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Will Tizard Contributor As the start of the Camerimage Film Festival approaches, Variety asked four festival regulars, all sought-after cinematographers, to weigh in on the issues, trends and opportunities the profession is encountering this year – all subjects expected to come up during the fest, which runs Nov. 11-18.

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Rachel Zegler and Gal Gadot attend scaled-back ‘Snow White’ premiere in wake of film’s controversies

controversial film posed for pictures together at the El Capitan Theatre despite their alleged feud.Zegler, 23, wore a rose-colored lace dress with a corseted bodice and a floor-length skirt, while Gadot, 39, had on a sheer black lace dress with a ruffled miniskirt and a floor-length skirt.The actresses channeled their respective roles as Snow White and the Evil Queen with their fashion choices.Their cast members Martin Klebba, Jason Kravits, George Salazar, Andy Grotelueschen, Emilia Faucher, Lorena Andrea, Dujonna Gift, and Idris Kargbo also attended the premiere. Director Marc Webb, screenwriter Erin Cressida Wilson, producers Marc Platt and Jared LeBoff, songwriters Justin Paul and Benj Pasek, composer Jeff Morrow and cinematographer Mandy Walker were at the event, as well.Zegler and Gadot were in multiple photos together on the red carpet for the pre-party celebration, which was followed by a screening of the film.Disney hosted a smaller-than-usual group of photographers and reporters to cover the premiere, a change that was previously confirmed by Variety.The only interviews that Zegler and Gadot did were with people employed by Disney, like Jodi Benson, who voiced Ariel in the 1989 animated classic “The Little Mermaid.”Four days before the LA premiere, Zegler and Webb, 50, promoted “Snow White” at an event in Segovia, Spain which Gadot did not attend.

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Women Cinematographers ‘Being Judged Still,’ Say Top Industry Talents at Camerimage

Will Tizard Contributor Top figures in the cinematography world took on what they described as “a really critical issue that we all know about in our industry” on Tuesday, sharing war stories from the ongoing fight for greater diversity and inclusion. The broader film industry and cinematography in particular are still woefully out of step with diverse filmmaking talent, said the group during a panel held at the 32nd edition of the EnergaCamerimage film festival in Torun, Poland.

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Camerimage: FilmLight Color Awards Winners Announced

Carolyn Giardina The winners of color grading system developer FilmLight‘s 4th annual Color Awards were presented Sunday at the EnergaCamerimage international cinematography film festival in Toruń, Poland. Honored colorists included Company 3’s Greg Fisher, who was recognized for “Poor Things” (theatrical feature); Manuel Portschy, for “The Zweiflers” (TV series/episodic); Nadia Khairat Gomez, for Brodka x Igo’s “Myślę sobie Ż” (music video); and Company 3’s Tim Masick, for Zara’s SS24 Studio Collection (commercial).

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‘Oppenheimer’: Hoyte Van Hoytema Wins Top Honors at American Society of Cinematographers Awards

Jazz Tangcay Artisans Editor Hoyte Van Hoytema has taken top honors at the 38th annual American Society of Cinematographers Awards for his work on “Oppenheimer.” Van Hoytema topped a field that included Edward Lachman for “El Conde, Matthew Libatique for “Maestro,” Rodrigo Prieto for “Killers of the Flower Moon” and Robbie Ryan for “Poor Things.” The awards were handed out Sunday night at the Beverly Hilton Hotel. All five theatrical feature film nominees are also nominated for best cinematography at the Oscars.

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ASC Awards: ‘Oppenheimer’ Takes Film Prize – Full Winners List

Refresh for latest: Oppenheimer continued its romp through awards season by winning the top film prize at the American Society of Cinematographers‘ 38th annual ASC Awards, which were handed out Sunday night at the Beverly Hilton.

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‘The New Boy’ Cinematographer-Director Warwick Thornton Scores Top Camerimage Prize for Mystical Tale

Will Tizard Contributor Cinematographer and director Warwick Thornton scored top honors Saturday at the Camerimage cinematography film festival for his magical tale of an aboriginal youth, “The New Boy,” which film jurors called a distinctive “portrait of an extinguished spirituality.” Thornton, in accepting the Golden Frog, said he had been so moved by the cinematography work onscreen at the fest, a top global event for directors of photography, he’d been “tearing for a week.” Ed Lachman, director of photography for Pablo Larrain’s horror fantasy “El Conde,” inspired by the life of Chilean tyrant Augusto Pinochet, won the Silver Frog for what the jury called “cinematic high poetry,” while the Bronze Frog and Audience Award went to cinematographer Robbie Ryan for his Gothic dream-like imagery in Emma Stone-starrer “Poor Things,” directed by Yorgos Lanthimos. Actor Peter Dinklage, honored with a festival director’s prize, expressed his gratitude for the Frog statuette, noting actors are “nothing without our collaborators,” followed onstage by cinematographer Mandy Walker, who also served as main jury president, also honored for her work on films such as “Elvis” and “Mulan.” Polish director Krzysztof Zanussi, one of the founders of the European Film Academy, was also feted for lifetime achievement in directing, as was cinematographer Peter Biziou (“The Wall,” “The Truman Show”) in the closing gala, held in Camerimage’s cavernous Jordanki screening hall.

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Deadline’s Strike Talk Podcast Week 27: Billy Ray Talks Power Of Collaboration With Three Cohorts In His Directing Debut ‘Shattered Glass’

In his 27th installment of Deadline Strike Talk, Billy Ray leans into the need for labor and studios to realize they must be partners willing to compromise, for this business to get past the strikes and rebound in the coming years. To illustrate the need to be changeable, Ray harkens back to his own 2003 directorial debut, Shattered Glass. He catches up with three vital collaborators who made invaluable contributions to the celebrated film — Mandy Walker, Jeff Ford, and Adam Merims — to discuss what has happened to our business since.

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ASC Awards Sets 2023-24 Timeline, Adds Music Video Category

The American Society of Cinematographers has framed the timeline for its 2023-24 ASC Awards.

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Academy Board Adds Lou Diamond Phillips, Hannah Minghella and More, Wendy Aylsworth Elected for New Production and Technology Branch

Clayton Davis Senior Awards Editor The Academy of Motion Picture Arts and Sciences announced the newly elected Board of Governors for the 2023-2024 year. Elected to the board for the first time are acclaimed actor Lou Diamond Phillips, screenwriter Dana Stevens, executive Hannah Minghella, costume designer Daniel Orlandi and more. Among the newly elected is technology executive Wendy Aylsworth, who will represent the brand new Production and Technology Branch. Aylsworth, who also serves on the Board of Governors for the Television Academy, spent more than two decades at Warner Bros. and became the first woman president of the Society of Motion Picture and Television Engineers.

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Cinematographer James Friend Thanks Parents For Letting Him “Join The Circus Of The Film Industry” As He Accepts First Oscar

James Friend won the Oscar tonight in the Best Cinematography category for his work on Edward Berger’s All Quiet on the Western Front, beating out fellow cinematographers Darius Khondji, Mandy Walker, Roger Deakins and Florian Hoffmeister.

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Oscars 2023: Milestones and history-makers (but no slaps expected)

While it's highly unlikely we'll see a repeat of last year's infamous slap, tonight's Academy Awards could still make history - albeit in rather less dramatic fashion. While Will Smith will not be present - he received a ten year ban after storming on stage mid-ceremony last year to slap comedian Chris Rock - there remains the potential for some groundbreaking first-time winners and major career milestones. Here are some of the moments that might define this year’s Oscars...

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Breaking Baz: Oscar-Winner Sir Roger Deakins Says, “The Best Cinematography Hasn’t Been Nominated” This Year; Thinks Oscars Are “Snobby” About Cinematographers Of Popular Movies

Roger Deakins, legendary cinematographer and knight of the British realm, cut to the chase: In his view several of the best examples of cinematography are missing from this year’s Oscars list.

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Celebrations With Blanchett, Bono, Baz And More; The Best Books On Oscar; Farewell To An Industry Giant &Academy Award Record Holder – Notes On The Season

A column chronicling conversations and events on the awards circuit.

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Cate Blanchett, Mandy Walker Celebrate at Australian Oscars Nominee Reception

Jenelle Riley Deputy Awards and Features Editor Cate Blanchett wore gold sequins and “Elvis” filmmaker Baz Luhrmann directed a group photo shoot at the Australian Oscars Nominees Reception held Thursday night in Hollywood at the Chateau Marmont penthouse. The guest list also included Oscar nominees from “Elvis,” including Luhrmann, DP Mandy Walker, costume designer Catherine Martin and producers Gail Berman, Schuyler Weiss and Patrick McCormick. Also joining in the festivities was filmmaker Lachlan Pendragon, director of “An Ostrich Told Me the World Is Fake and I Think I Believe It,” which is nominated for best animated short film. The event was hosted by Australian Consul-General Los Angeles Ambassador Jane Duke, Ausfilm, Screen Australia and Australians in Film (AiF)

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Breaking Baz: Tom Ford, Annie Lennox, Livia Firth And Jerry Hall Passionate About Saving Planet; Cate Blanchett Celebrates Aussie Movies; Baz Luhrmann Says It’s Time For A Woman To Win Cinematography Oscar

Baz Luhrmann says it would be “an amazing historical moment” if Elvis cinematographer Mandy Walker were to triumph at Sunday’s Academy Awards. To quote Lizzo, “It’s been too long,” the filmmaker tells me last night at the Australian Oscar nominees soirée held in the Chateau Marmont’s penthouse suite.

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‘Elvis’ DP Mandy Walker Makes History as First Woman to Win Top Honors at American Society of Cinematographers Awards – Full Winner’s List

Jazz Tangcay Artisans Editor The American Society of Cinematographers handed out its best visual storytelling in feature film award to “Elvis” on Sunday night, and in doing so, Mandy Walker has become the first woman to win the top prize in the society’s history. Walker triumphed over Greig Fraser (“The Batman”), Darius Khondji (“Bardo, False Chronicle of a Handful of Truths”), Claudio Miranda (“Top Gun: Maverick” and Roger Deakins (“Empire of Light”) in a very competitive race. Walker‘s win comes as Oscar voting ends on March 7, where she is also nominated. She became only the third woman ever nominated for cinematography for her work on “Elvis.” Rachel Morrison (“Mudbound”) made history as the first female DP to land a nom in 2018, while Ari Wegner was nominated last year for “The Power of the Dog.”

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ASC Awards Winners List – Updating Live

The American Society of Cinematographers is handing out its 37th annual ASC Awards tonight at the Beverly Hilton, and Deadline is posting the winners as they’re announced. See the list below.

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From ‘Elvis’ to ‘Russian Doll,’ASC Awards Showcase Art and Tools of Cinematography

David Heuring When the American Society of Cinematographers hosts its 37th annual awards bash on March 5 at the Beverly Hilton hotel, the lucky people in the room will rub shoulders with an astonishing assemblage of motion imaging artists. Hanging over the proceedings will be the ghost of the generation that invented visual storytelling. Although they’re gone, they’ve left a legacy to their descendants: continue to extend the craft and push the liveliest art into the future while adapting tools and techniques that evolve from year to year. Directors of photography will heed that advice. For them, reaching an audience emotionally has always been the result of intuitive manipulation of tone aided by the skillful application of optical and photographic tools – all in concert with other film arts such as direction, acting and editing. Trends have evolved year to year, culminating lately in large-format cinematography, with its fresh image architecture and distinctive depth of field.

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The Oscar-Nominated Women Behind ‘Elvis’: Gail Berman, Catherine Martin & Mandy Walker Speak On The Man, The Myth, The Movie

When one thinks of women and Elvis Presley, it’s either his widow Priscilla, his late daughter Lisa Marie, or the legion of ladies left weak in the knee when the badass kid from Tupelo, Mississippi began shaking that moneymaker. In the case of the eight-time Oscar-nominated film Elvis, the front men are writer/director Baz Luhrmann, Austin Butler and Tom Hanks. Behind the camera, the film was entirely made possible by a chorus of women, many of whom are nominated. They include Luhrmann’s partner Catherine Martin, who’s up for the Production Design Oscar with cohorts Beverley Dunne and Karen Murphy; Mandy Walker, for Cinematography; Gail Berman for Best Picture with Martin, Luhrmann, Patrick McCormick and Schuyler Weiss; and Martin again for Costume Design.

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‘Elvis’ Cinematographer Mandy Walker Talks “Dancing” With Austin Butler’s King Of Rock ‘N’ Roll – Contenders Film: The Nominees

When cinematographer Mandy Walker boarded Elvis, one of her principal goals was to make the camera “dance with” the King of Rock and Roll, as played by Austin Butler.

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