Emma Stone Peter Dinklage Pablo Larrain Augusto Pinochet Robbie Ryan Mandy Walker Ed Lachman El Conde Krzysztof Zanussi Chile Poland film audience art actor awards photography Music Emma Stone Peter Dinklage Pablo Larrain Augusto Pinochet Robbie Ryan Mandy Walker Ed Lachman El Conde Krzysztof Zanussi Chile Poland

‘The New Boy’ Cinematographer-Director Warwick Thornton Scores Top Camerimage Prize for Mystical Tale

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Will Tizard Contributor Cinematographer and director Warwick Thornton scored top honors Saturday at the Camerimage cinematography film festival for his magical tale of an aboriginal youth, “The New Boy,” which film jurors called a distinctive “portrait of an extinguished spirituality.” Thornton, in accepting the Golden Frog, said he had been so moved by the cinematography work onscreen at the fest, a top global event for directors of photography, he’d been “tearing for a week.” Ed Lachman, director of photography for Pablo Larrain’s horror fantasy “El Conde,” inspired by the life of Chilean tyrant Augusto Pinochet, won the Silver Frog for what the jury called “cinematic high poetry,” while the Bronze Frog and Audience Award went to cinematographer Robbie Ryan for his Gothic dream-like imagery in Emma Stone-starrer “Poor Things,” directed by Yorgos Lanthimos.

Actor Peter Dinklage, honored with a festival director’s prize, expressed his gratitude for the Frog statuette, noting actors are “nothing without our collaborators,” followed onstage by cinematographer Mandy Walker, who also served as main jury president, also honored for her work on films such as “Elvis” and “Mulan.” Polish director Krzysztof Zanussi, one of the founders of the European Film Academy, was also feted for lifetime achievement in directing, as was cinematographer Peter Biziou (“The Wall,” “The Truman Show”) in the closing gala, held in Camerimage’s cavernous Jordanki screening hall.

The 31st edition of Camerimage, set in the historic Polish town of Torun, was highlighted by films showcasing remarkable filmmaking imagery, often followed by talks with directors of photography that drew hundreds of attendees.

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