Rodrigo Garcia: Last News

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Netflix Mexico’s 2024 Slate: Luis Estrada, Kate del Castillo, Rodrigo Garcia, ‘Chascas’ Valenzuela and Much More (EXCLUSIVE)

Anna Marie de la Fuente Netflix Mexico has unveiled a rousing new slate in production this year that includes the series debut of Luis Estrada (“¡Que viva México!”), a new pic from Rodrigo Garcia (“Familia”), another series from hit-maker José Ignacio “Chascas” Valenzuela (“Who Killed Sara?”) and “La Reina del Sur”’s Kate del Castillo unusually toplining a comedy. Also leading the pack is series “Gringo Hunters,” produced by Woo Films and Redrum in co-production with Brian Grazer’s Imagine Entertainment in association with The Washington Post.
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Academy Board Adds Lou Diamond Phillips, Hannah Minghella and More, Wendy Aylsworth Elected for New Production and Technology Branch
Clayton Davis Senior Awards Editor The Academy of Motion Picture Arts and Sciences announced the newly elected Board of Governors for the 2023-2024 year. Elected to the board for the first time are acclaimed actor Lou Diamond Phillips, screenwriter Dana Stevens, executive Hannah Minghella, costume designer Daniel Orlandi and more. Among the newly elected is technology executive Wendy Aylsworth, who will represent the brand new Production and Technology Branch. Aylsworth, who also serves on the Board of Governors for the Television Academy, spent more than two decades at Warner Bros. and became the first woman president of the Society of Motion Picture and Television Engineers.
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‘Raymond & Ray’ Review: Ethan Hawke and Ewan McGregor Take a Bumpy Road Trip
Tomris Laffly Imagine a domineering father so dead set on messing with his two sons’ heads that he gives them both the same name. The ghost of one such dad haunts Rodrigo García’s “Raymond & Ray,” a tired, mild-mannered road trip drama that does the opposite of taking the path less traveled. Portraying the two Rays, stars Ethan Hawke and Ewan McGregor might have some audience pull once this Apple TV+ title settles into its streaming home. But in following the two leads’ emotionally messy characters as they half-heartedly embark on a mission to reconcile with their past, the film has little original to offer. You’ll recognize the stock story as soon as Raymond (McGregor) pulls into Ray’s driveway one stormy night and stonily announces to his polar-opposite half-brother (Hawke), whom he hasn’t seen in years, “Our father is dead.” Yes, there will indeed be scores to settle from the past, secrets that will pour out and shades of familial grief that will rise to the surface against the odds, as the brothers learn to accept their late parent, a man both wretchedly abusive and charismatically unknowable. If only García, similarly ham-fisted with his 2020 addiction drama “Four Good Days,” were a touch livelier in stewing these familiar elements, or at least gave us a reason or two to feel for these brothers on a melancholic journey of discovery. Instead, “Raymond & Ray” is curiously alienating despite the two A-listers in the driver seat, some decent chuckles to spare and a handsome, cinematic finish courtesy of DP Igor Jadue-Lillo.
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