Every film is personal, said Steven Spielberg, “but The Fabelmans was like moving back in with my parents and my sisters. I would walk into the house that [production designer] Rick Carter designed, exactly the spitting image of the house I grew up in in Phoenix, Arizona.
Everything in my bedroom from those years wound up on the set. They say you can’t go home again. That’s wrong, I went home every single day.” “My whole career, my job as I have seen it, is to be the accompanist and conductor to whomever and whatever should be the center of your attention – that could be an actor, a famous book, a big idea, a high concept,” he told a packed and cavernous Cipriani 42nd Street in NYC accepting the Best Director award from the National Board of Review Sunday night.
But, “I realized for the first time that I couldn’t take cover behind a mothership or a T-Rex or a big mechanical shark” (as per E.T., Jurassic Park, Jaws) he said of making his autobiographical film.
The event had Top Gun: Maverick director Joseph Kosisnki and cinematographer Claudio Miranda re-living the stress of putting six Imax cameras in an F18 fighter jet and maneuvering an aircraft carrier.
Read more on deadline.com