAE. The worldwide opening estimate including domestic is $35M.
Joel Crawford China Japan Saudi Arabia Vietnam Uae film social pandemic
deadline.com
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‘The Croods: A New Age’ Dawning With $20M In China
DreamWorks Animation/Universal’s The Croods: A New Age looks set to lead the weekend in China where the cume an estimated $11.6M through its first two days, and pre-sales are solid. This portends an FSS frame of $20M, per Uni, with family uptick throught the weekend . Six other markets are also getting a first look at the prehistoric family pic that’s directed by Joel Crawford, and are expected to round out the global session total to $21.3M.
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