Ed Lachman: Last News

The board of governors at the American Society of Cinematographers on Monday reelected Stephen Lighthill as president for a third one-year term.

Jazz Tangcay Artisans Editor “The Last Showgirl” director Gia Coppola is set to be honored with the Auteur Award at the 7th annual Kodak Awards. “Maria” cinematographer Ed Lachman will receive Kodak’s Career Achievement Award for his contributions to film. Lachman has collaborated with directors such as Todd Haynes, Robert Altman, Steven Soderbergh, Ulrich Seidl, Werner Herzog, Wim Wenders, Bernardo Bertolucci, Jean-Luc Godard, and Pablo Larraín.

Due to the ongoing tragedy of the fires raging across Los Angeles, American Cinematheque has postponed its scheduled Tribute To The Crafts awards show which was to take place on Thursday night at the Egyptian Theatre in Hollywood.

Angelina Jolie is one of the frontrunners for the Best Actress prize at next year’s Oscars and she has been working hard on the awards campaign trail.

Carolyn Giardina The EnergaCamerimage international cinematography film festival has revealed the final three contenders in its main competition. This includes a pair of high-profile sequels: “Dune Part 2,” lensed by Greig Fraser, who won the cinematography Academy Award for Part 1 of Denis Villeneuve’s adaptation of Frank Herbert’s scifi novel; and “Gladiator II,” shot by John Mathieson, who earned an Oscar nom for Ridley Scott’s 2000’s original “Gladiator.” The final nominee is Steve McQueen’s WWII drama “Blitz,” lensed by Yorick Le Saux, which is also Camerimage‘s opening night film.

EXCLUSIVE: Fabula, the production company of internationally renowned brother filmmakers Pablo Larraín and Juan de Dios Larraín, has appointed Yira Vilaro as Vice President Of Film And Television, Deadline has learned.

Will Tizard Contributor Cinematographer and director Warwick Thornton scored top honors Saturday at the Camerimage cinematography film festival for his magical tale of an aboriginal youth, “The New Boy,” which film jurors called a distinctive “portrait of an extinguished spirituality.” Thornton, in accepting the Golden Frog, said he had been so moved by the cinematography work onscreen at the fest, a top global event for directors of photography, he’d been “tearing for a week.” Ed Lachman, director of photography for Pablo Larrain’s horror fantasy “El Conde,” inspired by the life of Chilean tyrant Augusto Pinochet, won the Silver Frog for what the jury called “cinematic high poetry,” while the Bronze Frog and Audience Award went to cinematographer Robbie Ryan for his Gothic dream-like imagery in Emma Stone-starrer “Poor Things,” directed by Yorgos Lanthimos. Actor Peter Dinklage, honored with a festival director’s prize, expressed his gratitude for the Frog statuette, noting actors are “nothing without our collaborators,” followed onstage by cinematographer Mandy Walker, who also served as main jury president, also honored for her work on films such as “Elvis” and “Mulan.” Polish director Krzysztof Zanussi, one of the founders of the European Film Academy, was also feted for lifetime achievement in directing, as was cinematographer Peter Biziou (“The Wall,” “The Truman Show”) in the closing gala, held in Camerimage’s cavernous Jordanki screening hall.

Wes Anderson has helped launch a new digital film club, alongside guest curators Ethan Hawke and Maggie Gyllenhaal.Indian Paintbrush, Anderson’s longtime producing partners, have revealed Galerie – a digital hub which gives subscribers access to original videos, in-depth essays and live events fronted by leading filmmakers.As noted on the website, Galerie will see a rotating selection of curators “be your guide as you expand and deepen your journey through film alongside a vibrant community where everyone is invited to exchange ideas and expand their knowledge”.“Great cinema is all around us, but in this ever-changing landscape it can be difficult to find when navigating algorithms,” the website’s description reads. “We envisioned Galerie as an oasis inhabited by people who value substance over abundance, where curiosity can thrive and meaningful conversation is given the space to grow.”Other confirmed contributors include Taylor Russell, Mike Mills, Ed Lachman, Karyn Kusama, Ari Wegner and Duke Johnson.

Will Tizard Contributor The 30th edition of the Camerimage Film Festival, Europe’s top cinematography event, will welcome a host of stellar guests to the Gothic Polish town of Torun, including Adam Driver, Sean Penn and Academy of Motion Picture Arts and Sciences CEO Bill Kramer. Driver and Penn will screen their latest films, respectively, the high-octane biopic “Ferrari” and the portrait of Eastern Europe’s most remarkable wartime president, Volodymyr Zelensky, “Superpower.” As regular fest guests have learned, the calendar of film screenings is just as important to study as the schedule for panels, seminars and masterclasses.

Peter Caranicas Deputy Editor EnergaCamerimage, the cinematography-focused film festival that will take place in Torun, Poland, Nov. 11-18, has announced three more films for its Main Competition: “El Conde,” “Filip” and “Ferrari.” “El Conde,” helmed by Chilean director Pablo Larraín (“Jackie,” “Spencer”), is billed as a dark comedy/horror picture that imagines a parallel universe in which Chile’s late fascistic dictator Augusto Pinochet is a vampire hiding away in a ruined mansion.

Nick Vivarelli International Correspondent As Chile prepares to mark 50 years since the Sept. 11, 1973 coup by Augusto Pinochet, Chilean auteur Pablo Larraín is back in Venice – following “Spencer” in 2021 – with scathing satire “El Conde,” in which Pinochet, a symbol of global fascism, resurfaces as a 250-year old vampire living in a rundown rural mansion after faking his death. “Pinochet had never been portrayed in film or TV before,” Larrain said.

Nick Vivarelli International Correspondent Chilean auteur Pablo Larraín is back in Venice – following “Spencer” in 2021 – with scathing satire “El Conde,” in which Chilean dictator Augusto Pinochet, a symbol of global fascism, resurfaces as a 250-year old vampire living in a rundown rural mansion after faking his death. The allegorical film, beautifully shot in black-and-white by ace cinematographer Ed Lachman, stars revered 87-year-old Chilean actor Jaime Vadell in the role of Pinochet, who in reality died at the age of 91 in 2006, unpunished and rich. During Pinochet’s 17-year regime, which began with a bloody military coup in 1973, more than 3,000 people died or disappeared due to political violence in Chile, which had previously experienced a long history of democracy.