Tommy Lee Jones: Last News

From Titanic to Inception and beyond! Leonardo DiCaprio is one of Hollywood’s finest performers — but he had to wait over two decades before taking home his first Academy Award.  

death from pneumonia at the age of 65 on Tuesday.“I’m remembering Val Kilmer today with great admiration for him as a man and as a generational talent who left us an enviable legacy of indelible acting performances,” Carrey, 63, said in a statement to The Post on Wednesday.“His greatest artistic achievements were rivaled only by the grace and courage with which he endured his life’s most challenging moments,” Carrey, who recently unretired from acting, added. “Wishing his family so much love.”Kilmer and Carrey both starred in 1995’s “Batman Forever.” Kilmer, who donned a Batman mask in his final Instagram post before his death, starred as Bruce Wayne/Batman while Carrey played the villainous Riddler.The movie, directed by Michael Schumacher, also starred Chris O’Donnell as the sidekick Robin, Tommy Lee Jones as Harvey Dent/Two-Face, Nicole Kidman as Dr. Chase Meridian/Catwoman, and Drew Barrymore and Debi Mazar as the characters Sugar and Spice.

Oscars is set to be a close race, but it’s unlikely to go Timothée Chalamet‘s way, the anonymous ballots suggest.Adrien Brody has long been considered the frontrunner for his performance in The Brutalist, having dominated the Best Actor category at the vast majority of this year’s ceremonies.However, in a major shock, Chalamet ended Brody’s winning streak when he took home the lead actor prize at the Screen Actor’s Guild Awards for his role as Bob Dylan in A Complete Unknown, making him the youngest actor to win the category.Despite Chalamet’s surprise SAG win, the anonymous Oscar ballets suggest Brody is still the frontrunner, with Ralph Fiennes and Colman Domingo being the most likely to challenge.After speaking with anonymous Academy voters, Variety‘s Clayton Davis wrote: “An interesting conundrum is, I didn’t find as many Chalamet voters that would suggest he’s brewing for an upset, but voters would tell me, ‘I know a lot of people who voted for him.'”“Some suggested that those voting for Dune: Part Two in multiple categories are checking Chalamet’s name off. But I didn’t find as many that would convince me he’s about to pull it off.

The new movie Joker: Folie a Deux doesn’t actively feature the Batman villain Two-Face, but it does feature the origin story for the character.

Men In Black director Barry Sonnenfeld has said he once had to evacuate the set on the movie after Will Smith farted.Speaking on the podcast Let’s Talk Off Camera With Kelly Ripa, Sonnenfeld recalled that the incident occurred when they were filming a scene in the 1997 film in which Smith and co-star Tommy Lee Jones were seen travelling in a car that flipped upside down at high speeds along the roof of a tunnel.According to the director, the pair had to be hermetically sealed into a fake car on set for the scene.Sonnenfeld said: “I say, ‘Roll camera.’ And I hear Will Smith go, ‘Oh Jesus, so sorry. Tommy, so sorry. Baz, get the ladder.’ And you hear Tommy saying, ‘That’s fine, Will.

Let’s Talk Off Camera,” where the veteran filmmaker was promoting his new book, “Best Possible Place, Worst Possible Time.”Smith and co-star Tommy Lee Jones had to be “hermetically sealed” and locked into a tight space to film a scene for the iconic 1997 sci-fi blockbuster, Sonnenfeld recalled, but but just before they started rolling, Smith broke wind.“They have to be put in this device, which is [a car] that transforms into a hyper car, and [they’re] going to go through the Midtown Tunnel upside down,” he said. “We have to bring a ladder over on wheels like it’s like the old days, when you would get on airplanes from the tarmac. We get them up there and we put them in the thing and we turn it upside down and we’re ready to shoot.”“I hear Will Smith go, ‘Oh, Jesus, so sorry.

It would take a lot to ward aliens off without so much as even lifting a finger… But Will Smith can do it if someone pulls his finger.

David Schwimmer can’t help but wonder how different his life would have been as Agent D.

David Schwimmer SWEARS he would have been a much bigger star had he accepted an “amazing opportunity” nearly three decades ago.

EXCLUSIVE: We can tell you that James Franco and Oscar winner Tommy Lee Jones are leading the action thriller The Razor’s Edge from producer Corey Large (Paradise City, It Follows, The November Man) and filmmaker Demian Lichtenstein (3000 Miles to Graceland).

said on X, formerly Twitter. “Will Smith still got it. He wowed the crowd as he surprisingly performed men in black with J Balvin..” another fan said.

wrote on Instagram, sharing a montage of photos from their wedding day.“Thank you for so many wonderful memories and being such a good man. Fly free into the Un-boundless source of light, Peter.

per The Hollywood Reporter. “It feels good to be here. I cherish every single minute now, it’s different,” the “Django Unchained” star continued.

Emiliano De Pablos The 49th edition of Huelva Ibero-American Film Festival, Spain’s largest confab for films from Latin America, Spain and Portugal, will honor Mexican star Cecilia Suárez with its City of Huelva Award. With leading roles in Netflix’s “The House of Flowers” and HBO Latin America’s “Capadocia,” Suárez has also be seen in ABC’s drama “The Promised Land” and has worked on films by as Tommy Lee Jones (“The Three Burials of Melquiades Estrada”), James L.

J. Kim Murphy Steven Weisberg, a film editor whose career through the ’90s onward led him to collaborations with directors like Alfonso Cuarón, Barry Sonnenfeld and Barry Levinson, died Oct. 16 at the Motion Picture & Television Fund hospital in Woodland Hills, Calif.

EXCLUSIVE: Writer-director Maggie Betts has signed with WME for representation.

Clayton Davis Senior Awards Editor The Oscars love it when a movie sticks it to the man. Films focusing on systemic inequality, or the monied elite’s morally murky ways, arrive as many industry voters have spent the better part of the year on the picket lines, holding out for a better contract from studios. These movies could strike an emotional chord with Academy members when they cast their ballots.

Peter Debruge Chief Film Critic While it’s easy to imagine lawyers screaming “objection, your honor!” to the exaggerated courtroom theatrics of “The Burial,” good luck convincing audiences that this David v. Goliath legal showdown between a small-time Southern funeral home operator and an unethical Canadian billionaire should have played out any other way.

The Burial is a not-so-great title; it sounds like a horror film. I hope it doesn’t keep people away from this highly entertaining, crowd-pleasing movie that otherwise is an example of what good old fashioned Hollywood filmmaking can still be all about in the right hands. It feels bigger than life, but it is based on some pretty big lives indeed.

L.A. Confidential Oscar-winning scribe Brian Helgeland had cracked a sequel with the original author James Ellroy to the City of Angels film noir — but no one bit, not even the pic’s original studio, Warner Bros.

For an hour, Finestkind is the kind of movie they don’t make any more, and just when you’re starting to adapt to its gentle, circadian rhythms (which is about halfway through), it becomes the kind of movie they make all the time. Though it just about works, it’s a curious hybrid of emotional felladrama and  gangster realism, something writer Brian Helgeland has essayed before, notably with his script for Clint Eastwood’s Mystic River. A few years back, this could have been a Malpaso production too, and it’s not hard to imagine Eastwood in the role played here by Tommy Lee Jones, an awards-friendly supporting role that gives the veteran actor his very own mini-Gran Torino.

Peter Debruge Chief Film Critic “Finestkind,” the name of both Brian Helgeland’s new film and the high-line fishing boat Tommy Lee Jones captains within it, is one of those words that New Englanders find hard to define, but seem to have no trouble using in a sentence. It means quality — of fish, of people, of principles — and it sets the bar for the shaggy family portrait Helgeland crafts around two half-brothers wrestling with their place in the blue-collar New Bedford community. The movie, alas, is just so-so, tripping over its own feet for the first couple reels until such time as the siblings cross the Northern Line to (illegally) dredge for scallops in Canadian waters, and then it gets good.