Claudio Miranda: Last News

Jazz Tangcay Artisans EditorThe highly-anticipated sequel to the 1986 “Top Gun” movie has taken off around the world, bringing a new audience as well as fans of the original into movie theaters. “Top Gun: Maverick” opens with a sequence that pays homage to the first film visually and sonically as the music launches into Harold Faltermeyer’s famous “Top Gun” anthem.Editor Eddie Hamilton, who locked picture back in July 2020, breaks down how he helped edit the opening scene.In the first frames of the film, Hamilton had marks to hit as the film paid homage to the original through score, music and cinematography.

Carole Horst Oscar-winning doc makers Elizabeth Chai Vasarhelyi and Jimmy Chin chose an appropriate subject for this move into traditional narrative feature: Diana Nyad, the athlete who swam from Cuba to Florida in 2013 at the age of 64. The “Nyad” directing duo won an Oscar for rock climbing doc Free Solo in 2019, and earned much critical praise 2015’s “Mero” and 2021’s “The Rescue” (which, even though it’s not an extreme sports movie, does feature physical acts of courage and daring). Nyad burned with a passion to complete the swim, a feat that she had to abort four times before; her first time in her twenties. So at an age when most people are planning retirement, she planned a hundred-mile swim.

Roger Deakins, legendary cinematographer and knight of the British realm, cut to the chase: In his view several of the best examples of cinematography are missing from this year’s Oscars list.

Jazz Tangcay Artisans Editor The American Society of Cinematographers handed out its best visual storytelling in feature film award to “Elvis” on Sunday night, and in doing so, Mandy Walker has become the first woman to win the top prize in the society’s history. Walker triumphed over Greig Fraser (“The Batman”), Darius Khondji (“Bardo, False Chronicle of a Handful of Truths”), Claudio Miranda (“Top Gun: Maverick” and Roger Deakins (“Empire of Light”) in a very competitive race.  Walker‘s win comes as Oscar voting ends on March 7, where she is also nominated. She became only the third woman ever nominated for cinematography for her work on “Elvis.” Rachel Morrison (“Mudbound”) made history as the first female DP to land a nom in 2018, while Ari Wegner was nominated last year for “The Power of the Dog.”

The American Society of Cinematographers is handing out its 37th annual ASC Awards tonight at the Beverly Hilton, and Deadline is posting the winners as they’re announced. See the list below.

Jazz Tangcay Artisans Editor The Latino Entertainment Journalists Association (LEJA) has handed out its awards for the year, with “Everything Everywhere All at Once” scooping up 10 wins including best picture, director for the Daniels and actress for Michelle Yeoh. The sci-fi comedy led the nominations with 16, the most in the history of the organization. Paramount’s “Top Gun: Maverick” scored the second-most wins with three for best cinematography going to Claudio Miranda, sound and stunt design. “I am incredibly excited by the selections of our distinguished group of Latino critics, journalists and writers from all over the country,” said Clayton Davis, LEJA founder and president. “I applaud our tiny but mighty organization for selecting a respectable group of films from artists we all love and admire.”

Jazz Tangcay Artisans Editor The ninth annual Variety Artisans Awards celebrated the craftspeople behind Oscar-nominated films at the Santa Barbara International Film Festival on Monday. A crowd of movie lovers, local Academy members and students from the nearby University of Santa Barbara came to see the artisans discuss their processes and talk about the biggest misconception people have about their crafts. The full panel of honorees included “RRR” songwriter M.M Keeravaani, composer Ryan Lott representing Son Lux who did the music for “Everything Everywhere All at Once,” “Elvis” costume designer Catherine Martin, “Babylon” production designer Florencia Martin, “Top Gun: Maverick” cinematographer Claudio Miranda, “The Whale” hairstyling and makeup artist Adrien Morot, “Everything Everywhere All at Once” editor Paul Rogers, “Avatar: The Way of Water” VFX supervisor Eric Saindon and “All Quiet on the Western Front” sound designer Markus Stemler.

Every film is personal, said Steven Spielberg, “but The Fabelmans was like moving back in with my parents and my sisters. I would walk into the house that [production designer] Rick Carter designed, exactly the spitting image of the house I grew up in in Phoenix, Arizona. Everything in my bedroom from those years wound up on the set. They say you can’t go home again. That’s wrong, I went home every single day.”

The American Society of Cinematographers has unveiled the nominations for its 37th annual ASC Awards, honoring the year’s best in feature film, documentary and television cinematography.

Clayton Davis Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages are Davis’ assessment of the current standings of the race and do not reflect personal preferences for any film or performance. Like any organization or body that votes, each individual category is fluid and subject to change. Predictions are updated every Thursday. LAST UPDATED: Sept. 15, 2022 CATEGORY COMMENTARY: We’ll see if the science fiction and the action genres can get representation in the race with Claudio Miranda for “Top Gun: Maverick,” Russell Carpenter for “Avatar: The Way of Water” or Larkin Seiple for “Everything Everywhere All at Once.” When it comes to “Top Gun,” if the studio wants to get into the best picture category, it needs to stay gain at least four tech noms to stay in the discussion, and cinematography could be its ticket as it looks “assured” recognition for best film editing, sound and visual effects (so far).

Clayton Davis The race for best cinematography is among the most competitive races this year at the Oscars. Black-and-white dramas, sci-fi dazzlers and Hollywood blockbusters are among the contenders, and it’s not entirely sure where it all might land.