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Ryan Reynolds, Benj Pasek & Justin Paul On Their ‘Spirited’ Shortlisted Song ‘Good Afternoon;’ They Dare Reynolds & Will Ferrell To Perform At Oscars

Apple TV+ is in the awards mix for the Ryan Reynolds-Will Ferrell musical Spirited, in particular for the big song and dance number Good Afternoon that has made the shortlist. This is a rip roaring full blown musical number, one that tests the stars ability to not only sing, but dance as well. Here, Reynolds, who suggested the song, discusses pulling it off with songwriters Benj Pasek and Justin Paul, best known for La La Land and for teaming with Hugh Jackman on The Greatest Showman. The same Jackman who is publicly campaigned against the tune for fear that Reynolds will be extra insufferable when they reprise their superhero characters Deadpool and Wolverine.

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Editor’s Pick: ‘Dear Evan Hansen’ at the KenCen
Dear Evan Hansen entered a world pre-too many things to mention, at a moment of unimaginable innocence compared to the here and now.The musical, with a book by Steven Levenson, and music and lyrics by Benj Pasek and Justin Paul, had its world premiere at D.C.’s Arena Stage in 2015 and enjoyed a moment practically to itself at the forefront of a nuanced conversation about teens and depression, guns, suicide, and the pervasive influence of social media.The lore is long surrounding Michael Greif’s original production — perhaps most fervently among those who missed it — and the early revelation of seeing Ben Platt perform the title role.That was before Pasek and Paul had cemented their golden rep as the Oscar-winning lyricists of La La Land‘s “City of Stars,” and composers of original songs like “This Is Me” for Hugh Jackman’s blockbuster hit The Greatest Showman.That was before director Greif took Evan Hansen to Broadway and the show earned six Tonys, including Best Musical and Best Actor for Platt.Eras and movements have come and gone since the show helped frame new ways of considering a host of hot-button issues — chiefly teenage mental health — and before shocking real-world events, from Parkland to presidential politics, kept reshaping the conversation at a grueling and violent pace.Dear Evan Hansen now comes back around for a second time with the touring production of Greif’s Broadway staging, three years after its first stop at the Kennedy Center.It long ago shed its original cachet as the edgiest pop culture phenom around about disaffected teens. In fact, years of audience-pleasing commercial success might have smoothed some of the show’s formerly sharp edges.