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‘Crossing’ Review: Levan Akin’s Boundary Crossing Film is An Emotional Plea For Trans Acceptance [Berlinale]

A film that invokes its title in myriad ways, Levan Akin’s newest film, “Crossing,” is predominantly concerned with the differences that emerge across national and gendered identities. A plea for trans acceptance that never preaches to its audience, Akin’s film grounds the story of trans identity in Georgia and Turkey through the narrative of two disparate characters searching for someone in a city they don’t know.
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‘The Out-Laws’ Review: Crossing ‘Meet the Parents’ with ‘Fun with Dick and Jane’ Fails to Bring the Laughs
Murtada Elfadl What if you managed a bank, and your fiancée’s folks turned out to be notorious bank robbers who saw their prospective son-in-law as the perfect patsy for their next hit? Not a bad setup for hijinks and hilarity. That’s what the filmmakers behind “The Out-Laws” are hoping, anyway. Produced by Adam Sandler (among others) and directed by Tyler Spindel, the not-so-original Netflix original plays like “Meet the Parents” crossed with “Fun with Dick and Jane.” Seeing as how the former inspired several sequels and the latter a remake, the situational comedy on offer is hardly fresh, though it still could (and should) have been funnier. As Owen Browning, Adam Devine takes the mantle from Sandler to play a schlubby everyman partnered with a gorgeous woman (Nina Dobrev) out of his league. Naturally, he’s kind-hearted and willing to sacrifice all for his one true love. And that’s how the audience knows he’s worthy of her. On the week of their wedding, her long-absent parents (Ellen Barkin and Pierce Brosnan) show up after many years of estrangement. It’s quickly revealed that they were in hiding from their former partner (Poorna Jagannathan), after relieving her of large sums of money. Conveniently, their future son-in-law manages a bank, and so a scheme is set in motion. This being a comedy, no one will get hurt and the sweet guy will keep his beautiful woman.
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